Tag Archives: photo equipment

The Return of MACRO and MORE !

Usually when sequels to movies come out they are rarely good ones. There are some exceptions like the Godfather 2 and others.

moats-mugWell hold on to your hats! Macro and More is BACK!!! (Though for now only one day–read on)

First, let me say that I don’t like the word Macro for a few reasons. Macro photography normally means 1:1 shooting with a macro lens. I rather the term “CLOSE UP” Photography be used. I make a lot of decent images with other lenses, rather than just macro lenses …. just my $0.02. Continue reading The Return of MACRO and MORE !

A Few Great Days in the Smoky Mountains

images and text © Jack Graham Photography                  www.jackgrahamphoto.com

2017 Workshop Schedule / JACK GRAHAM PHOTOGRAPHY

_jgx0491-editGreetings from Townsend, Tennessee, in the heart of the Great Smoky Mountain National Park. I am here this week to speak at the 2nd annual Great Smoky Mountain Photo Summit. It’s great to get to see so many friends, both pro photographers as well as attendees. This is a four day conference that includes breakout sessions, group talks, field trips, vendor interaction and more.

The most great to be able to interact with about 200+ folks, all eager to learn from the 15 or so “pro’s on the roster …all in one place! It’s also fun to get to hang out with the other instructors/speakers, most of which I only run into in the field. The stories are never ending.  For me is “hanging” with the other “pro’s” here and exchange stories and experiences is a lot of fun. We are all still learning from each other!

Every morning we take out groups into the park for some field work. The color here this year isn’t great, but the Smoky’s is always a beautiful place to be.

I thought I’d share a few images with you from yesterday and today.

(Bill Fortney and I are going to be doing 2 events (Photography workshops) here in the spring and one in the fall of 2017, if anyone’s interested… we’d love to have you along!– CLICK HERE for information—-JG

BELOW ARE IMAGES FROM YESTERDAY AND TODAY. All images made with The new Fujifilm flagship camera the X=T2 and Fujinon lenses.. I use  FUJIFILM cameras  and lenses exclusively.

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(yes we had a rain shower!!!!  how’s this for ISO 12,800 !    Thank you Fujifilm!)

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Practicing, “Know your Ax”… Perfecting Your Skills … & Never Stop Fine Tuning

Knowing your “AX”…….   It’s Important

“Practice does not make perfect. Only perfect practice makes perfect.”  …………….Vince Lombardi

I have a degree in music. I was a professional musician in and around  New York City until 1989. In 1989, I played over 175 “dates” and made a considerable amount of money. 1989 was also when it was “Been there, done that” time in my life. That’s when I really moved into photography and used this medium to express myself, much like music.

To be a good enough musician to make it, one must practice, practice and then practice some more. You had to “know your Ax”, ( your instrument of choice) as we musicians used to say. The musicians local 802 directory in NYC was as big as a phone book. You had to be a good player to make it there. I still practice every day, but now with my camera.

Being just OK is not enough in music, or really any art form, to make it. In music, there are lots of great players at every turn, looking to take your job. All the silks you need come from wood-shedding and continued learning. Photography is no different.

As part of my photography workshops I constantly preach that we need to be able to “get around”… (a musician’s term) our cameras, know each function button and what they do like the back of our hand,. By doing so now our right brain or creative side can function at capacity. This takes practice.  A musician “sees ” a sheet of music. A photographer”sees” an image. You probably will not learn to “see” until you are not in deep concentration wondering is your settings are correct.

Unfortunately, I see folks buying expensive equipment, myriads of software, and all the latest and fastest lenses etc., all looking for that “magic pill” that will make it all fall into place. Sorry folks, it does not work that way. It takes practice. I used to enjoy seeing the younger guys coming into the music store on 48th Street in NYC trying out new mouthpieces, thinking that a new mouthpiece was the Holy Grail. When I play my trumpet today; I still use the old Vincent Bach,Mount Vernon 5C (for you trumpeters) that I’ve used since high school! Believe me, it isn’t the mouth piece. It’s not the new gear that we have available today. Its practice and honing your skills.

I was introduced to perhaps the greatest trumpet player to have ever lived at an early age. His name was Rafael Mendez a Mexican.  What a life this fellow had. He was born in Jaquilpan, Mexico 1906. It is told that he practiced more than his father allowed, but he practiced. In 1916 he became the bugler to the famous guerrilla leader, Poncho Villa and was drafted into the Mexican Army. Villa demanded that Mendez stay with the rebels even after the rest of his family was allowed to return home! SOon after even My Villa recognized Mendez’s’ talent and released him.

Mendez came to American the early 1930’s, taking work in automobile factories in Detroit and practiced like a demon. He moved to southern California in the mid 1930’s and by 1940 was THE most in demand trumpet player in Hollywood. Decca records offered him a 12 record contract, unheard of for a trumpet soloist during this time.

OK, so why an I telling this story?  Mr. Mendez is no different from what successful photographers should be… perfectionists. Please turn up your speakers and listen to what Mr. Mendez says in this short black & white video. Think of how to apply his words to your camera and to photography. There is no difference. You will be a better photographer if you follow his words. ( and does not he play like anything you’ve ever heard?)

Please click HERE to access the video.

Note his opening line. “There are no shortcuts to learning how to play a trumpet. It takes practice”. The same goes for photography. This video says it all. I can not add more. I suggest that we think about what Mr. Mendez says everyday, as we strive to improve our craft.

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 FINE TUNING USING TODAYS TECHNOLOGY

There is a story, as there are many about Ansel Adams. When he was about 80 years old, one day he was printing one of his “classic” masterpieces. He finally waked out of the darkroom holding the print he made exclaiming “I finally got the print I wanted when I made the negative”  What was amazing is that the image he printed was captured and and first printed by Ansel when he was 30 years old!

He was still finding ways to improve his work.

Though most viewers will never notice, I often find myself adjusting my master files using today’s technology before posting an image or making a print. I am totally committed to ongoing improvement and learning. In addition, my vision in some respects has changed over the years. Conversely, sometimes after working on the image for a few minutes I realize there’s nothing I can do to improve it, for my taste. I’ll leave it as is.

Recently I was working on the image  on the left. This location is looking north toward San Francisco Bay on the cliffs of the Marin Headlands in California. I worked a bit with the color range, and used the eyedropper tool in Photoshop in a separate layer. By adding a very small curve in a separate layer, I was also able to bring out some detail and slight color enhancement not present in the original Ilfochrome  print. I also was able to bring down the color in the water just a bit to balance the colors more evenly. By adding a bit of sharpening, and as usual some subtle “tweaks” offered by Nik Software, I think that I was able to revive this image quite a bit.

I suspect that someday, I will work on it again with newer technology… but then again… maybe not.

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