Tag Archives: Iceland Photography Workshops

Winter Iceland Adventure 2017–Day 5

brffuk0002-fujifilm-x-photographer-badges-us_jack-graham-2All images  ©Jack Graham / Jack Graham Photography LLC

Al images made using FUJIFILM “X”Series Cameras and Lenses

Jack’s Website     Jack’s 2017 Workshop Schedule


DAY 5.

_jgx2298-edit-editTonight we are back in Reykjavik after a great 5 day winter Photography Adventure (Workshop) here i Iceland. Tomorrow we travel back to Seattle. … just a great 5 days in one of the most beautiful spots on the planet.


We made some images in the rain today on the way back heading west to Reykjavik. Lots of water, action and green. This winter there is little snow close to the ocean


Please visit my website for details on our 2018 adventure. There are a few spots left.






Winter Iceland 2017…Day 2

Text and images © Jack Graham / Jack Graham Photography LLC

All images made using FUJIFILM “X” Series Cameras and Lenses



Sunrise Light

We had great light and great conditions, exceptional for a winter day here in Iceland. After a great sunrise and  a great sunset we were treated to a wonderful aurora display over Jokulsarlon. The images speak for themselves. Without light, images suffer!






Jack Graham Photography / TOP 10 IMAGES FROM 2014

Complete 2015 Workshop Schedule, Discounts and Registration Forms


Bill Fortney’s FUJI XT-1 Users Guide-

I recommend this highly!

TOP 10 IMAGES of 2014
©Jack Graham/ Jack Graham Photography

Seems these days everybody has their top 10 of everything from the previous year.
As I sit here in my office getting ready for 2015 on this rainy January 2nd (2015) …I’ve pulled out 10 images from 2014. I hope you enjoy them. I have lots of unprocessed images, but these stood out to me as memorable. Sometimes an image means more to me because of where I was, the conditions etc….. Not just the photography involved. I hope you enjoy them. All images were made using my FUJI XT-1 camera with Fuji glass, Really Right Stuff Tripod and Ball Head… unless noted…. I’ve written a short commentary on each.
Since these are already compressed JPEGS, I am going to show these full size in this WordPress blog for the best resolution I can get. These are not in any order of preference, just 10 images from 2014.
Interestingly enough, 5 of the 10 were shot in Iceland. Three were long exposures using my Singh-Ray 10 and 15 stop MOR SLO filters (the best you can buy!)
I wish you all a Happy and healthy 2015! —Jack

IMAGE 1—This image was made at Trillium Lake, Oregon last spring. We never got the classic sunrise there but the light was really magical for about 20 minutes.
Fuji 18-55mm, 12 seconds at F11 -2/3comp, ISO 200



IMAGE 2—I spoke at a camera club near St George, Utah in November and visited Zion NP for a few hours of shooting before the sun encroached the canyon. It was fall in Zion… what a great time to be there ( I’ll be doing a workshop there next fall-INFO HERE)—that’s not why this image is here, I just loved the color against the canyon wall while utilizing a long exposure for the effect.               Fuji 10-24mm, 45 seconds at F16/ ISO 2500, Polarizer



IMAGE 3 —-  We had great light but sunset looked impossible on this lake close to the Vatnajokull in South Eastern Iceland. We all noticed the patterns in the pack ice. We waited out the sunset and sure enough we got one. My workshop attendees often here me say “If you don’t go, you don’t know!”
Fuji XE-2 camera, Fuji 55-200 mm, 1/30 seconds at F16 -2/3comp, ISO 200




IMAGE 4— Springtime in Canyon de Chelley (Arizona) can be so beautiful. The air feels warm and the breezes delightful. What makes it great for me is the greens that the cottonwood trees display against the red rock sandstone walls deep inside the canyon. This tree caught my eye immediately and my group all got the shot. We’ll be back again in April and fingers crossed, we’ll have the color we had in 2014.
Fuji 18-55 mm, 1/90sec at F8, ISO 1600



IMAGE 5 — Cadillac Mountain at sunrise (Acadia National Park, Maine) is amazing. I decided to try and feature the lichen covered rocks as a path to the fall color of the area. Without an image you could not describe this color and area. I can’t wait to get back there with Bill Fortney in 2016 for a fall workshop.
Fuji 10-24mm, 1/125 sec at F20 -1comp, ISO 800



IMAGE 6 — After our summer 10 day workshop in Southern Iceland, my friend and partner, Greg Duncan and I took a 3 day excursion to the West Fjords with the help of master photographer ( and winter workshop assistant) Orvar Thorgeirsson . Not many folks live up here as the conditions can be brutal. We drove along a one lane dirt bumpy, primitive road and came upon an empty farm house overlooking the fjord. The vastness of Iceland is amazing, thus the use of Fuji’s sharp as a tack 14mm lens.
Fuji 14mm, 1/30 sec at F16, ISO 200



IMAGE 7 — Perhaps my personal favorite image of 2014 is this one. I am not know as a wildlife photographer but love to photograph animals when I get the chance. I got so caught up in getting this image, I didn’t realize until I put the camera down that these horses were only about 10 feet away from me. Fortunately they split away and didn’t run into me. I used an extremely high ISO to freeze their manes and action in this image. I love these horses. They are one of the most cooperative and favorite subjects of my workshop attendees to photograph in Iceland.
Image hand held / Fuji 18-55mmm, 1/2900 sec at F4.5 ISO 2000



IMAGE 8 — Continuing with the wildlife theme, these puffins were photographed in the West Fjords on a high cliff overlooking the North Atlantic. They are accustomed to humans and are thus unafraid of us. The image was made while lying on my stomach literally about 5 feet from them. It was fun staring them down! This bird had some herring in its mouth on the way to feed their young.
Fuji 55-200mm (at about 70mm), 400 seconds at F5.6, ISO 3200



IMAGE 9 — This image was made in Iceland last summer on the famous Jokulsarlon, a glacial lake with flowing ice that broke free of the glacier. This area is photographed quite frequently so I thought about getting a shot a bit different from what we normally see. I used the Singh-Ray 10 stop MOR SLO ND Filter to obtain a shutter speed of 56 seconds
Fuji 18-55mmm, 56 seconds at F22, ISO 200



IMAGE 10 — Finally, this image was made in an old barn I take my attendees to in the Palouse region of Eastern Washington every June (I do this workshop with Bill Fortney as well). I was attracted by the light beams coming through the back of the barn. Just a small amount of compensation made them stand out. Again, the Fuji 14mm lens proved its worth. Anything other than monochrome would have done this image a disservice.
Fuji 14mm, 1/20 seconds at F11 -1/3comp, ISO 200


The right to download, store or output any content on these websites http://www.jackgrahamphoto.com and http://www.jackgrahamsblog is granted for preview purposes only and may not be reproduced in any form .All Photographs appearing on these sites are the property of Jack Graham unless otherwise noted.
These photos are protected by U.S.Copyright laws and are not to be downloaded or reproduced in any way without the written permission of Jack Graham
By entering these sites you accept these terms. If you need permission to use a photo on these sites please call
503-625-1430 or email Jack @ Jack@jackgrahamphoto.com

Last Minute Gifts for the Photographer


              Jack Graham Photography Website

Ultimate Iceland Photography Workshops Website

FOR COMPLETE 2015 Workshop info click the following link:2015 WORKSHOP_REG_DEP_FINAL

   Workshop Discounts—Click the following link:2015 WORKSHOP DISCOUNTS v3

_DSC1278-EditThe holidays are here!!!! It really feels like that time of year as well. I live only about 20 miles from Mt Rainier and the few days without clouds allowed a magnificent view of this now snow-capped mountain… amazing.

I am going to list a few ideas for gifts for either yourself or for other photographers. Every one is a product I own and use. I can honestly tell you they will help you make better images and enjoy photography.

First, for some shameless advertising! My workshops are filling quickly (take advantage of the discounts!). Locations in the American Southwest, Pacific Northwest, Iceland ( winter and summer!), the Eastern Sierra in October, Grand Teton NP for fall color and again for winter photography, The Palouse region of Eastern Washington, Death Valley NP in February and again in November… as well as some new spots like the Blue Ridge Parkway, Arches and Canyonlands NP. It’s also our year to get back to NE Ohio for our fall in Ohio featuring a full day with the Amish workshop in October then off to Zion NP.

I am fortunate to co-lead some of these workshops with my good friends and expert teachers and photographers Guy Tal and Bill Fortney.

Why not give a gift or treat yourself? As always contact me for more information.   jack@jackgrahamphoto.com

Heat 3 Smart Gloves (USE CODE JGP10 for 10% off and free shipping)

heat81v9P38xuqL._SL1500___24640.1415644514.1280.1280I personally tested and purchased these last month in Wyoming–yes it’s cold in December in the Tetons! Without reservation I can tell you these are the best gloves for warmth while allowing complete access to my camera dials and buttons. They were originally designed for the European Special Forces for warmth, grip and dexterity. They are the perfect extreme winter gloves for photography. I have looked for the best winter gloves that allows me full functionality of my camera while keeping as warm as possible. They simply do the trick.

They performed way above my expectations. Are they cheap? — NO! Are they the best? — YES! There is nothing like being warm when working in the field in extreme conditions.

Featuring the highest quality construction, the outer shell is made from an Elastic Microfiber with water-resistant and breathable qualities much like Gore-Tex. The palm has full goat leather for added grip, warmth and durability and the insulation is Prim aloft for optimal warmth. With a mitten and glove design, a zipper across the palm opens up to expose the fingers for working your camera. A magnetic clip holds the mitten top in place and the thumb cap uses Velcro. Heat packs can be installed on both sides of fingers and in the wrist. A draw string around the wrist of the extra-long cuffs keeps snow out and wrist safety harnesses are included. The thumb and index fingers are conductive for touch screen operations. The ultimate cold weather glove with the ultimate dexterity! —HIGHLY RECOMMENDED!


There are literally thousands of really great E-Books available these days.


FOR THE GENERAL PHOTOGRAPHER:–I would strongly suggest you consider Bill Fortney’s new e-book series on general photography. These books are geared to the beginner to the advanced amateur. They are easy to get through. I would compare these to the series of books published quite a few years ago by John Shaw. Bill takes you, step by step, through all the areas of photography one needs to be proficient at in order to make consistent quality images.







In addition, for you Fuji XT-1 enthusiasts, Bill has a “Complete Guide to the XT-1” He will walk you through every menu setting carefully explaining the hows, whys and suggested settings. This is a MUST for Fuji owners.

Also check out his “Americana” e-book— it is impressive.

TAKING THINGS FURTHER— I strongly recommend buying and reading over and over every e-book written by Guy Tal. Click HERE for his selection. Guy is a thinker as well as an amazing photographer. There is not a better communicator of the art than Guy. You’ll get insights into all of the photographic processes as well as Guy’s intuitive insights into photography. You’ll be not only a better photographer for reading and learning from these books, but have a different way of looking at the world.



Check out my good friends at Hunt’s Photo and Video for Holiday specials… Call John Duggan 781-462-2314 and tell him I sent you for great (and I mean great) service. Hunt’s offers the BEST pricing with personal service! I just looked at their website and there are some really good deals going on.

Bataflae 26L Bataflae26L

I LOVE MY GURA GEAR—Yes I belong to the bag of the month club too, just like lots of you folks. However, just like The Really Right Stuff equipment, and Singh Ray filters etc… you do get what you pay for in bags.  NO, they are not the cheapest. Which bag do I use? Well, it all depends. Frankly I have one of each of Gura Gears Bags and they all serve a specific purpose.

They use the best zippers and material available. You will not be disappointed.


I am noticing an increased interest in LONG EXPOSURE PHOTOGRAPHY both in my workshops as well as in images I view online. You’ll need 3 things to become a good long exposure. First is a good tripod and ball head. I recommend you buy the best early in your photography life and save a lot of money. I use the REALLY RIGHT STUFF Tvc-33. And the BH-55 head. Like the gloves, they are not cheap, but I know they are going to outlast me! Second you will need a good remote shutter release system.

I use the HAHNEL GIGA PRO 2.4Ghz wireless timer (I use the Canon on my Fuji XT-1… make sure you order the one for your camera).

mor-slo-filter MOR-SLO     ND’S..

Third and most important is using good quality ND filters. I see all kinds on my workshops. The bottom line is if you buy filters from anyone other than Singh-Ray you will most likely run into some color shift or lack of quality. Singh-Ray just makes the best. Again, are they cheap? —NO! Are they the best? —YES! They stand behind their products. I use a MOR-SLO 10 and 15 stop ND. I also would recommend the Vari ND. (If you call them use my code JACK10 for a 10% discount).READ MY ARTICLE ON LONG EXPOSURES ON THE CURRENT SINGH-RAY BLOG

Photograph America Newsletter

REMEMBER..  The best way to photograph America is by using Robert Hitchman’s PHOTOGRAPH AMERICA NEWSLETTER…Tell Bob I sent you!



The best lens cleaning cloths–yes they are for auto detailing, but they are the best I’ve found for removing dust and water from my lenses, (Made by 3M).

I protect my Fuji Lenses in my GURA GEAR camera bags with pouches made by FOTO TECH…check them out!

FotoTech Extra Thick 4 pcs DSLR camera Drawstring Soft Neoprene Lens Pouch Bag Cover size S M L XL for Sony Canon Nikon Pentax Olympus Panasonic with FotoTech Velvet Bag. They are inexpensive and offer good protection…

91iJCbCdxHL._UX522_Protect your ears with the 180TEC Fleece Warmers!-these are really  are great!180s Tec Fleece Ear Warmers—


FUJI BATTERIES--For under $30 you can get 2 batteries, a wall charger and an auto charger from Wasabi–click this link!—Wasabi Power Battery (2-Pack) and Charger for Fujifilm NP-W126 and Fuji FinePix HS30EXR, HS33EXR, HS50EXR, X-A1, X-E1, X-E2, X-M1, X-Pro1, X-T1

What a deal—and they last as long as the factor ones from FUJI!


NOTHING TO DO WITH PHOTOGRAPHY—but this is really cool!

Abco Tech Water Resistant Wireless Bluetooth Shower Speaker with Suction Cup and Hands-Free Speakerphone, Black


I don’t know about you but there is something about looking at a print in a book rather than on a monitor. Check out these two awesome NEW books:

art wolfe eimw

THE EARTH is MY WITNESS by Art Wolfe… Art’s most comprehensive collection yet.. A must have for any photographer—buy it and get inspired!


THE EARTH”S LAST GREAT WILD PLACES by Thomas Mangelsen. Tom is one our greatest photographers and his new book is impressive. I highly recommend this as well.

FINALLY—— (and I will pour one after this blog post posts!)

I love a good gin and tonic. SO we pour 3/4th of the drink using store-bought shelf tonic-using good gin?  That doesn’t make sense.   —- I use Fever Tree Tonic-–very hard to find but you can find it on AMAZON .COM.

Fever-Tree Indian Tonic Water launched in the UK in early 2005, the brand name chosen due to fever tree being the colloquial name for the cinchona tree in which quinine, a key ingredient for tonic, is found. The highest quality quinine was sourced from the Rwanda Congo border and blended with spring water and eight botanical flavours, including rare ingredients such as marigold extracts and a bitter orange from Tanzania. Crucially, no artificial sweeteners, preservatives or flavourings were added.

Fuji XT-1/ Fuji  55-200MM/ ISO 3200,  F 5.6 at  1/4000 sec
©Jack Graham Fuji XT-1/ Fuji 55-200MM/ ISO 3200,
F 5.6 at 1/4000 sec


Winter Sunset, Iceland

The right to download, store or output any content on these websites www.jackgrahamphoto.com and www.jackgrahamsblog is granted for preview purposes only and may not be reproduced in any form .All Photographs appearing on these sites are the property of Jack Graham unless otherwise noted.
These photos are protected by U.S.Copyright laws and are not to be downloaded or reproduced in any way without the written permission of Jack Graham
By entering these sites you accept these terms. If you need permission to use a photo on these sites please call

503-625-1430 or email Jack @ Jack@jackgrahamphoto.com

WIldlife Photography with the Fuji XT-1-GRAND TETON NATIONAL PARK

2015-Workshop-Schedule   Workshop-Discounts



images and text © Jack Graham

_JGP0003-Edit-EditFuji XT-1  Nikon 300mm F4 (with adaptor for Fuji) ISO6400 1/1800th at F4

I arrived here in Jackson Wyoming last night (11/30) just in time for the snow to start. It snowed lightly overnight, perhaps an inch or two. Today I spent a few hours scouting in the Grand Teton National Park in preparation for my last workshop of 2014, which starts on Wednesday night.


Fuji XT-1  Fuji 55-300  ISO3200 1/4000th at F8

This was my first experience photographing wildlife with the Fuji XT-1. I will be the first to admit I am far from being a competent wildlife photographer.  I also went in to say hello to my good friends in Tom Mangalsen’s gallery here in Jackson. If you want to see a great wildlife, as well as a landscape photographer, check out Tom’s work!


Fuji XT-1  Fuji 55-200   ISO1600 1/680th at F16

I went into the park with the Fuji XT-1 and my Nikon 300F4 (450mm on the Fuji) and my 18-55mm 2.8 as well as the 55-200. The snow and changing weather really had the animals active (with lots more coming tonight!). Within 3 hours I found big horn sheep, elk, river otters, trumpeter swans, bald eagles and buffalo. The landscape was really beautiful as well.


Fuji XT-1  Fuji 55-200   ISO5000 1/4000th at F8

Again, I am amazed at the sharpness of the Fuji glass and the ability of the XT-1 to deliver really noise free images up to 6400 ISO. I shot mainly with the 55.200 ( 78-300mm on the Fuji) The big horns at times were so close to the truck even that lens was too much! (When I stopped, they come over to lick the salt off the vehicle left over from yesterday’s trip on the interstate.)

I shot pretty much on continuous low, giving me a short burst of frames of which to choose the sharpest and best pose (Aperture priority). The snow added a nice touch, even though it was about 15 degrees!

So here are a few images from today… enjoy!   —JG


Fuji XT-1  Fuji 55-200   ISO3500 1/160th at F8

2015 Photography Workshops, FUJI XT-1 Guide… featured article “THE POWER of MONOCHROME”

Jack Graham & Bill Fortney
Jack Graham & Bill Fortney

WHAT’S NEW……… Look for my good friend Bill Fortney’s new e-book “A GUIDE TO THE FUJI XT-1” for sale coming December 5th. It is a comprehensive guide to this magnificent camera containing over 160 pages and 250 illustrations. It is a true user’s guide containing countless tips, recommendations and examples of work done with the Fuji X-System family of cameras. Reviews of lenses, buying recommendations, how to build a system, how to carry it all, and much more! Click HERE for information. _DSC3878-1235-1236-1237

This month’s issue of Extraordinary Vision Magazine has an article on long exposure photography. For those who have interest in long exposure photography take a look. This online magazine (available for iOS and Android) is a very high quality publication and well worth your time exploring. I am honored to be part of it this month! You can read it for free by clicking HERE

2015-Workshop-Schedule (Remember register before Jan 1 and receive a 10% discount (not including International workshops or workshops I do with the Pacific Northwest Art School)
Here is the complete list of my WORKSHOP DISCOUNTS.


1) Back by popular demand— Bill Fortney will be back in Nelson Nevada and the “Boneyard” (Las Vegas Neon Museum) in March for a sequel to this month’s successful experience in these locations.

Fuji XT-1/Fuji 14,, 2.8
Fuji XT-1/Fuji 14,, 2.8

2) New locations in 2015! — Northern Iceland Photography workshop in July right on the heels of our Iceland, Southern Coast Workshop;  Blue Ridge Parkway & Grandfather Mtn with Bill Fortney in June and back to NE Ohio (and our amazing full day with the Amish) in October.

3) Other locations include: Death Valley, Olympic Peninsula, Fall and winter trips to the Tetons, 2 workshops in Arizona featuring the slot canyons, Hunt’s Mesa and Canyon de Chelley, ….. Zion National Park, 2 workshops on the Oregon Coast, and the Palouse with Bill Fortney

yellow aspens in Eastern Sierras4) Don’t forget … I’ll be in the Eastern Sierra once again (21st year) this October for our fall color workshop with my good friend Guy Tal. We’ll also be doing our Master Class the following week. This year’s was a great success…don’t miss this!

5) PACIFIC NORTHWEST ART SCHOOL—on Whidbey Is, WA—This year in addition to our annual 3 ½ day event in June, I’ll be doing some special 2 day events. Please visit their website for details. These 2 day events are totally different from our June event and are already creating lots of interest.

6) Finally Iceland… Our 2015  ULTIMATE ICELAND winter workshops are sold out and our 2016 winter events are already about ½ sold out…. Register now. There are still a few seats remaining for our July excursions. Look for a big announcement in February regarding another winter location!



The Power of Monochrome ©Jack Graham

 LAMVHMESA3_110413_5334BWWhen reading this short essay, remember I have no plans to abandon color photography. My feelings are that both mediums have their place. Some images are better represented in color and others in monochrome. The principles of photography carry over to both methods. The only difference is in certain images, the lack of color and the power of monochrome can stand out when applied correctly.

LAWA-CONBOY3_0910_1159b&wI also prefer to use the term monochrome rather than black and white. When viewing a black and white image, we are really looking at shades of gray, not just black and white. When we think of monochrome photography we almost always think of Ansel Adams, Henri Cartier Bresson, Minor White, Robert Frank, Paul Strand, Dorethea Lange and Edward Weston, just to name a few. We think of powerful images delivering a story clearly transmitted to our brains. We think of monochromatic images going back to the acceptance of photography as an art. Thank you Mr. Stieglitz!

TRAZ_CDC1_110411_5637MColor film was actually developed in the mid-1800s but due to the primitive nature of the products, colors faded from the prints quickly. Just before 1900, if one had the money, one could buy the proper equipment to make color images. Only the very rich could afford to play in this process.

LAORCST_BANDON4_130507_6007MIn 1935 Kodak brought to market Kodachrome. However because of the expense compared to black and white, color processing was not the norm until the 1970s, just 50 years ago! Interesting enough it was Polaroid who introduced the first instant color film in 1963. By 1970 color film was the norm for most “snapshots.” However, black and white film was still used by some photographers for the aesthetic nuances that it offers. It was common for black and white photographers to do their own developing and printing. Color film was dramatically improved, but black and white photography continued to be used as a different method to tell the story, in unusual and powerful ways.

Today I strongly feel that deciding to eliminate color, as an option in telling our story through photography, is a choice not to be taken lightly. It is important to decide, even before the photograph is made, if this image is a possible candidate for monochrome. I have made many images where color is actually a distraction from the strength of the image itself as well as subtracting from the meaning I am trying to convey.(See example below)


PART_BICY1_111027_3060ERBWForm, as well as texture, can be brought out in monochrome much stronger than in color. In monochromatic photography, we are using our eyes and brains to look the form of a subject, the texture of the subject and not confusing ourselves with trying to, at the same time, decipher and process color. When making color images we think about brightness, hue of color and more. With monochrome images we are only dealing with shades of gray. This is one reason why monochrome images can be exceedingly more powerful than color if produced correctly. Again, the process starts before the camera comes out of the bag.

Palouse WA._Barn Photoshop, or any type of computerized monochrome processing that we may be working with today, parallels what Weston and Adams did in the darkroom years ago. In many ways monochromatic photography can exceed the power of color both in emotion and how the image is viewed and interpreted.



_DSF0235-Edit-Edit-Edit-EditWhen working in monochrome consider using tone, brightness, texture and contrast within your image to tell the story and communicate your feeling. Consider that complementary colors like red and green can often look the same in monochrome. If the textures in a monochrome image are identical they become hard to differentiate. Using different textures within an image in monochrome is another way to bring out the feeling from the start. I find differentiating the depth of field of a subject in monochrome photography is more important than if photographing in color. Making one part of the image sharp and the other out of focus can really accentuate the image.

_DSF0191 Panorama-Edit-Edit-Edit-Edit

Using these concepts and techniques will get you on the path to seeing in monochrome and being able to deliver images with significant value. But there is much more to learn about making quality monochromatic images. Understanding the Zone system, proper processing technique in monochrome as well as perfecting your printing technique are all important. I strongly suggest reading and learning from Guy Tal’s Creative B & W Landscape Photography.  Also reading Ansel Adam’s book “The Negative”, originally published in 1981, is suggested.


FOR ARTICLES AND WORKSHOP PREVIEWS The material and images contained in this writing above may not be reproduced in any form .All Photographs as well as text appearing here is the property of Jack Graham and Jack Graham Photography LLC, unless otherwise noted. These photos are protected by U.S.Copyright laws and are not to be reproduced or used in any way without the written permission of Jack Graham and Jack Graham Photography LLC By entering these sites you accept these terms. If you need permission to use this material please call 503-625-1430 or email jack@jackgrahamphoto.com

Looking back … moving ahead in 2014

Happy 2014 Everybody!

2013 has been a rather interesting year. I put in about 50,000 miles on the road and over 200 nights. I was lucky enough to travel from the desert southwest to Iceland (twice!). It was a very good year!

I was so fortunate to make many new friends and reconnect with many more. I finally retired my old trusty Ford Explorer for a new Toyota Tacoma TRD that will no doubt get me through the next few years.

Jack Graham & Bill Fortney
Jack Graham & Bill Fortney

One of the highlights of my photographic year was finally working with my dear friend and world class photographer Bill Fortney again. Bill and I always stayed in touch and told each other when he retired from Nikon we would do some workshops together. We did one in Death Valley and one in NE Ohio … both memorable. We will be doing four in 2014!

Another highlight was again working with master photographer and writer Guy Tal in the Eastern Sierras of California.  2014 will be my 20th year conducting a workshop in the Eastern Sierra. Again, Guy and I will co-lead this workshop. In addition, we are offering a comprehensive Master Class right after the regular workshop ends.

You can check my 2014 schedule out HERE. New locations this year include Acadia National Park in Maine, Ireland, China and the ghost towns and red rocks of Nevada. I’ll be doing a workshop on Whidbey Island in Puget Sound for the Pacific Northwest Art School, in Ireland with Strabo Tours and in China (September).

Though I have not retired my trusty Nikons, I am using my new Fuji XE-2 more and more these days. I’ll get more into this in a few days.

The biggest news is that my wife Linda, and Duke and Roscoe (our 2 dogs) are moving up to the Seattle area in February after I return from my 2 weeks in Iceland. We are looking forward to our new home between Seattle and Mt. Rainier National Park.

Below are a few of the images that were meaningful to me taken in 2013. You can see more images from 2013 HERE

It’s always good to reflect on the past, but always growing and embracing what’s ahead. Past every turn is another adventure and opportunity.

I wish you all a happy and healthy 2014.

Jack Graham  jack@jackgrahamphoto.com_____________________________________

Fall colors in NE Ohio
Fall colors in NE Ohio
Clearing Storm, Grand Teton National Park
Clearing Storm, Grand Teton National Park
The Palouse region of Eastern Washington
The Palouse region of Eastern Washington
Sunset, Vik Iceland
Sunset, Vik Iceland
Zion National Park, Utah
Zion National Park, Utah
Effie Yazzy, Monument Valley
Effie Yazzy, Monument Valley
Down the Road, Holmes County Ohio
Down the Road, Holmes County Ohio
24 below zero/ Grand Teton National Park , December 2013
24 below zero/ Grand Teton National Park , December 2013
Rhody's on the Oregon Coast
Rhody’s on the Oregon Coast
Tomales Bay, Califormia
Tomales Bay, Califormia
Ft. Point, San Francisco, CA
Ft. Point, San Francisco, CA
Latourell Falls, Oregon
Latourell Falls, Oregon
Olympia National Park, WA
Olympia National Park, WA