Category Archives: Winter Photography

Winter Iceland 2017…Day 2

Text and images © Jack Graham / Jack Graham Photography LLC

All images made using FUJIFILM “X” Series Cameras and Lenses

DAY 2

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Sunrise Light

We had great light and great conditions, exceptional for a winter day here in Iceland. After a great sunrise and  a great sunset we were treated to a wonderful aurora display over Jokulsarlon. The images speak for themselves. Without light, images suffer!

 

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Winter Images from Grand Teton National Park / DAY 2

Remember… register for 2017 workshops before Jan 1, 2017 and receive a 10% discount!

JACK’S 2107 WORKSHOP SCHEDULE           REG FORM:   jg_photo-registrationform

FUJIFILM “X” PHOTOGRAPHY WORKSHOPS   REG FORMfuji-x-registrationform

FUJIFILM”X” PHOTOGRAPHERS TRAVEL & NATURE SUMMITS 2017

APRIL SUMMIT REG FORM      fuji-x-registrationformapril_smokys_fuji-x-registrationformv6

SEPTEMBER SUMMIT REG FORMsept2017_pdx_fuji-x-registrationform

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WINTER IN THE TETON’S

ALL IMAGES © Jack Graham

Images from Day 2 here in GTNP—— We literally have the park to ourselves!

All images made with the FUJIFILM X-T2 along with Fujinon Lenses

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Check out the little guy just below the ram!  / 100-400mm with 2 x  converter

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Which one Works # 8 The Palouse Region of Eastern Washington… NEWS… & more

JACK GRAHAM PHOTOGRAPHY  www.jackgrahamphoto.com

LEARN to SEE                              LEARN to THINK                    LEARN to CREATE

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Playa Sunset, Death Valley NP

Workshop schedule:   http://jackgrahamphoto.com/2012-workshop-schedule

Workshop Registration Form: http://jackgrahamphoto.com/sites/default/files/REGISTRATION-FORM-2012v9.pdf

Workshop Overview http://jackgrahamphoto.com/workshop-overview

Workshop FAQ’S;  http://jackgrahamphoto.com/sites/default/files/GENERAL-WORKSHOP-QUESTIONS-FAQS-INFORMATION-v2012f.pdf

Workshop Referrals: http://jackgrahamphoto.com/referrals

PODCAST: www.18percentgraymatter.com

JACK GRAHAM PHOTOGRAPHY   e books –available for purchase and immediate download http://jackgrahamphoto.com/shop/e-books

 

NEWS and NOTEWORTHY

It’s hard to believe we are now a few short weeks from  leaving for Iceland. I have one seat open should you want to come along. I’ll be updating this blog from Iceland while I am there.

http://jackgrahamphoto.com/ultimate-iceland-july-2012

CUBA 2013 !!!!  Yes it’s going to happen. Details and itineraries will be published in about a week or so. Dates are Feb 8-15th 2013. Email me jack@jackgrahamphoto.com for information.

MORE in 2013—I’ll be formally announcing Utah (Zion area) in October 2013. Guy Tal (www.guytal.com ) and I are working on a joint workshop in…………. CAPITAL REEF     National Park sometime in April 2013—STAY TUNED!!!!

And dont forget ICELAND     http://www.jackgrahamphoto.com/ultimate-iceland-2013-limit-10-attendees

and GREENLAND    http://www.jackgrahamphoto.com/ultimate-greenland-new-2013      in  JULY 2013

Below is a list of my workshops for the remainder of 2012. Of particular note is the workshop in Northern California in September 2012http://www.jackgrahamphoto.com/autumn-napa-valley-san-francisco-and-northern-california-coast-pacific-northwest-art-school-photogra ) that I will be conducting with the Pacific Northwest Art School. September is a great time to be in this area. The summer crowds are gone and the air is a bit cooler and refreshing. In addition, the cost of this workshop is very attractive considering the itinerary and diverse subject matter. We will spend a full day in the beautiful win county of the Napa Valley. We will travel a bit Northwest through the Point Reyes area, then down to the Marin headlands for some great ocean views and a sunrise shoot of the Golden gate. After a morning in San Francisco, we’ll venture out to the coast, south of San Francisco for more ocean, and intimate landscape locations. Time is set to conduct presentations, image discussions and more. Please consider joining us. You can register with the PNWS here:  http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-fall-in-northern-ca-sep-20-23-2012-1 or by calling 866-678-3395.

Napa Sunrise

My 2013 workshop schedule is coming into shape. You can view it here. Another trek to Iceland is planned for July with an additional 9 day excursion to beautiful (and quite warm & pleasant and under photographed) Greenland.  I’ll be back in NE Ohio in October for fall color and once again a full day(including a private Amish dinner) with my Amish friends on their farm in Sugarcreek Ohio. I’ll be teaming up with my good friend, world class photographer and teacher Bill Fortney(www.billfortney.com) for a workshop you will not want to miss! I’ll also be announcing a workshop in late October 2013 in the red rock country (including Zion National Park) very soon. Details on these and more can be found here:     http://www.jackgrahamphoto.com/2013-photography-workshop-schedule

I received requests to link the webinar I conducted  for NIK SOFTWARE , back in March, entitled, “Keeping it Simple .You can view it here: ( if you purchase any or all of the NIK Software package… enter code JGRAHAM and receive a 15% discount!!!

http://www.niksoftware.com/learnmore/usa/index.php/webinars/archives/#/keeping-it-simple-with-nik-software-with-jack-graham/0/0/0/0/0

2012 Workshop Info:

ULTIMATE ICELAND, 10 days, JULY 2012 –ONLY 1 SEAT LEFT http://jackgrahamphoto.com/ultimate-iceland-july-2012

OREGON COAST 5 DAYS!—August 2012—2 seats open http://jackgrahamphoto.com/2012-oregon-coast-cannon-beach-bandon-5-full-day

NAPA VALLEY, No. CALIFORNIA COAST, SAN FRANCISCO MORE!!!SEPTEMBER  2012 ( www.pacificnorthwestartschool.com ) few seats left, not many!  http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-fall-in-northern-ca-sep-20-23-2012-1

GRAND TETON NP  SEPTEMBER 2012 3 seats open http://jackgrahamphoto.com/fall-grand-teton-and-yellowstone-np-photography-workshop

17TH ANNUAL EASTERN SIERRA FALL WORKSHOP with GUY TAL www.guytal.com   JUST a FEW SEATS LEFT—filling fast   http://jackgrahamphoto.com/17th-annual-eastern-sierra-photography-workshop-mono-lake-alabama-hills-bristlecone-pine-bodie-more

 

More information found here: http://jackgrahamphoto.com/2012-photography-workshop-schedule

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 WHICH ONE WORKS?  ….  #8  The Palouse Region of Eastern Washington

In this series of articles, I discuss and compare images and talk about why I like one over the other.

Choosing one image over other similar images is one that we all deal with in our digital darkroom.

I suggest to you, as well as my workshop attendees to work the subject while in the field, make final decisions on your monitors at home.

The final image is important for whatever project it’s being used for, and spending time determining which image works vs. another is well worth it. In many case the slightest difference in composition, light etc. makes all the difference, Most of the time it is very clear which one is better for your individual needs than others, sometimes it’s not.

Often we may take many frames of a subject in different light and different angles. Each frame can evoke a different feeling to the subject.

Always remember that you need a good subject and acceptable light, or your final image will probably be less than desirable.

Your comments, as always are more than welcome.—JG

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LOCATION:  THE PALOUSE region of Eastern Washington

 

Crop Dusting in the Palouse

As a photographer I visit many locations while conducting workshops as well as on my own photo excursions. There are two locations that are diametrically opposed but in many ways are photographically similar. I visit Death Valley National Park at least twice each year. Death Valley offers challenges to even the seasoned photographer. Unlike many of the National Parks, there are few icons. One must be on his or hers “A” game or making successful images in  Death Valley will be difficult to impossible. Photographers are there to depict the vastness and sometimes emptiness of the park. We go there to photograph the patterns and textures found within the rock formations. There is little green unless the winter rains produce some vegetation. In the Palouse region of Eastern Washington things could not be more different. If a country, Whitman County Washington, in the heart of the Palouse would be the third largest producer of Wheat in the world. What is more interesting is there is no real irrigation. The wheat that grows here is the result of the rain. What Death Valley and the Palouse have in common however is interesting. Both areas are extremely vast. From the vistas, overlooks and the many rural roads in the Palouse, we can see wheat fields almost to the horizon. In Death Valley, we can look down for miles at the dried playa, rock and sand features, all making up this expanse of dryness.  We photographers go the Palouse, just as we go to Death Valley to photograph the patterns and textures, not in rock or salt playa, but in the wheat fields and farmland.

Usually the first two weeks of June allow photographers to capture images depicting the  patterns and textures of the wheat fields. Again in August, at harvest time many photographers travel to small towns like Colfax, Oakesdale, Dusty and Steptoe to make images in the light produced by the dust created by the harvest machinery.

 

Like Death Valley, we must prepare, and slow down to study the scene before pressing the shutter. These two areas are so different in many ways, yet so alike in others.

 HE STORY:   On the last morning of my recent workshop in the Palouse, I decided, based on the light and weather conditions to revisit a barn I photographed a few days before the workshop started. This barn is on Highway 26 about 15 miles west of Colfax. For many years, I used this location to turn around to drive back east to the Colfax area. It’s a simple structure, not bright red like many of the barns in the Palouse. It’s located I a field that offers no other structures of any kind. By going there I wanted to send a message to my attendees of simplicity. If photographed correctly this location offers a simple but yet powerful subject. Upon arrival, I sensed from my attendees that they were not impressed with my location choice. The barn was not red; there was no foreground or apparent patterns. Why were we here? By the time we left all were happy and got the message. One attendee actually said this was his favorite location of the weekend. After we took our time and understood the subject everything became clear.

The title of this image is “Turnaround” based on my prior stops at this location. The resulting images were made within a few minutes of each other. I was pleased with one much more than the other two.

TECH DATA: All images made using my Nikon D700, Gitzo 3541 tripod and Really Right Stuff BH55 Ball Head    de images were taken using aNikon 80-200mm  2.8  lens, ISO 800, Shutter speed of 1/1000 sec at F11.. The ISO was high as was the shutter as the wind was blowing the wheat in the foreground. I wanted no movement showing.

PROCESSING: All images were processed in Adobe Lightroom camera RAW As always I used NIK SOFTWARE to complete my processing. I added some structure and fine tuning using Nik’s Viveza. With Color Efex Pro 4 I added some detail, brilliance and warmth, pro contrast, foliage enhancement and the Darken /Lighten Center filter. (I recommend NIK PRODUCTS without hesitation. You can receive a 15% discount by using my code JGRAHAM when ordering at www.niksoftware.com) .Nik’s output Sharpener was used to sharpen the final images. A final curve adjustment , level adjustment and Nik’s Define program (noise reduction).completed the processing.

Image # 1

 

THE EDIT:   

IMAGE #1 is more of a study of the barn. It shows the structure in its surroundings. It’s technically done well buy nothing I would put up on my wall. It is kind of a postcard I image. Without taking time to work the scene these type of images are ones often photographed. They do not convey the sense of place.

 

 

 

IMAGE # 2

Image # 2

Image two begins to convey what I was trying to depict in this scene. I used the foreground of the wheat in conjunction with the background to tell the story. The single barn in the field made this fairly minimalistic scene strong. The single cloud on the left also added some drama to the scene. I would have liked a bit more cloud showing and not running out of the scene.

 

 

Image # 3

IMAGE  #3 After waiting for a few minutes to see if some more clouds appeared, I was rewarded with a scene that was what I was looking for. I reduced the amount of foreground from Image # 2 as I determined that the amount of foreground was overwhelming the image. I also made this wider ythan the previous image in order to further depict the vastness of the area.

 

FINAL DECISION. Image #1 is a postcard image. Image #2 has too much foreground, not enough open space to tell the story I was attempting. The final image (IMAGE #3) is exactly what I wanted to capture in this scene. After about ½ hour in one location the clouds along with the adjustments made #3 my image of choice. It really tells the story of the Palouse with a minimalist, yet powerful scene I tried to convey. Image #3, to me is much more powerful than the other two images.

During the process of making these images and explaining my thought to my workshop attendees, I indicated that there in the field, I know this would become a monochrome image. I processed the image using Nik Software’s Silver Efex Pro . I really feel that the monochrome image is even stronger than the color rendition. When in the field I recommend you have , in your mind , the final result you are seeking. How we will process images is important to think about at the time the image is made.

 

What do you think?

 

The right to download and store or output any content on the  websites:  www.jackgrahamphoto.com and  www.jackgrahamsblog  is granted for preview purposes only and may not be reproduced in any form. All Photographs appearing on this site are the property of Jack Graham unless otherwise noted.
These photos are protected by U.S.Copyright laws and are not to be downloaded or reproduced in any way without the written permission of Jack Graham
By entering this site you accept these terms. If you need permission to use a photo on this site please call 503-625-21430 or email jack@jackgrahamphoto.com

 

Which One Works #5 Death Valley National Park , NIK SOFTWARE WEBINAR, ULTIMATE ICELAND 2012

         Jack Graham Photography              www.jackgrahamphoto.com

Learn to See                        Learn to think                      Learn to create

2012 Workshop Schedule    http://www.jackgrahamphoto.com/2012-workshop-schedule    — WORKSHOPS FILLING FAST —!!

2012 Registration Form   REGISTRATION FORM 2012v9

 Workshop Referrals:  http://www.jackgrahamphoto.com/referrals

 One on One, Individual Workshop information http://www.jackgrahamphoto.com/one-one-field-studio-photography-workshops

Workshop FAQ’s  GENERAL WORKSHOP QUESTIONS_FAQ’S INFORMATION_v2012f

PODCASTwww.18percentgraymatter.com    new podcast ready now—interview with Laurie Rubin, NIK SOFTWARE

2012 Workshop Locations incliude the desert southwest, Olympic National Park, Columbia River Gorge, Fall Color in Oregon’s Wine Country & Area, Northern California

http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-fall-in-northern-ca-sep-20-23-2012-1  and  Whidbey Island, Wa  http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-photography-on-whidbey-may-9-12-2012-1   with the Pacific Northwest Art School…. Tetons & Yellowstone, Wyoming Big Horn Sheep in December….   please check out the details here:   http://www.jackgrahamphoto.com/2012-workshop-schedule

My fall workshop with Guy Tal  www.guytal.com  in the Eastern Sierra is almost full there are a few spaces left. This workshop is almost at capacity. http://www.jackgrahamphoto.com/17th-annual-eastern-sierra-photography-workshop-mono-lake-alabama-hills-bristlecone-pine-bodie-more  Register NOW! ( Check out Guy’s E=Books as well !!)____________________________________________________________________________

Jack Graham E-Book Series 1 & 2 now available for purchase and instant download:  

http://www.jackgrahamphoto.com/shop/e-books

 

 Noteworthy                                                                                       Use code  JGRAHAM when ordering NIK SOFTWARE on line and receive a 15% discount!!!!

Left to Right: Jack, Laurie Rubin, Dan Hughes, of NIK SOFTWARE in their offices in San Diego
Left to Right: Jack, Laurie Rubin, Dan Hughes, of NIK SOFTWARE in their offices in San Diego

Recently I recorded a webinar at the NIK SOFTWARE Headquarters in San Diego. I would like to thank the folks at NIK Software, especially Laurie Rubin and Dan Hughes for making this possible. You can view the entire webinar here: http://www.niksoftware.com/learnmore/usa/index.php/webinars/archives/#/keeping-it-simple-with-nik-software-with-jack-graham/0/0/0/0/0

I just returned from my spring workshop in Death Valley. We had great weather right up until the last few hours when a bad dust storm blew through.  We had good sunsets and sunrises. We had an exceptional group of attendees as well. I’ll be back in Death Valley in early November and have a few spaces left.

Driving into the sandstorm on the way out of Death Valley last week

   Speaking of spaces, I have only one space left for Ultimate Iceland in July 2012. If you are thinking about this trip, please consider coming along. You will be in for an exceptional experience, feathering 10 full days ( I don’t count travel days like some other workshops do!) of photography. You can view the details here: http://www.jackgrahamphoto.com/ultimate-iceland-july-2012

Getting set for the webinar at Nik Software

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I received a nice email from a workshop attendee recently. She really summed up what I not only preach on workshops, that being to slow down, Look more and shoot less,  and to try and make some different images than what has already been done. Please give it a quick read!

From: Anne S [mailto:atXXXXXXX2006@gmail.com]
Sent: Wednesday, March 07, 2012 5:42 AM
To: Jack Graham
Subject: Recent Workshop

Jack,

I finally got a chance to process the photos.  I did not take a whole lot of pictures but each of them reminds me a lot of your instructions and hints.

As you know, I am not out there to just take beautiful pictures though I have some very nice ones with your help to get things tighter.  For me, most importantly, I left the workshop with a good amount of knowledge and technique to help me take better pictures in the futures.  I really appreciated you coming out for this personal workshop.  I certainly have enjoyed it a lot and best of all, I have learned some good technique in photography.

If I get a chance to be in the west again in the near future, I will certainly contact you.  Likewise, if you are in the east coast, please do not hesitate to drop me an email.  I hope we could do another workshop again in a different setting.

Thanks—Anne

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My podcast partner Bob Kulon has a new e-book out titled “Getting There”– Bob goes through the trials and tribulations of going pro as a nature photographer–a must read! !!!     http://www.lulu.com/spotlight/bkulon

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FEATURED ARTICLE
© Jack Graham

WHICH ONE WORKS?  # 5– DEATH VALLEY NATIONAL PARK,   CALIFORNIA 2012

Which One Works is a feather I am publishing here on my blog every week or two. I’ll discuss and compare images and talk about why I like one over the others.

This process is a common one that we all deal with in our digital darkroom. The final image is important for whatever project it’s being used for, and spending time determining which image works vs. another is well worth it. In many case the slightest difference in composition, light etc makes all the difference,

Often we may take many frames of a subject in different light and different angles. Each frame can evoke a different feeling to the subject.

Always remember that you need a good subject and acceptable light, or your final image will probably be less than desirable.

Your comments, as always are more than welcome.

______________________________________________________________________

Badwater, DVNP © Jack Graham

LOCATION:  Mesquite Flat Sand Dunes, Death Valley NP, California USA

Lat: 36°36’44.16″N

Long: 117°07’2.93″W

 Death Valley is a vast baron land, about the size of Connecticut (3.3 million acres) in the southeastern part of California. Due to the many mountain ranges on all sides, rainfall is scarce. I am sure that most of you know that DVNP receives about 2” of rain per year and would evaporate about 150”+. Badwater is over 200 feet below seal level and is usually the hottest place I the United States and even throughout the world. From a photo graphical standpoint, DVNP is a challenging place, even for a seasoned pro photographer. Heat is a huge problem in the late spring, & summer. When arriving at a location the conditions can be vastly different from your hotel or campsite. When photographing in DVNP, its always important to consider textures and patterns. Slowing down and learning to see are both very important factors and go a long way when attempting to create quality images in Death Valley. The bottom line is that DVNP is a great place to learn to be creative. If you are in too much of a hurry, your images will fail.

Image # 1   Mesquite Flat Sand Dunes, DVNP  ©Jack Graham
Image # 1 Mesquite Flat Sand Dunes, DVNP ©Jack Graham

 THE STORY:

Our group ventured out the 1st morning and the 4th morning of our workshop at sunrise to capture images at the Mesquite Flat Sand Dunes. It was soon apparent to my workshop attendees that patterns and subject matter had to be considered carefully. At sunrise, the sand becomes a rich orange. Soon after the sun is above the horizon, the shadows of the back of the dunes contrast to the first lit sides, making metering a bit tricky. I often find that automatic metering is ineffective most of the time when shooting these dunes.

I always suggest, especially in this location, that you really work the subject. Take multiple images from different locations. If you are using a zoom lens, just don’t zoom in and out to create tighter shots. Walk around and get the most out of whatever focal length up you are using. The compression of the background is different, especially with mid to long telephoto lenses, when you walk into place and make an image vs. when you stand in one place and zoom in. It’s always good to get on the dunes the morning after a windy night. Tourists (and photographers as well) trample the dunes and leave footprints which can be really tough to clone away. These images were made on the 4th morning after a windless night. I cloned out as many footprints as possible, but many still remain. Wind is the only force that can eliminate these unwanted artifacts which are seen in so many images.

Image # 2  Mesquite Flat Sand Dunes, DVNP  ©Jack Graham
Image # 2 Mesquite Flat Sand Dunes, DVNP ©Jack Graham

TECH DATA:  On day 4 I decided to put my new Nikon 28-300mm lens to the test (more on this in another blog article). I shot a few images at F22, which I normally do not use very often and at 300mm and 28mm respectively. I was rather impressed with the overall quality. I obtained this lens to use as a travel lens, when weight is a consideration. Does is perform like my 17-35mm 2.8 or 80-200mm 2.8? Not quite but its really better than I expected.

IMAGE 1   Date/Time: 2012:03:05 07:32:35  ( sunrise was about 6:15 or so)

NIKON D700  Nikon   Lens-Nikon 28-300mm f/3.5-5.6G ED VR   set at 300m

Shutter speed: 1.6 sec at  F22  Exposure –Manual  Metering-Spot  at 300mm

–         1/3 compensation  no filters

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IMAGE # 2       (11 minutes later)   This images was slightly cropped on the bottom.

Date/Time: 2012:03:05 07:43:32  ( sunrise was about 6:15 or so)

NIKON D700 , Lens– Nikon 28-300mm f/3.5-5.6G ED VR    set at 105mm

Image # 2   Mesquite Flat Sand Dunes, DVNP  ©Jack Graham
Image # 2 Mesquite Flat Sand Dunes, DVNP ©Jack Graham

Shutter speed: 1/20th sec at F16 Exposure –Manual Metering-Spot

–         1/3 compensation no filters

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PROCESSING:  Lightroom camera raw adjustments then NIK SOFTWARE—Define, Viveza 2.0, Color Efex Pro4 (Pro Contrast, Darken Lighten Center) Output Sharpener 2.0

The final monochrome image was processed using Nik Software Silver Efex Pro2

Image # 1   Mesquite Flat Sand Dunes, DVNP  ©Jack Graham
Image # 1 Mesquite Flat Sand Dunes, DVNP ©Jack Graham

THE EDIT:    I really have a tough time discerning which one works. They both work in different ways. There are certainly more lines in image # 2, than the wider view, as well as the crop, depicts what the dunes represent. Both images tell a story. Both images depict the sand dunes well, but in a very different way. The use of the creosote bush to me is better in image #1.

When critiquing images, I use what I refer to as my 5 second rule. If I can not look at an image and in 5 seconds, want to study it more, or know that something is working well, I usually move on. Again both images quality in this respect as well.

I will pick image #1 over image # 2. My eye tends to keep moving around in image #2 looking for a more defined subject than image # 1. I also think that though I made a slight crop in image #2, there is still a bit too much foreground. Perhaps a panorama of this area would have been better suited for my needs. I really like how the bush in image #2 anchors the image. The curve and shape of the large dune in image #1 is a well-defined subject.

After converting image # 1 into monochrome (below), I even like it better. The shadows work much better in monochrome than in color

What do you think?

JG

Image # 1   Mesquite Flat Sand Dunes, DVNP  ©Jack Graham
Image # 1 Mesquite Flat Sand Dunes, DVNP ©Jack Graham

 

The right to download and store or output any content on these websites www.jackgrahamphoto.com and  www.jackgrahamsbloog.com is granted for preview purposes only and may not be reproduced in any form .All Photographs appearing on these sites are the property of Jack Graham unless otherwise noted.
These photos are protected by U.S.Copyright laws and are not to be downloaded or reproduced in any way without the written permission of Jack Graham
By entering these sites you accept these terms. If you need permission to use a photo on these sites please call

503-625-1430 or email Jack @ Jack@jackgrahamphoto.com

NEWS / Workshops / Article: Which one Works # 4, “The Palouse”

               Jack Graham Photography                www.jackgrahamphoto.com

Learn to See                        Learn to think                      Learn to create

 

VISIT MORE IMAGES on the 500PX Web site–CLICK HERE  http://500px.com/JackGraham

This is a GREAT website for viewing some simply amazing  images!

 

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Out in the Eastern Sierra

2012 Workshop Schedule    http://www.jackgrahamphoto.com/2012-workshop-schedule

 2012 Registration Form   REGISTRATION FORM 2012v9

 Workshop Referrals:  http://www.jackgrahamphoto.com/referrals

 One on One, Individual Workshop information http://www.jackgrahamphoto.com/one-one-field-studio-photography-workshops

Workshop FAQ’s  GENERAL WORKSHOP QUESTIONS_FAQ’S INFORMATION_v2012f

PODCASTwww.18percentgraymatter.com  NEW PODCAST COMING LATER THIS WEEK!!!!

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 Jack Graham E-Book Series 1 & 2 now available for purchase and instant download:  

http://www.jackgrahamphoto.com/shop/e-books

 

 

Noteworthy

WEBINAR———NIK SOFTWARE: I would like to thank the folks at NIK SOFTWARE for inviting me to host a webinar   at their studio in San Diego from 2-3PM on Feb 28th. You have to register to attend. You need to register for this, and I know there are only a few spots left! ( they can register up to 1000 people). Click here to register: http://www.niksoftware.com/learnmore/usa/index.php/webinars/signup/12851?j=16013119&e=jack@jackgrahamphoto.com&l=175395_HTML&u=205139063&mid=115479&jb=0

I have a featured article in Landscape Photography Magazine this month. You can read it here:

http://landscapephotographymagazine.com/

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Workshop news and information:

 

WHIDBEY ISLAND & NORTHERN CALIFORNIA—Pacific Northwest Art School Workshops am conducting 2 workshops this year for the Pacific NW Art School. One is on Whidbey Island, Washington in May and the other is in Northern California in September. These are at a very special price and a tremendous value. Please contact them by clicking here, http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-photography-on-whidbey-may-9-12-2012

or call (360) 678-3396 for information      Pacific Northwest Art School Flier

Blue Ice, Iceland

ULTIMATE ICELAND in July 2012—–ONLY ONE SPOT LEFT!… It’s going to a special trip! http://www.jackgrahamphoto.com/ultimate-iceland-july-2012

         HIDDEN CHINA and optional TIBET:–Summer 2012 One of the 1st workshops ever to venture into Details here: http://www.phototc.com/tours/tour.php?tour=152

 

EASTERN SIERRA with GUY  TAL — www.guytal.com  OCTOBER 2012—There are only a few spots left for my Eastern Sierra workshop in October with me and my good friend Guy Tal. If you are thinking about joining us, please let me know ASAP. Rooms are also at a premium.

http://www.jackgrahamphoto.com/17th-annual-eastern-sierra-photography-workshop-mono-lake-alabama-hills-bristlecone-pine-bodie-more

Mammoth Hot Springs, Yellowstone NP

TETON NP / YELLOWSTONE NP WORKSHOP in September. Details are found here:

http://www.jackgrahamphoto.com/fall-grand-teton-and-yellowstone-np-photography-workshop

COLUMBIA RIVER GORGE in JUNE !!   Wildflowers & Waterfalls!http://www.jackgrahamphoto.com/columbia-river-gorge-and-mt-hood-photography-workshop


                                             FEATURED ARTICLE:            WHICH ONE WORKS   # 4

© Jack Graham

This is a new feature I am publishing here on my blog every week or two. I’ll discuss and compare images and talk about why I like one over the others.

This process is a common one that we all deal in our editing process.  The editing process is as important as any stage in the making of a photograph. You should edit carefully, and be your toughest critic. In most cases the slightest difference in composition, light etc makes all the difference between a really good image and a great image.

Often we may take many frames of a subject in different light and different angles. Each frame can evoke a different feeling to the subject.

Always remember that you need a good subject and acceptable light, or your final image will probably be less than desirable.

Though art is subjective, certain aspects of correct composition are less. This writing is my feelings. You may disagree; if you do I’d love to know why. You comments, as always are more than welcome.

“The Palouse”

LOCATION. – The Palouse Region of Eastern Washington, USA. The Palouse is made up of rolling hills, old weathered barns and patterns in the wheat fields, accentuated by the light and clouds, which makes for some simply amazing photography. One must have their creative juices flowing to be successful photographing the Palouse. The Palouse is the richest wheat growing area in the United States due to the geographic location rainfall and rich soil.

These images were made in June, when the area is its greenest.

THE STORY:  One of the most striking things I always look for are the barns, sitting on or within the green hillsides. As I am sure you know red and green, as opposite colors work well together. This time of year, the green is at its peak. When photographing here, it’s important to take the textures, patterns and color all into account in every landscape image. I did that in all 4 of these images. Keeping the image as simple as possible is also primary. These are working farms. There will be tractors, silos, and other added articles around the barns, property and on the roads and along the roads. Sometimes you wasn’t them there, sometimes you don’t. Can you clone them out, sometimes, but sometimes they may cause distractions and be unable to be removed successfully. Can they affect the feel of an image? You bet, as we will see here.

TECH DATA:  These images were all shot back in 2006 on June 12th.  Image and all were taken 8, minutes apart at ISO 200, using A Nikon D200 and a Nikon 300mm F4 lens (which equaled 450mm taking the crop factor into consideration). Apertures were all F16, and shutter speeds were either 1 /40th or 1/30 second.

I did minimal processing on these 4 images. The one which I select will be refined and look better than these, but for this exercise, we’re talking about compositional elements, not processing.

The finial-processed image will be included at the bottom of this writing.

Images were processed using Adobe Lightroom, Adobe Photoshop CS4 and as always Nik Software. Define was used first to remove any noise. I did not use Viveza 2 on these images at all, but did add Detail Extractor, Brilliance & Warmth, a slight amount of foliage enhancement and bit of vignette to each image, using the Nik Software’s Color Efex4 Pro.. Sharpening was done in Nik Sharpener Pro. There was minimal cropping done to these images.

The same amount of each filter/ sharpening etc was applied to each image. There are no variations in processing here, just natural light

 THE EDIT:    Let’s talk about each image, the pros and cons.

IMAGE # 1
IMAGE # 1

Image # 1

Pros:  I don’t really see too many here at all.

Cons: Let’s start with a basic question you need to always ask yourself. What’s the subject? IS it the barn? Is it the green hillsides? If you cannot answer this, the image is a failure. I cannot answer that question looking at this image. Can you?

There are many compositional defects in this image. There is a huge excess of foreground that adds nothing to the image at all. Yes the rolling hills are nice, the shadows are to me just ok, but the only reason you know it’s a barn is because it’s red. Could I crop out or clone out that tree in the upper left corner. Why is even there? Perhaps because the D200 was a 95% view finder! Also, to me the barn is not 100% sharp.

TIP—Know what percent your viewfinder is and remember things may creep into your image.  Live view will always show you a 100% view!

This image will be trashed and would never get to the processing area.

IMAGE #2

   IMAGE # 2


Pros:  To me this is an improvement that image #1, because of one factor. To me the barn is now the subject. At least we have one here. The simple placement of the barn in the foreground vs. at the top allows for a defined subject. This image was made 4 minutes after image #1. There is a nice leading line, the road coming from the lower right into the barn & house. The patterns are nice and the hillsides in the background are OK.  Notice how the light changed in just 4 minutes.

Cons:  The barn is not sharp enough, nor is the trees. This is still not anything to keep. Perhaps it might be a nice postcard, but nothing to hold my interest for more than about 10 seconds. It’s better than image #1, but to me, still a boring image.

I see many of these kinds of images, sometimes published—but this image will be trashed and would never get to the processing area either.

IMAGE # 3

Image 3

No matter how I tried the images, even though there were some pros, was unusable for all the reason I stated. In the same general area, Image # 3 was taken 2 minutes later than image # 1&2. Here we have something to look at and to hold interest.

Pros:  Just my looking in a slightly different direction allowed me to see something different. Because of the way it’s constructed, the content and layout is why this image is, so far, the superior. The red buildings and silos in the foreground make a pleasing anchor to the vertical view. This image says” Palouse”!  The added suspense created by the dust blowing off the road at the top, as a vehicle, not seen, creates interest. The spacing on the barns etc is good. The light is quite nice as well. It’s a bit hard to tell in these compressed images but the barn and trees are much sharper.

Cons:  Even though there is better subject matter here, there is also much more “going on” in this image than I really would like as a final shot. My eyes wander from the red barns up to the top and that dust, and then back down. Lets’ look for the subject again? What is it in your mind? I need the subject to be a bit more defined. The trees in the upper right corner also bother me a little but not terribly.

As a documentary image or a stock image this might be kept, but not certainly for a fine art print.

Image # 3, though a big improvement over 1 &2 is still a work in progress.

IMAGE # 4

Image # 4

I remember when I made these sequences of images and remembered how I asked myself how I could define the subject better. Why not try a horizontal image?

Pros: The placement of the red barn is now in the right area. As a horizontal image, there is not extraneous apace on the top or bottom. To me it’s just right. I really like how the leading line (road) comes in from the lower left and through the image. The lone few trees on the left add interest. The amount of spaced used by the hillsides on the upper half of the image add interest as well. There is enough, but not too much.

Cons: I don’t have too many. As a nit pick, when I finish processing the image I’ll remove the shadow in the upper left corner. Did you notice this? I did. These kinds of things can distract from an image. In the final image I’ll add some structure to this image using Nik Software’s Viveza2.

In a span of 8 minutes these 4 images were made and the simple though to make a horizontal image saved the day. This scene just lends itself to a horizontal over a vertical image.

TIP: If in doubt, shoot both horizontal and vertical images. When you get in front of your monitor, and then make the decision. Both can work for different uses.

What do you think?   … and if you would like to join us in the Palouse this June… click here for information:

http://www.jackgrahamphoto.com/spring-palouse-now-5-days

The right to download and store or output any content on this website www.jackgrahamphoto.com and  www.jackgrahamsblog website is granted for preview purposes only and may not be reproduced in any form .All Photographs appearing on this site are the property of Jack Graham unless otherwise noted.
These photos are protected by U.S.Copyright laws and are not to be downloaded or reproduced in any way without the written permission of Jack Graham
By entering this site you accept these terms. If you need permission to use a photo on this site please call 503-625-21430 or email Jack @ Jack@jackgrahamphoto.com

Last Minute Gift Ideas…. E Book now Available

Jack Graham Photography     www.jackgrahamphoto.com  

Learn to See                        Learn to think                      Learn to create

2012 Workshop Schedule    http://www.jackgrahamphoto.com/2012-workshop-schedule

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Workshop Referrals:  http://www.jackgrahamphoto.com/referrals

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 Workshop FAQ’s         PODCAST:   www.18percentgraymatter.com_________________________________________________________________
 

 Jack Graham E-Book Series 1 & 2 now available for purchase and instant download:  

 

 

http://www.jackgrahamphoto.com/shop/e-books

 

 

 

 

 

Did you know?

 1)    Last MinuteHolidayGift?       Consider a workshop.             Consider a One on One workshop.     GIVE a GIFT CERTIFICATE: PRINTABLE GIFT CERTIFICATE

2)    Only 2 spots left for Iceland—July 20, 2012

3)    I’ll have another article coming next month published by Landscape Photography Magazine. Please check out what available within this publication. It is a superior value .

http://landscapephotographymagazine.com/

 

ON THE ROAD IN 2012:  Yes; it’s almost time to head out for another year on the road. Frankly I can’t wait!. Registrations are coming in for my 2012 workshop & one on one workshop schedule. Take advantage of my 10% discount ( amount other discounts!) and register by 1/1/2012.

                          2011 WORKSHOP DISCOUNTSv5

 Unfortunately I cannot offer discounts for international workshops and the two workshops I’ll be conducting for the pacific Northwest Art School. http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-photography-on-whidbey-may-9-12-2012

                                                                                                           AMISH IMPRESSIONS:

 One of my workshop attendees, Don Dennis, from the Syracuse NY area came attended my Ohio workshop this past October. We spent one full day photographing on an Amish Farm–(yes.. on the farm, not from the road!…. and  then ate a magnificent meal right there on the farm!) We all were allowed into all of their buildings and came away with some up front and personal images, that, to my knowledge, no other photography workshop offers. I’ll be repeating this workshop again in 2013.

 Don has attended my Southwest workshop as well as the Ohioevent . His superb work can be found here: http://www.dondennisphotography.com/  Don put together a short slideshow of his images. They are really wonderful shots. Take a minute and check them out!

http://www.dondennisphotography.com/Landscapes/Amish-Impressions/20375780_c7ZkCg#1612127932_Zp8Ws2M

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 Last minute  “cool” gifts…. For the photographer who has everything:…..Don’t miss some great Values hot off the press:

Hunt’s— 5 day specials—-free shipping!

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OUTDOOR PHOTO GEAR—every worthwhile photographic accessory, all under one roof! Click on the banner above and check them out! These folks HAVE it all.  Here is their 2011 Gift Guide http://us1.campaign-archive2.com/?u=8819bcc94cd5fa0c347cde75c&id=1839b76b5f

REMEMBER THE GREAT PROMOTION FROM NIK SOFTWARE & THINK TANK   

NIK SOFTWARE: https://jackgrahamphoto.wordpress.com/2011/12/08/special-nik-software-promotion-save-200-00-quietude-portland-japanese-garden/

THINK TANK PHOTO: https://jackgrahamphoto.wordpress.com/2011/11/30/think-tank-photo-gear-holiday-offers-wow/

 

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Three things I am either purchasing or strongly considering!

Product Details1)  Maxell’s AIRSTASH:  —very cool!!!!!     $149.95

http://news.cnet.com/8301-17938_105-20078485-1/maxells-airstash-usb-card-reader-turned-ipad-storage-expander/

This is a USB SD card reader which, like all card readers, allows users to connect an SD card to a computer and use it as an external drive. However, this is the first card reader that incorporates a Wireless-N access point, a built-in media server, and a battery. This means that when it’s unplugged from the computer, it becomes a wireless storage expander, just like any of the aforementioned devices.

The AirStash can stream data to up to eight wireless clients at a time; the Satellite can stream to three clients at most, and the G-Connect can stream to only five.

The advantage of the AirStash, is that it offers users the flexibility of using any SD card as its storage, meaning, among other things, that you can immediately stream content from the original source, such as a camera or a camcorder. The device is also really compact and, as it has no moving parts. The AirStash supports SD cards of up to 128GB of storage space.

BUY it HERE: http://www.amazon.com/Maxell-AirStash-Computer-A02-8GB/dp/B006473T9M/ref=sr_1_1?ie=UTF8&qid=1323874199&sr=8-1

GoPro Camera HD HERO2 EditionGoPro HD Video:  ……. Why Not?

The advanced GoPro HD Hero2 Outdoor Edition wide-angle helmet cam records professional-quality resolution up to 1080p, capturing your outdoor adventures in incredibly smooth and clear detail.

  • More powerful in every way than its predecessors, HD Hero2 boasts a faster image processor, sharper lens, better low-light performance and an 11MP sensor
  • LCD interface makes this versatile camera easier to use than other helmet cams; LED lights on all sides are viewable from any angle
  • Shoots 1080p HD video at 30 frames per second; 960p at 48 frames per second; 720p at 60 frames per second; WVGA video at 120 frames per second
  • 170° wide-angle lens captures amazingly wide and sharp HD video
  • Shoot up to 6 hrs. of TV-quality video with sound on a full charge with a 32GB SD card (not included)

BUY IT HERE: http://www.amazon.com/GoPro-CHDHH-001-HD-Helmet-Hero/dp/B002VA56I8/ref=sr_1_1?s=electronics&ie=UTF8&qid=1323874240&sr=1-1

Fujifilm FinePix X100: First-look preview by dpreview.com

I love the retro-Leica look! And the focal length—great low noise too—- but hard to find–new and IN DEMAND!

In amongst a flurry of major camera announcements at Photokina 2010, one model stole the show – Fujifilm’s retro-looking, large sensor, fixed lens compact: the X100. With its APS-C CMOS sensor and fast 23mm F2 lens giving a classic 35mm equivalent moderate wide-angle view, this rangefinder-styled camera has traditional control dials plus an innovative ‘hybrid’ viewfinder that combines a large, bright optical finder with a high-resolution electronic display.

Fujifilm X10 specification highlights

  • 12MP EXR CMOS sensor
  • 28-112mm F2.0-2.8 lens
  • Optical viewfinder (85% coverage)
  • 2.8″, 460,000 dot LCD
  • Extensive manual control
  • Raw shooting and in-camera Raw conversion
  • Continuous shooting up to 7fps at full resolution (10fps at 6MP)

http://www.amazon.com/Fujifilm-X100-Digital-Fujinon-2-8-Inch/dp/B0043RS864/ref=cm_cmu_pg_t

FALL COLOR PHOTO TIPS…East and West.. (updated from 2007 edition)…NEW FROM NIK SOFTWARE-Color Efex Pro4……PODCAST NEWS

PLEASE READ THE ANNOUNCEMENT REGARDING Nik Software’s new Color Efex Pro4 AND OUR  PODCAST WITH NIK”S PRODUCT MANAGER Josh Haftel below!!!!!!!!

www.18percentgraymatter.com

______________________________________________________________________________________________________________________________

2011 Workshop Schedule  http://www.jackgrahamphoto.com/2011-workshop-schedule

Reg Forms & FAQ’S REGISTRATION FORM 2011v9      FAQ’S

2012 Workshop Schedulehttp://www.jackgrahamphoto.com/2012-workshop-schedule

Reg Forms & FAQ’S   REGISTRATION FORM 2012        FAQ”S

WORKSHOP DISCOUNTS   WORKSHOP DISCOUNTS

Jack’s Website   www.jackgrahamphoto.com

PODCAST:  www.18percentgraymatter.com                      WATCH FOR MY NEW E_BOOK       -COMING SOON!!!!!!!

COMING in 2012-–I will be doing a workshop on Whidbey Island , Washington May 10-13 2012  with the folks at  the PACIFIC NORTHWEST ART SCHOOL (www.pacificnorthwestartschool.org). In addition I’ll also be offering a 3 1/2 day Oregon Coast workshop with the Pacific Northwest Artschool in September—-STAY TUNED for details soonhttp://www.jackgrahamphoto.com/whidbey-island-washington-pacific-northwest-art-school

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WHAT’S NEW:

It’s been a while since I’ve updated the blog. Ongoing, I’ll be more active. It’s been a busy workshop season and will continue that way through mid November.

 WORKSHOPS: I have a few spots left for my Fall Color in Ohio Workshop  http://www.jackgrahamphoto.com/fall-color-ne-ohio-well-very-special-day-amish-oct-2011  in late October… as well as the Fall color workshop in Napa Valley, San Francisco and the Northern California Coast in early November.http://www.jackgrahamphoto.com/fall-northern-california-napa-pt-reyesmarin-headlands-sf-coastline-s-sf Registration forms are available above. These are going to be very special events. Please consider joining us.  The Eastern Sierra Workshop with Guy Tal and me, in mid October has one opening left.http://www.jackgrahamphoto.com/eastern-sierra-photography-workshop-1-spot-left

DON’T FORGET ICELAND 2012 (filling fast) http://www.jackgrahamphoto.com/ultimate-iceland    and CHINA 2012  http://www.phototc.com/tours/tour.php?tour=152    in 2012!!!!!!!!!!!!!!!!!

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www.18percentgraymatter.com PODCAST—BIG BIG BIG BIG BIG BIG BIG NEWS—THE BEST JUST GOT BETTER…—  Recently Bob Kulon and I recorded an interview with Josh Haftel, product manager at NIK SOFTWARE www.niksoftware.com  regarding today’s announcement from NIK about their newly upgraded COLOR EFEX PRO4 program( available today for download). Please take a few minutes and listen to the PODCAST. You can access the site here.   By using the code 18percent, you’ll receive an additional 15 % discount! This is a great program. The new addition has more filters as well as filter stacking (Thanks NIK). Please check it out, you will not be disappointed.  

                                      Remember  code=  18percent    &   save 15% on download  www.niksoftware.com

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Mary & Peter Andrade

GOOD READING: My good friends and past workshop attendees Mary & Peter Andrade have an interesting blog on line. http://pamphotography.wordpress.com/

These folks are good photographers with some different perspectives on some really cool subject matter. They have become good friends and though Mary & Peter are somewhat different in their approach, they have some really great images up in the blog, as well as some really good information. Do yourself a favor and check it out!

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Also, I am really proud of my son, and fellow photographer Matthew Graham. Check out his work, he’s doing some great stuff—Way to go Matt!!!

http://matthewgrahamphoto.com/wp/

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ANOTHER FRAUD  http://www.theepochtimes.com/n2/world/celebrated-wildlife-photographer-exposed-as-fraud-in-sweden-61616.html

When will these folks learn——keep this in mind when it’s tempting to cheat. Sometimes editors should ask to see the RAW FILE!

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   And finally–Don’t forget to check out the latest specials from my good friends at Hunt’s

http://wbhunt.com/specials/

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   just click the banner and start shopping—-you’ll find accessories not found in your local camera store, all under one roof here. These are good people!

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FEATURED ARTICLE…………….AUTUMN, EAST AND WEST, Tips for Fall Photography

(Updated from my 2007 blog post)  ©J Graham

Bridalveil Falls, Ohio

If you love shooting the landscape like me, fall is our time of year. Fall is when the mountains, hills and valleys light up, on fire….. and then go out in a natural blaze of glory.

I have been lucky to have lived and photographed autumns here in the west, as well as the eastern regions of the country. There some major differences in photographic technique in both regions as well as certain skills.  There are also some similarities.

For me,Michigan,Wisconsin, and the Adirondack Mountains of NY North-Eastern Ohio and of courseVermontis the most productive areas for me in the Northeast. Colorado, Utah, The Cascades and the Sierra Nevada Mountains are my favorites in the west. Northern Arizona, from Flagstaff north is also one of my favorites as is Yellowstone and Teton National Parks

In the east the Maples (Sugar, black and red) can be simply amazing. Other species add to the palate such as beech and hemlocks bring out lots of yellows and orange color. It takes a good summer of rain; along with the right climatic conditions bring out the best in fall color. The Maple trees are aided in color when temperatures reach high enough to bring back up the sugar into the tree. After the temperatures drop in the evenings, the sugar drops within the trees system. This is how the color becomes apparent in the leaves.

While the maples in the east blaze in red, the autumn color in the west is mostly shades of orange and gold. The principle tree in higher altitude regions is theAspen.

Aspens in the Eastern Sierra, California

The aspen propagates by sending root suckers through the ground. This makes for groups of trees that are all clones of each other, sometimes referred to as a vein of aspens. You can easily pick these out against the mountainsides in the west. Unlike the east where finding the grand scenic may be a bit tougher at times, I have always  found it easy to capture these veins of aspens in the west. I can remember driving south on US 395 from Bridgeport to Lee Vining (the home of Mono Lake) and shooting the aspens right off the highway.

Be sure to monitor the weather. Weather in the UP of Michigan’sCountry Fall well as most of the west can change within hours. I have been in the Sierra where the morning was 60 degrees, at the height of the fall color, and in the 30’s by sunset, with the leaves dropping. Aspens can loose their leaves overnight. Timing is very critical.

Most states offer fall color information using the State Department of Natural Resources web sites.  Go to a search engine and type in “department of natural resources, then your state.”

Let’s face it, we as photographers….pro’s, amateurs’ or just casual shooters all look forward to the fall color display to get out and capture all that nature has to offer. Unless you are lucky enough to live in an area that offer really interesting photography most of the year, once that cool air, increasing rain and fall color starts, we get that rejuvenated feeling and grab our camera bags and tripods and get out in the crisp, fall air to capture the vibrant colors of the season.

Fall in Oregon's Wine Country

Fall is all about color, and how to make the most of it. Here are some pointers that can help you come home with the best images possible during this magical season of color.

~Overcast and even rainy weather provides the best lighting for both landscapes as well as for close-ups of fall leaves, ferns, mushrooms, berries, and other subjects. Bright sunny weather creates harsh highlights, blocked shadow details, and even a blue cast due to reflected light from the blue sky.  A cloudy sky minimizes the blue cast, reduces contrast, and increases color saturation.  Rain and wet conditions serve to even increase the color saturation. Heavy rain also makes the tree trunks dark, further enhancing the color of the leaves

  •  A credo of nature photography, stated by Ansel Adams, is that “Bad weather makes for great photography”. Streams, rivers, waterfalls and forests are great subjects to photograph when it rains. Take care to keep your equipment dry as well as yourself and get out and shoot in these conditions. You might come home soaked, but making images in rainy weather will be a lot more rewarding than those on sunny days.

When making close up images, always use a circular diffuser, to soften direct sunlight, simulate an overcast sky, and thus improve the lighting for your fall close-ups. You may not think you need it, but even on cloudy days diffusers make a big difference.

  • Early morning and late afternoon lighting on sunny or partly cloudy days can provide dramatic lighting for scenic fall vistas taken in the open.  Weather fronts, which often occur in fall, can also provide sensational light, especially when areas of fall color are sunlit against a dark storm sky.
    • Let’s talk about sky. If the sky adds nothing to your image… LEAVE IT OUT.  White or overcast, less than dramatic sky is poison to an image.
    • Sunny weather is also the best lighting for photographing reflections of fall foliage in lakes, rivers, and streams.  The reflections are most dramatic when the fall color is sunlit and the water is in shade.  Try using slow shutter speeds to create abstracts from fall foliage reflected in the moving water of rivers and streams. Be careful if you are using a polarizer. This can detract from the reflections that you really want, of the color in the water. Refer to this article to get more tips on photographing water. https://jackgrahamphoto.wordpress.com/2011/07/12/2377/

    Misty, damp days can provide wonderful, moody lighting for fall color and waterfall photography.  The air is usually still, eliminating the problem of wind movement, and the moisture on leaves and rocks intensifies their color. 

As with snow scenes, relying on your camera meter may result in misty scenes that are too dark, so you may need to open up by ½ to 1 f-stop to retain the pearly light and luminosity that permeate these quiet foggy fall days.

  • A polarizing filter can be used to intensify colors and minimize reflections from wet rocks and leaves.  An exposure increase of 1 to 2 f-stops will be needed, depending on the amount of polarization.  Your camera meter will adjust the exposure automatically when you attach a polarizing filter.  With most modern digital cameras, a “circular” polarizing filter is needed to ensure an accurate exposure reading. Don’t forget your graduated ND’s as well. www.singh-ray.com
  • Use color to your advantage. Complimentary colors add to impact images. Green foliage combined with the reds and oranges work well. So does yellow aspens against blue skies in autumn.
  • Look for different subjects such as reflections of the fall color in water pumpkins, covered bridges, buildings that can compliment the fall color. Make use of the color. Don’t just go after that grand landscape.
  • Keep your compositions as simple as possible. Remember; don’t try to write a novel in your photographic composition, write the sentence that tells the story. Use the rule of thirds, graphic lines and make your image using a key element as the anchor. Simple is always the best.
  •  Always use a tripod. Walk around with your camera before committing to a spot while it’s on your tripod. Choose your lens properly to get the shot you want.

              

  •  
  • Get out and stay out. You can use this saying in two instances. Especially in the East where we might require getting onto private property to get that “winner” shot, always ask first as to avoid hearing that phrase. Make sure you have all the right clothing and equipment to be able to get out in bad weather. Stay out as long as you have some light. Your best light is always during the golden hours in the morning and evenings.

Most of all enjoy the color display that happens only once per year. In just a few short weeks (at least where I live) it will only be a dream and the realities of winter will set in.

Finally here are a few websites to help you monitor the fall color:

www.foliagenetwork.net

http://usparks.about.com/od/fallfoliage/a/Fall-Colors.htm

http://www.chiff.com/a/fall-foliage.htm

http://www.weather.com/activities/driving/fallfoliage/

http://phototravel.com/fall.htm   (more than you’ll ever need!)

http://www.wxnation.com/fallfoliage/ (lots of cams)

For the west —- www.calphoto.com