Category Archives: Olympic National Park Photography Workshops

Scouting before a Photography Workshop

© Jack Graham

I am a photography workshop leader. As one, I am constantly looking for new locations to bring my attendees to. I don’t conduct workshops in areas where I am not familiar, but even in familiar locations, I am always looking for new locations for my attendees. (Images below were taken yesterday). We are here scouting in Olympic National Park prior to the start of our photo workshop later this week.

Along with my good friend and able assistant Grant Longenbaugh, we set out for a location that I’ve never been to. Grant discovered this area on his map and after review, we decided to go exploring. We both agreed there was lots of potential. It ended up to be even better than we expected.  Though we had some pesky rain all afternoon (perfect conditions for photographing the rain forest) we were able to find to quite a few locations in this area that will is provide some great locations for my workshop group, starting on Thursday morning here in ONP.

Yes, it was only Monday but scouting locations prior to the beginning of a photography workshop for my attendees is absolutely necessary. , These folks, who are arriving tomorrow night are traveling long distances, taking time out of their busy lives and are spending hard earned money to come here with me.  This is the least I can do is make their time worth it. Again, I love taking folks to new exciting locations. This workshop here in Olympic National Park this week will be no different!

I am heading back there this morning after my office work is completed. I bet we find even more locations to bring folks to. I don’t mean to sound arrogant, but not all leaders do this. As well,  I don’t share these and other locations  with others leaders. This is another reason why if folks come along on a photography workshop with me, we’ll get you into these kind of areas.

Well,  now to get my email and other workshop office work completed so I can get dressed for rain, prepare my gear and get back into the rain forest…another great day of scouting.—JG.

  

 

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Back from the Oregon Coast/ FUJIFILM EVENT in SEATTLE THIS WEEK….

Rather than duplicate what I published on our FUJI “X”Photography Workshops Site, HERE is the link where you can read about it. I continue to be amazed by the performance of the X-T2 by FUJIFILM. There are many new images on the other site.

_DSF0373I am really getting spoiled. I have had 3 really great groups in a row ( Palouse , Whidbey Island and now the Southern Oregon Coast) Their images were outstanding and they all bought into my philosophy of slowing down, simplifying and enjoying the experience… in other words, becoming artist instead of camera owners!

It will be great to be with my great friends from FUJIFILM later this week here in Seattle as well as my com padre, Bill Fortney who;s also coming out for the event. Please give THIS LINK a read and come join us on Friday afternoon if you are in the Seattle area.

Below are some images from the the X-T2 previously unpublished-  notice the detail!-JG

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Which one Works # 8 The Palouse Region of Eastern Washington… NEWS… & more

JACK GRAHAM PHOTOGRAPHY  www.jackgrahamphoto.com

LEARN to SEE                              LEARN to THINK                    LEARN to CREATE

_____________________________________________________________________________

Playa Sunset, Death Valley NP

Workshop schedule:   http://jackgrahamphoto.com/2012-workshop-schedule

Workshop Registration Form: http://jackgrahamphoto.com/sites/default/files/REGISTRATION-FORM-2012v9.pdf

Workshop Overview http://jackgrahamphoto.com/workshop-overview

Workshop FAQ’S;  http://jackgrahamphoto.com/sites/default/files/GENERAL-WORKSHOP-QUESTIONS-FAQS-INFORMATION-v2012f.pdf

Workshop Referrals: http://jackgrahamphoto.com/referrals

PODCAST: www.18percentgraymatter.com

JACK GRAHAM PHOTOGRAPHY   e books –available for purchase and immediate download http://jackgrahamphoto.com/shop/e-books

 

NEWS and NOTEWORTHY

It’s hard to believe we are now a few short weeks from  leaving for Iceland. I have one seat open should you want to come along. I’ll be updating this blog from Iceland while I am there.

http://jackgrahamphoto.com/ultimate-iceland-july-2012

CUBA 2013 !!!!  Yes it’s going to happen. Details and itineraries will be published in about a week or so. Dates are Feb 8-15th 2013. Email me jack@jackgrahamphoto.com for information.

MORE in 2013—I’ll be formally announcing Utah (Zion area) in October 2013. Guy Tal (www.guytal.com ) and I are working on a joint workshop in…………. CAPITAL REEF     National Park sometime in April 2013—STAY TUNED!!!!

And dont forget ICELAND     http://www.jackgrahamphoto.com/ultimate-iceland-2013-limit-10-attendees

and GREENLAND    http://www.jackgrahamphoto.com/ultimate-greenland-new-2013      in  JULY 2013

Below is a list of my workshops for the remainder of 2012. Of particular note is the workshop in Northern California in September 2012http://www.jackgrahamphoto.com/autumn-napa-valley-san-francisco-and-northern-california-coast-pacific-northwest-art-school-photogra ) that I will be conducting with the Pacific Northwest Art School. September is a great time to be in this area. The summer crowds are gone and the air is a bit cooler and refreshing. In addition, the cost of this workshop is very attractive considering the itinerary and diverse subject matter. We will spend a full day in the beautiful win county of the Napa Valley. We will travel a bit Northwest through the Point Reyes area, then down to the Marin headlands for some great ocean views and a sunrise shoot of the Golden gate. After a morning in San Francisco, we’ll venture out to the coast, south of San Francisco for more ocean, and intimate landscape locations. Time is set to conduct presentations, image discussions and more. Please consider joining us. You can register with the PNWS here:  http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-fall-in-northern-ca-sep-20-23-2012-1 or by calling 866-678-3395.

Napa Sunrise

My 2013 workshop schedule is coming into shape. You can view it here. Another trek to Iceland is planned for July with an additional 9 day excursion to beautiful (and quite warm & pleasant and under photographed) Greenland.  I’ll be back in NE Ohio in October for fall color and once again a full day(including a private Amish dinner) with my Amish friends on their farm in Sugarcreek Ohio. I’ll be teaming up with my good friend, world class photographer and teacher Bill Fortney(www.billfortney.com) for a workshop you will not want to miss! I’ll also be announcing a workshop in late October 2013 in the red rock country (including Zion National Park) very soon. Details on these and more can be found here:     http://www.jackgrahamphoto.com/2013-photography-workshop-schedule

I received requests to link the webinar I conducted  for NIK SOFTWARE , back in March, entitled, “Keeping it Simple .You can view it here: ( if you purchase any or all of the NIK Software package… enter code JGRAHAM and receive a 15% discount!!!

http://www.niksoftware.com/learnmore/usa/index.php/webinars/archives/#/keeping-it-simple-with-nik-software-with-jack-graham/0/0/0/0/0

2012 Workshop Info:

ULTIMATE ICELAND, 10 days, JULY 2012 –ONLY 1 SEAT LEFT http://jackgrahamphoto.com/ultimate-iceland-july-2012

OREGON COAST 5 DAYS!—August 2012—2 seats open http://jackgrahamphoto.com/2012-oregon-coast-cannon-beach-bandon-5-full-day

NAPA VALLEY, No. CALIFORNIA COAST, SAN FRANCISCO MORE!!!SEPTEMBER  2012 ( www.pacificnorthwestartschool.com ) few seats left, not many!  http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-fall-in-northern-ca-sep-20-23-2012-1

GRAND TETON NP  SEPTEMBER 2012 3 seats open http://jackgrahamphoto.com/fall-grand-teton-and-yellowstone-np-photography-workshop

17TH ANNUAL EASTERN SIERRA FALL WORKSHOP with GUY TAL www.guytal.com   JUST a FEW SEATS LEFT—filling fast   http://jackgrahamphoto.com/17th-annual-eastern-sierra-photography-workshop-mono-lake-alabama-hills-bristlecone-pine-bodie-more

 

More information found here: http://jackgrahamphoto.com/2012-photography-workshop-schedule

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 WHICH ONE WORKS?  ….  #8  The Palouse Region of Eastern Washington

In this series of articles, I discuss and compare images and talk about why I like one over the other.

Choosing one image over other similar images is one that we all deal with in our digital darkroom.

I suggest to you, as well as my workshop attendees to work the subject while in the field, make final decisions on your monitors at home.

The final image is important for whatever project it’s being used for, and spending time determining which image works vs. another is well worth it. In many case the slightest difference in composition, light etc. makes all the difference, Most of the time it is very clear which one is better for your individual needs than others, sometimes it’s not.

Often we may take many frames of a subject in different light and different angles. Each frame can evoke a different feeling to the subject.

Always remember that you need a good subject and acceptable light, or your final image will probably be less than desirable.

Your comments, as always are more than welcome.—JG

______________________________________________________________________

LOCATION:  THE PALOUSE region of Eastern Washington

 

Crop Dusting in the Palouse

As a photographer I visit many locations while conducting workshops as well as on my own photo excursions. There are two locations that are diametrically opposed but in many ways are photographically similar. I visit Death Valley National Park at least twice each year. Death Valley offers challenges to even the seasoned photographer. Unlike many of the National Parks, there are few icons. One must be on his or hers “A” game or making successful images in  Death Valley will be difficult to impossible. Photographers are there to depict the vastness and sometimes emptiness of the park. We go there to photograph the patterns and textures found within the rock formations. There is little green unless the winter rains produce some vegetation. In the Palouse region of Eastern Washington things could not be more different. If a country, Whitman County Washington, in the heart of the Palouse would be the third largest producer of Wheat in the world. What is more interesting is there is no real irrigation. The wheat that grows here is the result of the rain. What Death Valley and the Palouse have in common however is interesting. Both areas are extremely vast. From the vistas, overlooks and the many rural roads in the Palouse, we can see wheat fields almost to the horizon. In Death Valley, we can look down for miles at the dried playa, rock and sand features, all making up this expanse of dryness.  We photographers go the Palouse, just as we go to Death Valley to photograph the patterns and textures, not in rock or salt playa, but in the wheat fields and farmland.

Usually the first two weeks of June allow photographers to capture images depicting the  patterns and textures of the wheat fields. Again in August, at harvest time many photographers travel to small towns like Colfax, Oakesdale, Dusty and Steptoe to make images in the light produced by the dust created by the harvest machinery.

 

Like Death Valley, we must prepare, and slow down to study the scene before pressing the shutter. These two areas are so different in many ways, yet so alike in others.

 HE STORY:   On the last morning of my recent workshop in the Palouse, I decided, based on the light and weather conditions to revisit a barn I photographed a few days before the workshop started. This barn is on Highway 26 about 15 miles west of Colfax. For many years, I used this location to turn around to drive back east to the Colfax area. It’s a simple structure, not bright red like many of the barns in the Palouse. It’s located I a field that offers no other structures of any kind. By going there I wanted to send a message to my attendees of simplicity. If photographed correctly this location offers a simple but yet powerful subject. Upon arrival, I sensed from my attendees that they were not impressed with my location choice. The barn was not red; there was no foreground or apparent patterns. Why were we here? By the time we left all were happy and got the message. One attendee actually said this was his favorite location of the weekend. After we took our time and understood the subject everything became clear.

The title of this image is “Turnaround” based on my prior stops at this location. The resulting images were made within a few minutes of each other. I was pleased with one much more than the other two.

TECH DATA: All images made using my Nikon D700, Gitzo 3541 tripod and Really Right Stuff BH55 Ball Head    de images were taken using aNikon 80-200mm  2.8  lens, ISO 800, Shutter speed of 1/1000 sec at F11.. The ISO was high as was the shutter as the wind was blowing the wheat in the foreground. I wanted no movement showing.

PROCESSING: All images were processed in Adobe Lightroom camera RAW As always I used NIK SOFTWARE to complete my processing. I added some structure and fine tuning using Nik’s Viveza. With Color Efex Pro 4 I added some detail, brilliance and warmth, pro contrast, foliage enhancement and the Darken /Lighten Center filter. (I recommend NIK PRODUCTS without hesitation. You can receive a 15% discount by using my code JGRAHAM when ordering at www.niksoftware.com) .Nik’s output Sharpener was used to sharpen the final images. A final curve adjustment , level adjustment and Nik’s Define program (noise reduction).completed the processing.

Image # 1

 

THE EDIT:   

IMAGE #1 is more of a study of the barn. It shows the structure in its surroundings. It’s technically done well buy nothing I would put up on my wall. It is kind of a postcard I image. Without taking time to work the scene these type of images are ones often photographed. They do not convey the sense of place.

 

 

 

IMAGE # 2

Image # 2

Image two begins to convey what I was trying to depict in this scene. I used the foreground of the wheat in conjunction with the background to tell the story. The single barn in the field made this fairly minimalistic scene strong. The single cloud on the left also added some drama to the scene. I would have liked a bit more cloud showing and not running out of the scene.

 

 

Image # 3

IMAGE  #3 After waiting for a few minutes to see if some more clouds appeared, I was rewarded with a scene that was what I was looking for. I reduced the amount of foreground from Image # 2 as I determined that the amount of foreground was overwhelming the image. I also made this wider ythan the previous image in order to further depict the vastness of the area.

 

FINAL DECISION. Image #1 is a postcard image. Image #2 has too much foreground, not enough open space to tell the story I was attempting. The final image (IMAGE #3) is exactly what I wanted to capture in this scene. After about ½ hour in one location the clouds along with the adjustments made #3 my image of choice. It really tells the story of the Palouse with a minimalist, yet powerful scene I tried to convey. Image #3, to me is much more powerful than the other two images.

During the process of making these images and explaining my thought to my workshop attendees, I indicated that there in the field, I know this would become a monochrome image. I processed the image using Nik Software’s Silver Efex Pro . I really feel that the monochrome image is even stronger than the color rendition. When in the field I recommend you have , in your mind , the final result you are seeking. How we will process images is important to think about at the time the image is made.

 

What do you think?

 

The right to download and store or output any content on the  websites:  www.jackgrahamphoto.com and  www.jackgrahamsblog  is granted for preview purposes only and may not be reproduced in any form. All Photographs appearing on this site are the property of Jack Graham unless otherwise noted.
These photos are protected by U.S.Copyright laws and are not to be downloaded or reproduced in any way without the written permission of Jack Graham
By entering this site you accept these terms. If you need permission to use a photo on this site please call 503-625-21430 or email jack@jackgrahamphoto.com

 

Which one Works #6 -Sonoran Desert, make sure you are in the right spot!/ News, Workshop Update

                                    JACK GRAHAM PHOTOGRAPHY  www.jackgrahamphoto.com

LEARN to SEE                              LEARN to THINK                           LEARN to CREATE

____________________________________________________________________________________

Workshop schedule:   http://jackgrahamphoto.com/2012-workshop-schedule

Workshop Registration Form: REGISTRATION FORM 2012v9

Workshop Overview http://jackgrahamphoto.com/workshop-overview

Individual ONE on ONE workshops  http://jackgrahamphoto.com/one-one-field-studio-photography-workshops

Workshop FAQ’S  GENERAL WORKSHOP QUESTIONS_FAQ’S INFORMATION_v2012f

Workshop Referrals: http://jackgrahamphoto.com/referrals

PODCAST: www.18percentgraymatter.com

JACK GRAHAM PHOTOGRAPHY   e books –available for purchase and immediate download http://jackgrahamphoto.com/shop/e-books

Jack on 500PX  http://500px.com/JackGraham/photos     Jacks Photos on PHOTOSHELTER http://jackgraham.photoshelter.com/

______________  _________________________________________________________________________________

NEWS and NOTEWORTHY

Last month I recorded a webinar for NIK SOFTWARE, entitled, “Keeping it Simple” (www.niksoftware.com) that you can access via the Nik Software Webinar Library by clicking here:

http://www.niksoftware.com/learnmore/usa/index.php/webinars/archives/#/keeping-it-simple-with-nik-software-with-jack-graham/0/0/0/0/0

San Xavier del Bac, Tucson AZ

I am presently in Arizona. The first of 3 workshops ended last weekend. Though this as far from a banner wildflower season, we spent 3 ½ days in and around Phoenix and Tucson learning and photographing the landscape and some of the nuance of the southwest. For example we spent an afternoon at the Mission San Xavier del  Bac in Tucson as well as the old town Tucson area, photographing the buildings and intimate aspects of this beautiful area.

Old Towne, Tucson

2012 Workshop Info:

Arizona Workshops later this month — FILLED

WHIDBEY ISLAND, Washington, MAY 2012 ( www.pacificnorthwestartschool.com) few seats left, not many!  http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-photography-on-whidbey-may-9-12-2012-1

OLYMPIC NATIONAL PARK..MAY 2012 – 1 seat left http://jackgrahamphoto.com/olympic-national-park

COLUMBIA RIVER GORGE …JUNE 2012 – 2 seats left http://jackgrahamphoto.com/columbia-river-gorge-and-mt-hood-photography-workshop

THE PALOUSE, JUNE 2012, 1 Seat left http://jackgrahamphoto.com/spring-palouse-now-5-days

ULTIMATE ICELAND, 10 days, JULY 2012 –ONLY 1 SEAT LEFT http://jackgrahamphoto.com/ultimate-iceland-july-2012

OREGON COAST 5 DAYS!—August 2012—2 seats open http://jackgrahamphoto.com/2012-oregon-coast-cannon-beach-bandon-5-full-day

NAPA VALLEY, No.CALIFORNIA COAST, SAN FRANCISCO MORE!!!SEPTEMBER  2012 ( www.pacificnorthwestartschool.com ) few seats left, not many!  http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-fall-in-northern-ca-sep-20-23-2012-1

TETONS & YELLOWSTONE, SEPTEMBER 2012 3 seats open http://jackgrahamphoto.com/fall-grand-teton-and-yellowstone-np-photography-workshop

17TH ANNUAL EASTERN SIERRA FALL WORKSHOP with GUY TAL www.guytal.com   JUST a FEW SEATS LEFT—filling fast   http://jackgrahamphoto.com/17th-annual-eastern-sierra-photography-workshop-mono-lake-alabama-hills-bristlecone-pine-bodie-more

________________________________________________________________________________________________

THINK TANK CAMERA BAGS: Along with my large bags and my Streetwalker Pro that I use very often, I really love my new RETROSPECTIVE 10“Over the Shoulder” Camera Bag

http://www.thinktankphoto.com/products/retrospective-10-pinestone-shoulder-bag.aspx

Here are the Top Features of this bag (abou t$ 150.00-160.00)

Minimalist outer appearance conceals expensive photo equipment …Carries a pro size DSLR with standard zoom lens attached…..Accommodates 2-4 lenses in main compartment with DSLR body in front pocket…Front pocket fits a pro size DSLR (body only) …Organizer pocket built into main compartment for pens, note pad, batteries, etc….Choice of two different colors, black or pinestone, to suit the situation ( I love the Pinestone)….Hook and Loop “Sound Silencers” on the front flap eliminate noise while opening the bag….Soft, adjustable shoulder strap with cushioned non-slip pad….Clear business card holder under front flap….Removable short carrying handle for convenience…Seam-sealed rain cover included for protection against the elements

THINK TANK uses the highest quality zippers available…A lot of thought went into these bags, just like all Think Tank products.—Thanks Think Tank….HIGHLY RECOMMENDED—JG

Order here www.thinktankphoto.com/affiliate and enter CODE —  AP371  and receive a free gift!

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FEATURED ARTICLE

WHICH ONE WORKS?          #6, the Sonoran Desert…

                                                      .                       . Make Sure you are in the Right Location

©Jack Graham, all rights reserved

In this series of articles, I discuss and compare images and talk about why I like one over the other.

Choosing one image over other similar images is one that we all deal with in our digital darkroom.

I suggest to you, as well as my workshop participants to work the subject while in the field, make final decisions on your monitors at home. The final image is important for whatever project it’s being used for, and spending time determining which image works vs. another is well worth it. In many case the slightest difference in composition, light etc makes all the difference, Most of the time it is very clear which one is better for your individual needs than others, sometimes it’s not. Often we may take many frames of a subject in different light and different angles. Each frame can evoke a different feeling to the subject.

Always remember that you need a good subject and acceptable light, or your final image will probably be less than desirable.

Your comments, as always are more than welcome.—JG

______________________________________________________________________

LOCATION: Bartlett Lake area, North and East of the Phoenix, Arizona metro area.

 Note the GPS  DATA BELOW for each image

 

Sunrise near Bartlett Lake AZ

THE STORY:

 I arrived into the Phoenix area about a week and a half ago, prior to my wildflower/landscape workshop in and around Phoenix and Tucson.  I went out scouting areas I wanted to take my workshop participants the morning after I arrived. A rather vigorous storm was predicted for later this day, That information, combined with wanting to be in this location for the sweet light, right after sunrise made it imperative that I get up and out early.

I caught a rather nice sunrise, then ventured down the road a bit, where I came onto a nice area that depicted the beautiful Sonoran Desert. The following morning I was standing in about a foot of Snow up in Sedona, just about an hour and one half north!

TECH DATA:  Both images taken with a Nikon D700 and Nikon 28-70mm 2.8 ED IF Lens. I used a Singh Ray 2 stop, soft , graduated filter on each omage (www.singh-ray.com)

IMAGE 1

IMAGE 1          2012:03:17 06:55:26                             2.8 @ at 70mm

1/3 sec, f/20     Mode: Av    Metering: Multi-segment

ISO: 200        AF mode: MANUAL

White balance: AUTO

Lat: 33°51’16.512″N  Long: 111°37’55.266″W   Altitude: 666m

IMAGE 2

IMAGE 2   2012:03:17     06:56:31                28-70mm @ 60mm

1/3 sec, f/20  Mode: Av     Metering: Multi-segment

ISO: 200 AF mode: MANUAL

Lat: 33°51’16.758″N    Long: 111°37’54.858″W   Altitude: 669m

Processing: Basic Lightroom processing. Most of the processing completed using NIK Software

in this order  Define 2.0 ( remove any noise), Viveza 2.0, Color Efex Pro4 and Output Sharpener.

( Save 15% on NIK Software  www.niksoftware.com when ordering using this code   JGRAHAM )

IMAGE: Finding a good looking saguaro around this area is getting harder and harder. Perhaps the increasing pollution in the Valley of the Sun is having its effect.

These magnificent plants can take up to 70 years to develop a side arm. A saguaro without arms is called a spear. The growth rate of Saguaros here in the Phoenix area of Arizona is about half as fast as those in and around Tucson, Arizona. They can live up to150 years. The largest known saguaro is the Champion Saguaro. It grows close to here in the Phoenix area and is over 43 feet tall with a girth of 3.1 meters (10 ft.). These cacti can grow anywhere from 15 to 50 feet.

Saguaros bloom at night and peak usually in late May & June. The major pollinators are bats, Doves and bees appear to be the primary daytime pollinators. The fruits are highly edible and prized by local people.

I came upon this area and looked for a pleasing composition to tell the store of the beautiful Sonoran Desert The light was really perfect for about 10 or 15 minutes when the angle was still rather low. However as quick as the good light come in, it got very harsh just as quick.

TIP: Always walk around and look for the better spot to plant your tripod. These 2 images were made about 30 seconds apart and just a few feet from one another (see GPS DATA)

IMAGE 1

 THE EDIT:  WHICH ONE WORKS            I chose image # 2

IMAGE 2

What BOTH images have in their favor:

1)     Great “sweet” early morning light.

2)     The desert vegetation is nice in both images.

3)     The saguaros add to the image nicely in both images

4)     Better than average sky ( the clouds add to the imagery)

IMAGE 1 over IMAGE 2

1)     Better looking clouds

2)     Better view of the little peak on the top of the hill on the left

3)     There is bit more space between the top of the tall saguaro and the edge of the top of the image

IMAGE 2 over IMAGE 1

1)     The foreground is definitely more interesting and really anchors the image

2)     More colorful foreground (greens)

3)     Better placement of the saguaros

4)     More defined leading line on the left center drawing the eye up into the center of interest.

I cannot stress the importance of foregrounds when it comes to anchoring the image. The empty foreground with the sort of dead brush in image one does not compare to what is featured in image two. Always ask yourself, “What is the subject”? Here it’s the saguaros and the surrounding area. Think of those features like a soloist and the sky , foreground, leading line like the orchestra, making the soloist sound good.

By literally moving 3 meters to the right and turning a bit to the left I was able to include a wonderful foreground. Before planting your tripod, (do you use a tripod all the time? You should as much as possible.) walk around and see if the spot you committed yourself to is the right spot. It might not be. Image one would have been trashed, but by looking around I was able to make a good image as I did in Image 2

Make Sure you are in the Right Location

Sunrise on the Sonran Desert, Arizona

WHICH ONE WORKS? #3 “Composition, Processing challenges and the Feeling” / Recent News

                            Jack Graham Photography

www.jackgrahamphoto.com

    Learn to See                        Learn to think                      Learn to create

 

   2012 Workshop Schedule    http://www.jackgrahamphoto.com/2012-workshop-schedule

2012 Registration Form   REGISTRATION FORM 2012v9

Workshop Referrals:  http://www.jackgrahamphoto.com/referrals

One on One, Individual Workshop information http://www.jackgrahamphoto.com/one-one-field-studio-photography-workshops

Workshop FAQ’s GENERAL WORKSHOP QUESTIONS_FAQ’S INFORMATION_v2012f

PODCASTwww.18percentgraymatter.com

______________________________________________________________________________

 

    Jack Graham E-Book Series 1 & 2 now available for purchase and instant download:  

http://www.jackgrahamphoto.com/shop/e-books

 

 

 

 

 

 

 

Noteworthy

LANDSCAPE PHOTOGRPAHY MAGAZINE   http://landscapephotographymagazine.com/

This months issue (Feb 2012)  contains an article entitled “Focus on the Unconventional” http://landscapephotographymagazine.com/magazine/issue-12/ by me. I hope you find it interesting. While you are there, check out his 1st class publication. Compared to many of the print magazines, Landscape Photography is far ahead of the curve. Check out them various sections and innovative layout here. Let me know how you like the article!.

NIK WEBINAR : I’ll be doing a webinar for NIK DOFTWARE, live in their studio from 2-3PM (Pacific Time) on February 28th.  The webinar topic is “Keeping it Simple” and getting the most out of the NIK Software Suite. Click here to register for the webinar:  http://www.niksoftware.com/learnmore/usa/index.php/webinars/signup/12851?j=16013119&e=jack@jackgrahamphoto.com&l=175395_HTML&u=205139063&mid=115479&jb=0

See you there!  (save 15% on NIK Software—order online www.niksoftware.com and enter the code JGRAHAM)

WORKSHOPS; My 2012 workshops are beginning to fill quickly. The links you need to have are at the top of this page. We have only one seat left for Iceland, and just a few for our unbelievable trip to Hidden China and Tibet this summer. Also the workshops in the Southwest this spring are almost filled.. Don’t miss out on these !!!!

__________________ FEATURED ARTICLE————————————————————————————————————

WHICH ONE WORKS?          #3

    “Composition, Processing challenges and the Feeling”

©Jack Graham / Jack Graham Photography

Within these discussion that will appear on my blog every week or two, I’ll discuss and compare images and talk about why I like one over the others.

This process is a common one that we all deal with in our digital darkroom. The final image is important for whatever project it’s being used for, and spending time determining which image works vs. another is well worth it. In many case the slightest difference in composition, light etc makes all the difference, Processing techniques can also make the choice apparent as well.

Often we may take many frames of a subject in different light and different angles. Each frame can evoke a different feeling to the subject.

Always remember that you need a good subject and acceptable light, or your final image will probably be less than desirable.

You comments, as always are more than welcome.

______________________________________________________________________

IMAGE # 1 Beaver Pond, Lundy Canyon,

 

LOCATION:  Beaver pond, Lundy Canyon, Eastern Sierra, California

 

THE STORY:  Prior to the start of my fall workshop in the Eastern Sierra, in 2011, Guy Tal www.guytal.com) and me, spent a few days together, scouting the area for our coming workshop in early October. Late in the afternoon as some weather was moving in we drove back into the beaver pond past Lundy Lake. I’ve been back here in some wonderful weather tor photography ( for me its dramatic skies; usually adverse conditions!). There is  lots of subject matter here. There is a series of ponds all high maintained by the local beavers who monitor the water level and use the plentiful amount of aspens and other trees for their dens, easily visible from the shoreline.

 

 

IMGAE # 2   Beaverpond Lundy Canyyon
IMGAE # 2 Beaverpond Lundy Canyyon

 

Its’ about 7000’ elevation here and the temperature is usually about 10-15 degrees colder than in close by Lee VIning and Mono Lake. Though the weather was not really terrible, it was about 32 degrees Fahrenheit and windy and raining and snowing at times pretty hard. Unfortunately the wind was blowing right at us. I’ve been in worse. The light was just ok, but for a few minutes when the sunlight pushed through the clouds in the distance hi about the mountains where it was snowing and the snow up high really made this image interesting. Though I had my chamois ready, the raindrops were a factor on my lens as you can see in the raw file.

 

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TECH DATA:

Image 1 ( Horizontal )                                                                                                              Image # 2  (Vertical)

Date/Time: 2011:10:10 16:21:36 Nikon D700 /Nikon 28-70mm F 2.8           2011:10:10 16:04:41 Nikon D700  /Nikon 17-35mm F 2.8

Shutter speed: 1/30 sec   Aperture: 16                                                                    Shutter speed: 1/13 sec   Aperture: 16

Exposure mode: Manual Metering mode: Spot                                                    Exposure mode: Manual Metering mode: Spot

ISO: 400   Focal length: 30mm                                                                                ISO: 400   Focal length: 20mm

 

Let’s discuss processing. II did all my normal processing Adobe Lightroom & did a lot of cloning in Photoshop of the water droplets that I could not prevent from hitting my lens! ( you can see my workflow and processing information in my eBook Series 1 available for sale on my website: I then used my   NIK Software as follows:

Here are the origional RAW FILES of each image

RAW file before processing

 

 

 

RAW file before processing

1)       Define 2.0—noise reduction. With my Nikon D700 at ISO400 there was virtually NO noise

2)       Viveza 2.0 – added a good amount of structure and some contrast to the clouds (see my glossary below & learn these terms). I reduced the amount to light in the upper right, ‘

By adding some structure to the water, I was able to bring out some of the reflections as well. I also adjusted the shadows in the trees and brought out a lot of definition, lost in the RAW file. (This is why we use the RAW format. We have much more to work with and can make these adjustments correctly… a discussion of RAW vs. jpeg can be found here: https://jackgrahamphoto.wordpress.com/2011/03/04/photo-tip-podcast-workshop-info/

3)       Color Efex 4 – I added just a tad of Brilliance & Warmth and then just a little Pro Contrast. I used the foliage adjustment to bring out the greens & the foliage along the shoreline. As always I added a vignette, using the Darken –Lighten center feature. This allowed me to choose where I want the center of attraction to be. I chose the shoreline on the left side of the pone. and adjusted the amount of vignette I wanted as well as the amount of darkening I wanted the boarders to have.

4)       Sharpening _ I used NIK’S Sharpener Pro 3.0 . I wanted the trees and vegetation sharper than the mountaintops and certainly the sky. With the Nik software I can control using the U-Point technology the area I want to have sharper than others. Not all images need this but this one did.

 

After that I added a slight curve and adjusted my levels in Adobe Photoshop and completed the processing.

 

THE EDIT:   

 

Both images deliver a totally different feeling and emoting. I chose image 2.Some of you who know me know I really love vertical images and for a while I tended to photograph more vertical images than horizontal. I’ve now learned to shoot both angles and make the decision later! This is a good example.

IMAGE #2

 

I choose #2 for a few reasons. First there is a much more appealing foreground, which is usually the first thing I look for inn the field when looking for good subject matter.

On my workshops, I always stress to my workshop attendees , that a little thing can make a good image a great one. Sometimes it’s not the obvious, but the subtle that can transform an image. For instance,

I really like how the sun reflection is right at the top of the tree reflection, and the top of the dead tree it pointing right up to the sun that just cresting over the tops of the mountains . I also like, really in both images how the submerged tree act as kind of a leading line to the other side of the pond.

I feel that the composition is simpler in the vertical. My eye keeps moving around looking for somewhere to land in the horizontal image. There is a lot of subject matter in the horizontal. Simple is always better.  In addition the clouds were much more dramatic in image #2.  Also note how two different lenses can evoke a different look and feel to an image as well.  Image was made with my Nikon 17-35mm F2.8 ( a very sharp lens) . I got down low to the ground to get the foreground where I wanted it. Image #2 was made with my Nikon 28-70mm F2.8, also a very sharp lens. There was no foreground where I was standing.

To recap, these items, in order of importance to me are why #2 was my choice.

1)       #2 has a more simple, but stronger composition, delivers a better feeling to the mood

2)       Strong  foreground

3)       Clouds more dramatic

4)       Position of the sun on the top as well as the reflection

5)       Somewhat better light

Let me now what you think!

 

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Please consider joining us on this experience in one of the most amazing  and unique locations in the world

On even semi clear days, the snow-capped peaks of the Olympic Mountains. Are visible from Seattle,  First explored 1890, when a Seattle newspaper sent an expedition across Puget Sound  the Olympics Peninsula of 3,600 square miles are still even today a wild, sometimes beyond descriptive area. Even today no roads traverse the interior, which remains native habitat of elk, bear, and old-growth forests, protected by Olympic National Park and the rugged, saw-toothed peaks of the Olympic Range. For access to the peninsula, for example you must take the loop highway, 101, then follow it for 330 miles around the peninsula counterclockwise via Port Angeles to Aberdeen or visa versa.

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