Where have I been????? FEATUERD ARTICLE: Which one Works #7… The Ferry House, Whidbey Island,Wa.
JACK GRAHAM PHOTOGRAPHY www.jackgrahamphoto.com
LEARN to SEE LEARN to THINK LEARN to CREATE
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LATE NEWS:As of a few minutes ago I confirmed ULTIMATE CUBA 2013 PHOTOGRAPHY WORKSHOP. Announcement coming next week. Feb 6-13 2013—-details coming soon!
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Workshop schedule: http://jackgrahamphoto.com/2012-workshop-schedule
Workshop Registration Form: http://jackgrahamphoto.com/sites/default/files/REGISTRATION-FORM-2012v9.pdf
Workshop Overview http://jackgrahamphoto.com/workshop-overview
Workshop FAQ’S; http://jackgrahamphoto.com/sites/default/files/GENERAL-WORKSHOP-QUESTIONS-FAQS-INFORMATION-v2012f.pdf
Workshop Referrals: http://jackgrahamphoto.com/referrals
PODCAST: www.18percentgraymatter.com
JACK GRAHAM PHOTOGRAPHY e books –available for purchase and immediate download http://jackgrahamphoto.com/shop/e-books
Mystery Valley, Arizona
NEWS and NOTEWORTHY
It’s been quite a long time since my last posting. I have been busy away with my 2012 workshop schedule. I’ve spent about 6 weeks in the southwest, and 4 corners region (Navajo and red rock country) then up on Whidbey Island doing a great workshop for the Pacific Northwest Art School (more on that later) then over to Olympic National Park for a week.
I am currently in southern California where I’ll be at the Temecula Balloon and Wine Festival http://www.tvbwf.com/ starting this Friday through Sunday afternoon. I return to Oregon on Tuesday morning and begin my Columbia Gorge workshop Wednesday night and another in the Palouse Region in Eastern Washington the following week. I am so fortunate to be able to get to these places at the best times of the year.
After the workshop I usually take a look at the few images I make (I am there for my customers, not for my own shooting opportunities!). I have had very few acceptable images, this year since workshops have been quite full and my time is spent with my attendees. However this image I made waking back t my truck on the Olympic Peninsula is one I am quite pleased with. I had a metal print made of this which I will get to see tomorrow. This is the Sol Duc River between Forks and Port Angeles in a secret spot I know about.
Sol Duc River, Olympic Peninsula, Wa.
Tech Data 012:05:18 16:34:00 Nikon D700 80-200mm F 2.8 @ 100mm
Sunset, Marin Headlands, near San Francisco, Ca
Below is a list of my workshops for the remainder of 2012. Of particular note is the workshop in Northern California in September 2012 ( http://www.jackgrahamphoto.com/autumn-napa-valley-san-francisco-and-northern-california-coast-pacific-northwest-art-school-photogra ) that I will be conducting with the Pacific Northwest Art School. September is a great time to be in this area. The summer crowds are gone and the air is a bit cooler and refreshing. In addition, the cost of this workshop is very attractive considering the itinerary and diverse subject matter. We will spend a full day in the beautiful win county of the Napa Valley. We will travel a bit Northwest through the Point Reyes area, then down to the Marin headlands for some great ocean views and a sunrise shoot of the Golden gate. After a morning in San Francisco, we’ll venture out to the coast, south of San Francisco for more ocean, and intimate landscape locations. Time is set to conduct presentations, image discussions and more. Please consider joining us. You can register with the PNWS here: http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-fall-in-northern-ca-sep-20-23-2012-1 or by calling 866-678-3395.
My 2013 workshop schedule is coming into shape. You can view it here. Another trek to Iceland is planned for July with an additional 9 day excursion to beautiful ( and quite warm & pleasant and under photographed) Greenland. I’ll be back in NE Ohio in October for fall color and once again a full day(including a private Amish dinner) with my Amish friends on their farm in Sugarcreek Ohio. I’ll be teaming up with my good friend, world class photographer and teacher Bill Fortney(www.billfortney.com) for a workshop you will not want to miss! I’ll also be announcing a workshop in late October 2013 in the red rock country (including Zion National Park) very soon. Details on these and more can be found here: http://www.jackgrahamphoto.com/2013-photography-workshop-schedule
I received requests to link the webinar I conducted for NIK SOFTWARE , back in March, entitled, “Keeping it Simple .You can view it here: ( if you purchase any or all of the NIK Software package… enter code JGRAHAM and receive a 15% discount!!!
Sunrise, Hunt’s Mesa, Monument Valley AZ
2012 Workshop Info:
COLUMBIA RIVER GORGE …JUNE 2012 – 1 seat left http://jackgrahamphoto.com/columbia-river-gorge-and-mt-hood-photography-workshop 1 spot open
THE PALOUSE, JUNE 2012, SOLD OUT—- http://jackgrahamphoto.com/spring-palouse-now-5-days
ULTIMATE ICELAND, 10 days, JULY 2012 –ONLY 1 SEAT LEFT http://jackgrahamphoto.com/ultimate-iceland-july-2012
OREGON COAST 5 DAYS!—August 2012—2 seats open http://jackgrahamphoto.com/2012-oregon-coast-cannon-beach-bandon-5-full-day
NAPA VALLEY, No. CALIFORNIA COAST, SAN FRANCISCO MORE!!!SEPTEMBER 2012 ( www.pacificnorthwestartschool.com ) few seats left, not many! http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-fall-in-northern-ca-sep-20-23-2012-1
TETONS & YELLOWSTONE, SEPTEMBER 2012 3 seats open http://jackgrahamphoto.com/fall-grand-teton-and-yellowstone-np-photography-workshop
17TH ANNUAL EASTERN SIERRA FALL WORKSHOP with GUY TAL www.guytal.com JUST a FEW SEATS LEFT—filling fast http://jackgrahamphoto.com/17th-annual-eastern-sierra-photography-workshop-mono-lake-alabama-hills-bristlecone-pine-bodie-more
More information found here: http://jackgrahamphoto.com/2012-photography-workshop-schedule
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FEATURED ARTICLE -.-.-.-.-.-.-.-.-.-.-.
WHICH ONE WORKS? The Ferry House, Whidbey Island, Washington
In this series of articles, I discuss and compare images and talk about why I like one over the other.
Choosing one image over other similar images is one that we all deal with in our digital darkroom.
I suggest to you, as well as my workshop attendees to work the subject while in the field, make final decisions on your monitors at home.
….. WHICH ONE WORKS # 7…..
LOCATION: Whidbey Island, Puget Sound, Washington http://www.bing.com/maps/default.aspx?v=2&pc=FACEBK&mid=8100&where1=South+Ebey+Road%2C+Coupeville%2C+WA+98239&FORM=FBKPL0&name=The+Ferry+House+on+Whidbey+Island&mkt=en-US
If you have viewed the movie “Snow Falling on Cedars”, 2009, you might remember this house. It is the historic Ferry House at Ebey’s Landing. The Ferry House was in the movie for only about 30 seconds so have to look quick. This house is owned by the US Park Service and is one of the historic places. The house even has its own Facebook Page http://www.facebook.com/pages/The-Ferry-House-on-Whidbey-Island/332890913105
One of the oldest residential buildings in the state of Washington, the Ferry House was built in 1860 by Winfield Scott Ebey as an Inn to provide financial stability for his brother’s children, who were orphaned when Isaac Ebey was brutally murdered and beheaded by Canadian natives. Once completed and opened for business, the building was named The Ebey Inn. With no other nearby accommodations, the Inn — which housed a post office, a tavern, and rooms for overnight guests — quickly became an important place for sailors and other travelers to rest before continuing their journeys to other towns on Whidbey Island the nearby mainland and points further north. Travelers and locals could also purchase merchandise and groceries at the Inn, which served ferry traffic to and from Port Townsend The house stayed in the Ebey family for 57 years, until Isaac Ebey’s grandson sold the old Inn in 1917.
The old Inn is currently owned by the National Park Service. The Ferry House became part of the 17,500-acre (71 km2) Ebey’s Landing National Historical Reserve created in 1978 to protect the rural working landscape and community on Central Whidbey Island.
THE STORY: Every time I visit Whidbey Island, be it for a workshop or when I am there photographing, I always visit this beautiful location. These three images were made on separate days in different light. These are three of my favorite images, but only one will stand out enough to me to be my favorite image of the Ferry House. I was initially attracted to the location by the look of the old house against the background of cedars. The challenge was how to work the rather large foreground into the scene. In many cases a rock tree, etc. can serve as an anchor for the image, making for an interesting photograph, In this case, using the building in and of itself would have been acceptable, but I wanted to use the beautiful field of barley and the green to serve as my foreground. This was not as easy a task as I thought it might be. This location is best photographed in the morning. The light can be challenging to say the least. Often extremely windy conditions are present due to the proximity to the sound and the ocean. Returning many times is essential.
To create a successful landscape photograph I believe you should learn as much about a location as possible. Learn the conditions such as weather and light, and how they affect the scene and prepare yourself properly. Being at the right place at the right time is rarely by luck. Be sure your camera setting are what you want to make the most of the photograph. Imagine these images taken at F4! When the lights “happening” it usually lasts for only a few minutes. You’ll need to work quick and know how to access your equipment. Not knowing where things are in your camera bag can cost you a great shot.
TECH DATA: All images made using my Nikon D700, Gitzo 3541 tripod and Really Right Stuff BH55 Ball Head.
IMAGE 1 Nikon 80-200mm 2.8 @ 200mm 1/60sec at f16 Apature priority / Matrix metering
-1/3 compensation . ISO 1250
IMAGE 2 Nikon 28-70mm @ 70mm 1/ 2.5 sec at F16 Manual /Spot metering –1/3 compensation . ISO 200
IMAGE # 3
IMAGE 3 Nikon 28-70mm @ 70mm 1/3sec at F16 Manual /Spot metering –1/3 compensation .
ISO 200
PROCESSING:
The key to processing is knowing what I want out of the image in the field as I am making the photograph, then applying the processing technique in my studio. I make initial processing
adjustments in cam RAW using Adobe Lightroom. I use NIK SOFTWARE’S “DEFINE” to reduce any noise. I adjust the image further using NIK”S VIVEZA and Color Efex Pro. I used some layer adjustments in Adobe Photoshop to increase contrast. Final sharpening was done using NIK’S Output Sharpener.
All three of these images were processed relatively the same. What makes them different is
1) Composition 2) Light conditions 3) Use of the subject with the foreground
THE EDIT: There are three very different images and each conveys a different feeling. It is always important to define the subject before making the image. Obviously the subject is the Ferry House. Like all images, weather they be photographs or paintings, how the subject is handled is crucial. The house is depicted in three completely different ways in these images.
IMAGE #1
IMAGE # 1
This image was taken about 2 months before the others and the green barley field was really nice in green. I think if I was trying to show the house and not the environment, I would select this image, The adjacent fields and close by water adds something to the image. There are some lines in the field that sort of lead into the subject which I like. The house is sharp and the background fairly clean. Depending on the use, this image works quite nicely. The light was really good this day. It was overcast, quite cool and windy. That is why I set my ISO to 1250. I did not want blurriness in the grasses as the wind was very strong. The house in this image is for my taste is balanced, but too centered. As you can see in the other images there are parts of the environment that I did not want to include in this image. By not including them I came up with this one dimensional image. It’s a nice image but to me somewhat boring.
IMAGE # 2
I went back after the 1st image and arrived at the location early in the morning, during the sweet light, to make this another images of the Ferry House. This time I wanted to use the driveway and pathway, leading to the back of the adjacent property to tell more of the story of where this old house is located. After walking around for quite a while, I selected this spot, while the light remained quite nice. The early morning light really did a nice job on the background. I still to this day cannot decide if I like this driveway or not. Sometimes I think is add something, something I think it draws my eye to the end of the driveway and away from the subject. I also don’t like how the light handled the green barley field. The light though good everywhere else really didn’t work on the grass. Perhaps if I was sold on this composition I could go back into my software and play with the luminosity etc. and adjust the grass a bit, but since I am really not sold on this image, I think I’ll wait until I am, if ever.
IMAGE #3
IMAGE # 3
Again this image was taken in the early morning. This day featured a cloudless sky and though not bad, the poorest morning light of the three images. I like the house placement and the green barley field a lot in this composition. This time of year the yellow mustard field in back of the property was in full bloom. I used the blue of the Puget Sound along with the complimentary yellow of the mustard field to work to enhance the image. The light was not quite as good on the house as in image 1 or 2 but not terrible. The biggest drawback for me in this image is the sky. There is no drama here. However we photographers sometime have to work with what we have.
FINAL DECISION
My final decision is to go back and do this photograph again. What I am after is the composition of IMAGE $3 with some dramatic sky’s or some drama caused by weather. Snow would be great. Fog would be interesting as well.
All three images are nothing I would hang on a wall. Image one might be good to use for editorial purposes. I can’t come to a firm decision regard the composition of IMAGE2. Until I do I will pass on this composition. IMAGE 3 is more of what I call a post card image. Yes, the composition is somewhat different from what I’ve seen before, but after a few seconds it is just a nice image, not exciting.
Many that I did not want to include in this image. By not including them I came up with this one dimensional image. It’s a nice image but to me somewhat boring.
Many times, viewers look at some of the better images I have and ask “How did you get that great light “ or “How did you ever get an image looking like that” They wait for a technical answer, thinking I must have a great camera or lenses. My answer always is that I try and go back to a location many times, and you I might be there when everything works.
What do you think?–jg
Sea Stones on Ruby Beach, Olympic National Park, Washington
While scouting the area before my Olympic National Park Workshop tomorrow, I went for a walk along Ruby Beach in Olympic National Park this morning.
These images were made using my Canon G10. & Processed using Adobe Lightroom and Nik Software.
Though the obcious images were of the driftwood covered beaches, theres something quite relaxing looking for patterns in the stones. Often its whats not obvious.
RIP: TOM PHILLIPS, legendary Navajo Guide and historian
……………..I received a call today from Monument Valley.how beautiful these It is with very great sadness to write that my longtime friend and Navajo Guide in Monument Valley, Tom Phillips, passed away suddenly on Sunday night. I just completed two workshops with Tom as my guide, just about 3 weeks ago in Monument Valley. I’ll remember him for his quick wit, knowing the history of every rock in MV and his friendship over the years. Tom was Monument Valley. Just 3 weeks ago we were climbing the red rocks, and talking about the feelings and traditions of Navajo country. Sharing breakfast in the “View” hotel, after sunrise at Totem Pole in MV with Tom the last day of our workshop is something I will never forget.
Tom has done it all. He’s taught Navajo studies at Stanford University and travelled the workd spreading the stories and traditions of his people. Things in MV will nver be the same without Tom
There is no “official” cause of death yet, but after talking with my Navajo friends in MV today, death seems to be from natural causes.
I am currently in Olympic National Park in Northern Washington getting ready for another workshop tomorrow. My heart is in MV.
The image shown here was taken on April 24, 2012, just about 3 weeks ago.
When you say ” Good-by, see you next year”……, you never know. Value every day.
Tom was a good man. RIP Tom.
JG
Photographing in Monument Valley,……….. News and Notes, Workshop Information
JACK GRAHAM PHOTOGRAPHY www.jackgrahamphoto.com
LEARN to SEE LEARN to THINK LEARN to CREATE
___________________________________________________________________________________
Workshop schedule: http://jackgrahamphoto.com/2012-workshop-schedule
Workshop Registration Form: http://jackgrahamphoto.com/sites/default/files/REGISTRATION-FORM-2012v9.pdf
Workshop Overview http://jackgrahamphoto.com/workshop-overview
Workshop FAQ’S http://jackgrahamphoto.com/sites/default/files/GENERAL-WORKSHOP-QUESTIONS-FAQS-INFORMATION-v2012f.pdf
Workshop Referrals: http://jackgrahamphoto.com/referrals
PODCAST: www.18percentgraymatter.com
JACK GRAHAM PHOTOGRAPHY e books –available for purchase and immediate download http://jackgrahamphoto.com/shop/e-books
NEWS and NOTEWORTHY
Last month I recorded a webinar for NIK SOFTWARE, entitled, “Keeping it Simple” (www.niksoftware.com) that you can access via the Nik Software Webinar Library.
You can view it at:
I am presently in Monument Valley. We’ll be heading up to Hunt’s Mesa and Canyon de Chelley later this week. I’ll be heading back to the Pacific Northwest next week. Then up to Whidbey Island and the Olympic Peninsula for two workshops in May.
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2012 Workshop Info:
WHIDBEY ISLAND, Washington, MAY 2012 ( www.pacificnorthwestartschool.com) few seats left, not many! http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-photography-on-whidbey-may-9-12-2012-1
OLYMPIC NATIONAL PARK..MAY 2012 – 1 seat left http://jackgrahamphoto.com/olympic-national-park
COLUMBIA RIVER GORGE …JUNE 2012 – 2 seats left http://jackgrahamphoto.com/columbia-river-gorge-and-mt-hood-photography-workshop
THE PALOUSE, JUNE 2012, 1 Seat left http://jackgrahamphoto.com/spring-palouse-now-5-days
ULTIMATE ICELAND, 10 days, JULY 2012 –ONLY 1 SEAT LEFT http://jackgrahamphoto.com/ultimate-iceland-july-2012
OREGON COAST 5 DAYS!—August 2012—2 seats open http://jackgrahamphoto.com/2012-oregon-coast-cannon-beach-bandon-5-full-day
NAPA VALLEY, No. CALIFORNIA COAST, SAN FRANCISCO MORE!!!SEPTEMBER 2012 ( www.pacificnorthwestartschool.com ) few seats left, not many! http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-fall-in-northern-ca-sep-20-23-2012-1
TETONS & YELLOWSTONE, SEPTEMBER 2012 3 seats open http://jackgrahamphoto.com/fall-grand-teton-and-yellowstone-np-photography-workshop
17TH ANNUAL EASTERN SIERRA FALL WORKSHOP with GUY TAL www.guytal.com JUST a FEW SEATS LEFT—filling fast http://jackgrahamphoto.com/17th-annual-eastern-sierra-photography-workshop-mono-lake-alabama-hills-bristlecone-pine-bodie-more
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Featured Article:
One or Two Days in Monument Valley Tribal Park … ……A Photographer’s Paradise © Jack Graham
Totem Pole, Sunrise ©J. Graham
After completing two workshops here in Arizona, I began the first of a two day One on One workshop with one of my attendees from the workshop which just wrapped up the prior Sunday afternoon.. Then mages found here were made during this workshop.
A One on One workshop is a great opportunity to interact closely not only for my clients, but for me as well. Though my group workshops offer some benefits, and I encourage you all to do some workshops in a group setting, private time with an instructor can prove extremely valuable.
In the case of this client, my goal is to not only get him to some wonderful locations in beautiful Monument Valley,, at the perfect time, but to help him grow as a photographer. For these two days I am here with a fairly advanced photographer, Jay Gould, ( www.luvntravlnphotography.com) an ex-pat now residing in Australia. Jay and I have done two other workshops. One was in the Eastern Sierra a few years ago and another in Death Valley. The one in Death Valley was a One on One workshop ( (actually a 2 on one as this was with his brother Steve Gould, a professional photographer in his own right! www.stevegouldphoto.com). My mission on this 2 day workshop is to give Jay some quality field time while working on seeing images as well as defining what makes a good image, rather than an average one.
Totem Pole Panorama ©J.Gould
My good friend and workshop assistant Greg Duncan is here as well. Greg’s is assisting on my group workshops before and just after the completion of this One on One workshop. Check out Greg’s work here. www.grdphotos.com . He is a superb photographer.
Photographers flock to Monument Valley as they do to other National Parks. It is almost an event seeing the photographers standing in line to capture the iconic image of the mittens at sunrise and sunset from the parking lot near new large hotel here in MV. My suggestion to those of you reading this is article is the same as I recommend to my clients. Get that iconic shot and then work to create a different way of shooting the subject, perhaps with more of an artistic eye, and with the help of a required native Navajo guide wander off into the valley to find those areas not photographed as often.
Please note the differences in the 3 Totem Pole sunrise images. You’ll see 3 different visions of the same area. It’s always interesting to see how everyone sees differently.
Sunrise, Totem Pole © G. Duncan
Monument Valley is a Navajo Tribal Park. In Monument Valley, to get where you need to go, at the right time, you must use an authorized Navajo Guide. I recommend using Tom Phillips, tom@monumentvalley.com , www.monumentvalley.com . Tom has been guiding here for more years than he will tell you and still can out climb most of us, when we scamper up a hillside or a slick rock. Tom has five full time guides and a fleet of Chevy Suburbans that are specially outfitted to maneuver the sand, rocks and obstacles that are often encountered in your day in the valley. Visit his website for details www.monumentvalley.com .
On the first morning, we started about 1 hour before sunrise. We left the parking lot and headed down deep into the valley for our first destination called the” Totem Pole”. Juat as an aside, Paramount Pictures is currently filming a sequel to “The Lone Ranger” with Johnny Depp here in Monument Valley. The dust and traffic was much more than normal so we had to hustle to the Totem Pole for the really great light that lasts literally about2-3 minutes!. We made it in time. (The film area is the size of a small city. Coming back up from the valley we had to wait for 20+ semi’s and other huge trucks to wind down the unpaved primitive road into the valley. This better be a good movie for the amount of people & equipment that is here!).
Photographing in Monument Valley offers so many different experiences. Monument Valley was completely under water about 575 years ago.. The natural forces around us are still creating the landscape today.
Monument Valley is about 6000’. You will see first light way before the actual sunrise. I strongly advise you being in place, ready to make your image at least one hour before sunrise. The best light is about 20 minutes to a half hour before sunrise. Also, almost without exception you need to use graduated neutral filters. I use Singh-Ray filters (www.singh-ray.com)
Briefly here are a few spots to get to if you just have one or two days.. There are hundreds more locations. These are just a few.
Dramatic Skies make great Black & White images ©J.Graham
1) The Mittens from the parking lot near the “View” hotel.. Everyone shoots from the parking lot, looking east-northeast. When looking out to the valley, look left toward the campground and walks down the dirt toad and walk out on the sand. There are plants, rocks and trees that can be used as foregrounds. You also have a different look at the mittens, one that will be something different from the iconic image.
2) Totem Pole. You guide should be able to direct you where to look to make your sunrise images. The rippled sand dunes make wonderful foregrounds. Use the vegetation as well to anchor your images. Typically the sun is at a 90 degrees from the direction you’ll be shooting. With wide angle lenses, be careful of over polarizing, creating a dark, unnatural blue sky on the right side of your image.
3) 3) Artist Point-Looking up at Spearhead Mesa, Artist Point is a great sunrise place as well, especially in the early spring.
Tracks in the Sand ©J. Graham
It isn’t always the grand landscape. Look around, you will see a lot of subject matter amd detail all over. The image on the left contains tracks made by various creatures ( usually bugs, snakes, rabbits, etc) during the night, when the vally floor comes alive. Use these tracks in the sand to create interesting patterns.
Mid-Morning
"Cookies and Pancakes" area, mid morning © J. Gould
1) The “Ear the Wind” is in a canyon filled with some great trees, lichen coated sandstone walls and of course the “eye” that offers a viewpoint to the sky. I like standing on the left side of the eye. Don’t miss some of the trees here as well. There is a great old dead tree still sanding against the opposite wall from the eye.
2) “Sun’s Eye”. This location offers some outstanding petroglyphs as well as a great vie through the eye to the sky.
3) John Ford Point which is named after the famous Hollywood director who made John Wayne famous. There are some great vistas. Hope for some clouds for added interest. The local family will be there. You can tip the folks and they may sit on a painted horse and allow you to make a photograph with the valley in the background.
4) Get over to an area called “Cookies and Pancakes”. This area has a dramatic sandstone wall with rock formations looking like the namesake indicates. Look for some great foregrounds here.
Afternoon
I really like going into Mystery Valley about 2-3 hours before sunset. The area that the locals call the “Cow Pies” is an area you can spend forever photographing the patterns and swirls created by the water and wind over millions of years. There are some Anstasi ruins in the valley as well. You guide may show you them.
Mystery Valley ©J. Graham
Sunset
1) Tear Drop Window — This is just that, a tear drop in the rock that overlooks the valley. Get there 45 minutes before sunset.
2) Mystery Valley afternoon. These red rocks look like saucers and offer great foregrounds.
3) The Mittens can offer a good sunrise as well. Look in back of you. Sometimes the light is even better.
NIght Skies, Monument Valley ©G. Duncan
NIGHT PHOTOGRAPHY:
This is a great place to shoot the stars on clear evenings. Using some of the rock facades around the area you can get some amazing images. Try these settings to make well defined star images( not star trails, but images using the stars as your background):
1) bulb setting
2) Don’t shoot over 30 seconds. 20 seconds would be better is possible
3) ISO 800 or higher. By increasing ISO you can add light or decrease your shutter speed
4) Shoot wide opened. If you have a 2.8 lens… keep it at 2.8 etc.
5) A quarter moons is ideal. A full moon may add too much light.
6) If you can set up your image before dark. Focusing can be challenging to say the least when its dark.
If you really want an experience, travel up to HUNT’S MESA. You’ll have to camp overnight but you should get a great sunset and sunrise.
(left to right) Jack Graham, Tom Phillips (our guide) , Greg Duncan, Jackie & Jay Gould
THINGS TO BE AWARE OF
1) For the best areas of Monument Valley a Navajo Guise is required.
2) Respect the land. Walk only on solid rock. Sandstone is relatively soft stone. Edges of the rock can break off easily.
3) There is a lot of Micro-bionic soil. The soil is very fragile and literally alive. Avoid disturbing this as well.
4) Do not remove any artifacts; break pottery etc. that you may find.
As I try and get my workshop attendees to do all the retime, please try and slow down, take your time , and create quality images. If you must, by all means get that iconic, post card image. Then try your best to expand your creativity and create something different, perhaps unique. Enjoy just being in this magical location.
Finding and Believing / News & Noteworthy / Workshop Info
JACK GRAHAM PHOTOGRAPHY www.jackgrahamphoto.com
LEARN to SEE LEARN to THINK LEARN to CREATE
____________________________________________________________________________________
Workshop schedule: http://jackgrahamphoto.com/2012-workshop-schedule
Workshop Registration Form: REGISTRATION FORM 2012v9
Workshop Overview http://jackgrahamphoto.com/workshop-overview
ONE on ONE PERSONALIZED WORKSHOPS - http://jackgrahamphoto.com/one-one-field-studio-photography-workshops
Workshop FAQ’S GENERAL WORKSHOP QUESTIONS_FAQ’S INFORMATION_v2012f
Workshop Referrals: http://jackgrahamphoto.com/referrals
PODCAST: www.18percentgraymatter.com
JACK GRAHAM PHOTOGRAPHY e books –available for purchase and immediate download http://jackgrahamphoto.com/shop/e-books
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Bell Rock, After the Storm, Sedona, AZ ©Jack Graham
NEWS and NOTEWORTHY
Last month I recorded a webinar for NIK SOFTWARE, entitled, “Keeping it Simple” (www.niksoftware.com) that you can access via the Nik Software Webinar Library .
You can view it at:
I am presently in Arizona. I’ll be harding up north to Page, Monument Valley & Canyon de Chelley on Saturday. Both workshops are sold out!
I am working hard at improving my panoramic landscape photography. Please look at the information on the right side of this blog concerning NODAL NINJA and their wonderful products. They are amazing! Also, I am using software from PTgui. It the most accurate stitching software I have seen.
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Pigeon Point Lighhouse, No California Coast
2012 Workshop Info:
Arizona Workshops APRIL—BOTH SOLD OUT
WHIDBEY ISLAND, Washington, MAY 2012 ( www.pacificnorthwestartschool.com) few seats left, not many! http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-photography-on-whidbey-may-9-12-2012-1
OLYMPIC NATIONAL PARK..MAY 2012 – 1 seat left http://jackgrahamphoto.com/olympic-national-park
COLUMBIA RIVER GORGE …JUNE 2012 – 2 seats left http://jackgrahamphoto.com/columbia-river-gorge-and-mt-hood-photography-workshop
THE PALOUSE, JUNE 2012, 1 Seat left http://jackgrahamphoto.com/spring-palouse-now-5-days
ULTIMATE ICELAND, 10 days, JULY 2012 –ONLY 1 SEAT LEFT http://jackgrahamphoto.com/ultimate-iceland-july-2012
OREGON COAST 5 DAYS!—August 2012—2 seats open http://jackgrahamphoto.com/2012-oregon-coast-cannon-beach-bandon-5-full-day
NAPA VALLEY, No.CALIFORNIA COAST, SAN FRANCISCO MORE!!!SEPTEMBER 2012 ( www.pacificnorthwestartschool.com ) few seats left, not many! http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-fall-in-northern-ca-sep-20-23-2012-1
TETONS & YELLOWSTONE, SEPTEMBER 2012 3 seats open http://jackgrahamphoto.com/fall-grand-teton-and-yellowstone-np-photography-workshop
DEATH VALLEY–SPECIAL NOVEMBER WORKSHOP— available NOW! http://jackgrahamphoto.com/death-valley-national-park-4-full-days
17TH ANNUAL EASTERN SIERRA FALL WORKSHOP with GUY TAL www.guytal.com JUST a FEW SEATS LEFT—filling fast http://jackgrahamphoto.com/17th-annual-eastern-sierra-photography-workshop-mono-lake-alabama-hills-bristlecone-pine-bodie-more
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FINDING and BELIEVING
©Jack Graham
'The Cathedral" Sedona, Az. ©Jack Graham
One of my favorite musicians is Pat Metheny, one of the most accomplished musicians ever. Pat has written a composition entitled “Finding and Believing”, which is also one of my favorite pieces. Finding and believing is not only primary to becoming a good photographer, it can also overlap into all aspects of life. Having the right attitude and mindset allows for success. Finding that mindset and then believing in what you are doing with your life, as well as your photography develops success. We all have the will to win. What we really must have it the will to find and develop the right attitude, then believe in you, in order to succeed. This is a process that takes many years.
ATTITUDE and MINDSET
How many times have we all neglected to set out into the field for a day of photography as a result of negative thinking? We internalize thoughts such as; “ Other photographers have been there already”; “I don’t have as good enough equipment”; “my recent work is not up to standard”; conditions “sun, wind; clouds etc.” aren’t perfect”… and on and on?
“Wherever there is light, one can photograph”…………Alfred Steiglitz
Are these excuses better or worse than opposite thinking? Setting out thinking that “Today’s the day, for sure I will create a great image today” might be even a worse mindset.
The question is that is all this negativity, for better or worse is almost certain to set yourself up to fail, and all that failing to achieve a preconceived success brings to your emotional state of mind sometimes for longer than expected time.
Like many such of dilemmas and questions, after considering all aspects, I would suggest the answer is probably somewhere in the middle.
Most of my better images were produced on days that my attitude was “Let’s just get out, enjoy the day and see what happens”. In other words, if I don’t get out I’ll never even have the chance to create what could be a worthwhile image”.
I truly believe that most photographers fail because of the lack of effort, not skill or having an eye for subject matter. When critiquing images on my workshops, I find most images fail due to very basic reasons. These include, poor composition, technical issues, mostly simple flaws that most photographers with the basic know-how and experience should be able to rectify with some practice.
Old Towne, Tucson,Az ©Jack Graham
Becoming proficient as a photographer is a result of trial and error as well as time in. Putting in the time in the field, as well as at home reading and studying (you’re reading this right?) is all part of becoming proficient as a photographer. By staying home, making excuses, is not allowing you to grow. Conversely, going out with the attitude that “Today’s the day, I am going to make some great images today”, is just as ineffective. Get out, enjoy the process, and enjoy being wherever you go, have reasonable but not unrealistic expectations.
Understand that there are so many photographs out there available than any one photographer will ever to make in ten lifetimes. Thinking that there is a lack of subject matter is not only wrong, it’s just plain lazy on our part. If you are out, and don’t come across what you expected, shift gears and evaluate what’s available and make the best of it.
Other aspects of the process can encourage positive experiences in the field and keep your head in the game. If you are not at a location in the right light, have unsteady tripods, rushing, you will more times than not fail. Making sure your equipment is functioning, have everything you need with you is also part of the drill as well. For example, I almost always zip up my camera bag after changing lenses. One of the time, I was in a rush, and grabbed the bag and dumped everything on the ground. Little things like this can get your mind in anything but in the right zone, where it needs to be to not only enjoy the experience, but even make a good image or two. .
A few weeks ago I commented to a workshop attendee that I finally finished editing my 2010 images and I had about 12 I really liked out of the few hundred I kept. For me I usually have one good image to even consider out of about 10-12. I do not let the other half way decent images, but not ones I would not keep to affect my attitude and thus my growth as a photographer. Not every trip will result in great work. It doesn’t, even for seasoned pros. Don’t let it get to you. Let’s face it; even if I fail to come back with some good images, I usually enjoy my excursions and seeing what I see. I often refer to a saying I have heard many times, “The hunt is usually better than the kill”.
BECOMING SUCCESSFUL
Blue Agave Stalk ©Jack Graham
If there is anything that inhibits growth as a photographer is the lack of trial and error. This process takes time and will in the end make sure that your failures are not due to pointing your lens in the right direction, but perhaps some correctable technical issues.
Malcolm Gladwell wrote about success and his 10,000 hour rule. These are factors which go into achieving success. Take a listed here. Gladwell preaches that it time, effort and putting in time, practice and hard work to become really good at something. 10,000 hours = 10 years of time.
http://www.youtube.com/watch?v=Hz4hPbHIZ6Y
Why not make this time fun and rewarding.
Another talk I think about a lot is this one by analyst Richard St. John condenses years of interviews into a short video on the real secrets of success. What leads to success?
http://www.ted.com/talks/lang/en/richard_st_john_s_8_secrets_of_success.html
1) Passion… Love what you do
2) Work…….Nothing comes easily… work hard but…has fun!
3) Get good at something…practice, practice , practice
4) Focus……Focus on one thing
5) Push…….Eliminate self-doubt
6) Serve…..Help others, you’ll learn while serving
7) Ideas….. Have ideas.
8) Persist … Persist through failure
Keeping things in perspective is the way to keeping you in the right frame of mind, and allowing you to not only grow as a photographer, but making the road there fun. Isn’t that what we are all looking for?
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THINK TANK PROMOTIONS: Well worth looking into!
Just in time for Spring, Think Tank Photo announces a special offer on their popular StreetWalker™ backpacks. When you buy one of Think Tank’s spacious and comfortable StreetWalker® Pro or StreetWalker® HardDrive backpacks by April 30, 2012, you will receive a padded Pro Speed Belt™ for free!
The Pro Speed Belt makes the StreetWalker backpacks even more comfortable and provides greater support for the weight on your back. This padded belt also allows you to attach Think Tank’s modular bags to the belt line. In doing so, you will have quick access to your lenses or accessories instead of having to take the backpack off to retrieve your camera gear.
With Think Tank’s StreetWalker backpacks’ slim vertical profile, you can navigate crowded places while still being able to access professional photographic equipment. The backpacks include a monopod/tripod mounting system, a contoured harness and air channel, and lots of pockets and organizers. Women in particular will appreciate the StreetWalker’s very narrow and vertical profile, especially when combined with the shoulder harness design.
Street Walker Pro
StreetWalker Pro – Holds most 400 f2.8 lenses with a pro size DSLR camera body attached or a pro size DSLR and 70-200 2.8 attached. Lens hood can also remain attached in shooting position. Bottom front pocket can be used to carry a tripod or monopod. A pop out tripod cup is built in for carrying a larger tripod. Removable seam-sealed rain cover included.
http://www.thinktankphoto.com/products/streetwalker-pro-backpack.aspx?code=AP-371
Street Walker Hard Drive
StreetWalker Harddrive
Holds most 15” laptops. Carry a pro size DSLR and 70-200 2.8 attached with hood in position or a Nikon 400 f2.8 attached to a pro size DSLR body. Bottom front pocket can be used to carry a tripod or monopod. A pop out tripod cup is built in for carrying a larger tripod. Removable seam-sealed rain cover included.
http://www.thinktankphoto.com/products/streetwalker-harddrive-backpack.aspx?code=AP-371
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The right to download and store or output any content on the website www.jackgrahamphoto.com and www.jackgrahamsblog website is granted for preview purposes only and may not be reproduced in any form. All Photographs appearing on this site are the property of Jack Graham unless otherwise noted.
These photos are protected by U.S.Copyright laws and are not to be downloaded or reproduced in any way without the written permission of Jack Graham
By entering this site you accept these terms. If you need permission to use a photo on this site please call 503-625-21430 or email Jack @ Jack@jackgrahamphoto.com
Which one Works #6 -Sonoran Desert, make sure you are in the right spot!/ News, Workshop Update
JACK GRAHAM PHOTOGRAPHY www.jackgrahamphoto.com
LEARN to SEE LEARN to THINK LEARN to CREATE
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Workshop schedule: http://jackgrahamphoto.com/2012-workshop-schedule
Workshop Registration Form: REGISTRATION FORM 2012v9
Workshop Overview http://jackgrahamphoto.com/workshop-overview
Individual ONE on ONE workshops http://jackgrahamphoto.com/one-one-field-studio-photography-workshops
Workshop FAQ’S GENERAL WORKSHOP QUESTIONS_FAQ’S INFORMATION_v2012f
Workshop Referrals: http://jackgrahamphoto.com/referrals
PODCAST: www.18percentgraymatter.com
JACK GRAHAM PHOTOGRAPHY e books –available for purchase and immediate download http://jackgrahamphoto.com/shop/e-books
Jack on 500PX http://500px.com/JackGraham/photos Jacks Photos on PHOTOSHELTER http://jackgraham.photoshelter.com/
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NEWS and NOTEWORTHY
Last month I recorded a webinar for NIK SOFTWARE, entitled, “Keeping it Simple” (www.niksoftware.com) that you can access via the Nik Software Webinar Library by clicking here:
San Xavier del Bac, Tucson AZ
I am presently in Arizona. The first of 3 workshops ended last weekend. Though this as far from a banner wildflower season, we spent 3 ½ days in and around Phoenix and Tucson learning and photographing the landscape and some of the nuance of the southwest. For example we spent an afternoon at the Mission San Xavier del Bac in Tucson as well as the old town Tucson area, photographing the buildings and intimate aspects of this beautiful area.
Old Towne, Tucson
2012 Workshop Info:
Arizona Workshops later this month — FILLED
WHIDBEY ISLAND, Washington, MAY 2012 ( www.pacificnorthwestartschool.com) few seats left, not many! http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-photography-on-whidbey-may-9-12-2012-1
OLYMPIC NATIONAL PARK..MAY 2012 – 1 seat left http://jackgrahamphoto.com/olympic-national-park
COLUMBIA RIVER GORGE …JUNE 2012 – 2 seats left http://jackgrahamphoto.com/columbia-river-gorge-and-mt-hood-photography-workshop
THE PALOUSE, JUNE 2012, 1 Seat left http://jackgrahamphoto.com/spring-palouse-now-5-days
ULTIMATE ICELAND, 10 days, JULY 2012 –ONLY 1 SEAT LEFT http://jackgrahamphoto.com/ultimate-iceland-july-2012
OREGON COAST 5 DAYS!—August 2012—2 seats open http://jackgrahamphoto.com/2012-oregon-coast-cannon-beach-bandon-5-full-day
NAPA VALLEY, No.CALIFORNIA COAST, SAN FRANCISCO MORE!!!SEPTEMBER 2012 ( www.pacificnorthwestartschool.com ) few seats left, not many! http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-fall-in-northern-ca-sep-20-23-2012-1
TETONS & YELLOWSTONE, SEPTEMBER 2012 3 seats open http://jackgrahamphoto.com/fall-grand-teton-and-yellowstone-np-photography-workshop
17TH ANNUAL EASTERN SIERRA FALL WORKSHOP with GUY TAL www.guytal.com JUST a FEW SEATS LEFT—filling fast http://jackgrahamphoto.com/17th-annual-eastern-sierra-photography-workshop-mono-lake-alabama-hills-bristlecone-pine-bodie-more
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THINK TANK CAMERA BAGS: Along with my large bags and my Streetwalker Pro that I use very often, I really love my new RETROSPECTIVE 10“Over the Shoulder” Camera Bag
http://www.thinktankphoto.com/products/retrospective-10-pinestone-shoulder-bag.aspx
Here are the Top Features of this bag (abou t$ 150.00-160.00)
Minimalist outer appearance conceals expensive photo equipment …Carries a pro size DSLR with standard zoom lens attached…..Accommodates 2-4 lenses in main compartment with DSLR body in front pocket…Front pocket fits a pro size DSLR (body only) …Organizer pocket built into main compartment for pens, note pad, batteries, etc….Choice of two different colors, black or pinestone, to suit the situation ( I love the Pinestone)….Hook and Loop “Sound Silencers” on the front flap eliminate noise while opening the bag….Soft, adjustable shoulder strap with cushioned non-slip pad….Clear business card holder under front flap….Removable short carrying handle for convenience…Seam-sealed rain cover included for protection against the elements
THINK TANK uses the highest quality zippers available…A lot of thought went into these bags, just like all Think Tank products.—Thanks Think Tank….HIGHLY RECOMMENDED—JG
Order here www.thinktankphoto.com/affiliate and enter CODE — AP371 and receive a free gift!
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FEATURED ARTICLE
WHICH ONE WORKS? #6, the Sonoran Desert…
. . Make Sure you are in the Right Location
©Jack Graham, all rights reserved
In this series of articles, I discuss and compare images and talk about why I like one over the other.
Choosing one image over other similar images is one that we all deal with in our digital darkroom.
I suggest to you, as well as my workshop participants to work the subject while in the field, make final decisions on your monitors at home. The final image is important for whatever project it’s being used for, and spending time determining which image works vs. another is well worth it. In many case the slightest difference in composition, light etc makes all the difference, Most of the time it is very clear which one is better for your individual needs than others, sometimes it’s not. Often we may take many frames of a subject in different light and different angles. Each frame can evoke a different feeling to the subject.
Always remember that you need a good subject and acceptable light, or your final image will probably be less than desirable.
Your comments, as always are more than welcome.—JG
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LOCATION: Bartlett Lake area, North and East of the Phoenix, Arizona metro area.
Note the GPS DATA BELOW for each image
Sunrise near Bartlett Lake AZ
THE STORY:
I arrived into the Phoenix area about a week and a half ago, prior to my wildflower/landscape workshop in and around Phoenix and Tucson. I went out scouting areas I wanted to take my workshop participants the morning after I arrived. A rather vigorous storm was predicted for later this day, That information, combined with wanting to be in this location for the sweet light, right after sunrise made it imperative that I get up and out early.
I caught a rather nice sunrise, then ventured down the road a bit, where I came onto a nice area that depicted the beautiful Sonoran Desert. The following morning I was standing in about a foot of Snow up in Sedona, just about an hour and one half north!
TECH DATA: Both images taken with a Nikon D700 and Nikon 28-70mm 2.8 ED IF Lens. I used a Singh Ray 2 stop, soft , graduated filter on each omage (www.singh-ray.com)
IMAGE 1
IMAGE 1 2012:03:17 06:55:26 2.8 @ at 70mm
1/3 sec, f/20 Mode: Av Metering: Multi-segment
ISO: 200 AF mode: MANUAL
White balance: AUTO
Lat: 33°51’16.512″N Long: 111°37’55.266″W Altitude: 666m
IMAGE 2
IMAGE 2 2012:03:17 06:56:31 28-70mm @ 60mm
1/3 sec, f/20 Mode: Av Metering: Multi-segment
ISO: 200 AF mode: MANUAL
Lat: 33°51’16.758″N Long: 111°37’54.858″W Altitude: 669m
Processing: Basic Lightroom processing. Most of the processing completed using NIK Software
in this order Define 2.0 ( remove any noise), Viveza 2.0, Color Efex Pro4 and Output Sharpener.
( Save 15% on NIK Software www.niksoftware.com when ordering using this code JGRAHAM )
IMAGE: Finding a good looking saguaro around this area is getting harder and harder. Perhaps the increasing pollution in the Valley of the Sun is having its effect.
These magnificent plants can take up to 70 years to develop a side arm. A saguaro without arms is called a spear. The growth rate of Saguaros here in the Phoenix area of Arizona is about half as fast as those in and around Tucson, Arizona. They can live up to150 years. The largest known saguaro is the Champion Saguaro. It grows close to here in the Phoenix area and is over 43 feet tall with a girth of 3.1 meters (10 ft.). These cacti can grow anywhere from 15 to 50 feet.
Saguaros bloom at night and peak usually in late May & June. The major pollinators are bats, Doves and bees appear to be the primary daytime pollinators. The fruits are highly edible and prized by local people.
I came upon this area and looked for a pleasing composition to tell the store of the beautiful Sonoran Desert The light was really perfect for about 10 or 15 minutes when the angle was still rather low. However as quick as the good light come in, it got very harsh just as quick.
TIP: Always walk around and look for the better spot to plant your tripod. These 2 images were made about 30 seconds apart and just a few feet from one another (see GPS DATA)
IMAGE 1
THE EDIT: WHICH ONE WORKS I chose image # 2
IMAGE 2
What BOTH images have in their favor:
1) Great “sweet” early morning light.
2) The desert vegetation is nice in both images.
3) The saguaros add to the image nicely in both images
4) Better than average sky ( the clouds add to the imagery)
IMAGE 1 over IMAGE 2
1) Better looking clouds
2) Better view of the little peak on the top of the hill on the left
3) There is bit more space between the top of the tall saguaro and the edge of the top of the image
IMAGE 2 over IMAGE 1
1) The foreground is definitely more interesting and really anchors the image
2) More colorful foreground (greens)
3) Better placement of the saguaros
4) More defined leading line on the left center drawing the eye up into the center of interest.
I cannot stress the importance of foregrounds when it comes to anchoring the image. The empty foreground with the sort of dead brush in image one does not compare to what is featured in image two. Always ask yourself, “What is the subject”? Here it’s the saguaros and the surrounding area. Think of those features like a soloist and the sky , foreground, leading line like the orchestra, making the soloist sound good.
By literally moving 3 meters to the right and turning a bit to the left I was able to include a wonderful foreground. Before planting your tripod, (do you use a tripod all the time? You should as much as possible.) walk around and see if the spot you committed yourself to is the right spot. It might not be. Image one would have been trashed, but by looking around I was able to make a good image as I did in Image 2
Make Sure you are in the Right Location
Sunrise on the Sonran Desert, Arizona
Which One Works #5 Death Valley National Park , NIK SOFTWARE WEBINAR, ULTIMATE ICELAND 2012
Jack Graham Photography www.jackgrahamphoto.com
Learn to See Learn to think Learn to create
2012 Workshop Schedule http://www.jackgrahamphoto.com/2012-workshop-schedule — WORKSHOPS FILLING FAST —!!
2012 Registration Form REGISTRATION FORM 2012v9
Workshop Referrals: http://www.jackgrahamphoto.com/referrals
One on One, Individual Workshop information http://www.jackgrahamphoto.com/one-one-field-studio-photography-workshops
Workshop FAQ’s GENERAL WORKSHOP QUESTIONS_FAQ’S INFORMATION_v2012f
PODCAST: www.18percentgraymatter.com new podcast ready now—interview with Laurie Rubin, NIK SOFTWARE
2012 Workshop Locations incliude the desert southwest, Olympic National Park, Columbia River Gorge, Fall Color in Oregon’s Wine Country & Area, Northern California
http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-fall-in-northern-ca-sep-20-23-2012-1 and Whidbey Island, Wa http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-photography-on-whidbey-may-9-12-2012-1 with the Pacific Northwest Art School…. Tetons & Yellowstone, Wyoming Big Horn Sheep in December…. please check out the details here: http://www.jackgrahamphoto.com/2012-workshop-schedule
My fall workshop with Guy Tal www.guytal.com in the Eastern Sierra is almost full there are a few spaces left. This workshop is almost at capacity. http://www.jackgrahamphoto.com/17th-annual-eastern-sierra-photography-workshop-mono-lake-alabama-hills-bristlecone-pine-bodie-more Register NOW! ( Check out Guy’s E=Books as well !!)____________________________________________________________________________
Jack Graham E-Book Series 1 & 2 now available for purchase and instant download:
http://www.jackgrahamphoto.com/shop/e-books
Noteworthy Use code JGRAHAM when ordering NIK SOFTWARE on line and receive a 15% discount!!!!
Left to Right: Jack, Laurie Rubin, Dan Hughes, of NIK SOFTWARE in their offices in San Diego
Recently I recorded a webinar at the NIK SOFTWARE Headquarters in San Diego. I would like to thank the folks at NIK Software, especially Laurie Rubin and Dan Hughes for making this possible. You can view the entire webinar here: http://www.niksoftware.com/learnmore/usa/index.php/webinars/archives/#/keeping-it-simple-with-nik-software-with-jack-graham/0/0/0/0/0
I just returned from my spring workshop in Death Valley. We had great weather right up until the last few hours when a bad dust storm blew through. We had good sunsets and sunrises. We had an exceptional group of attendees as well. I’ll be back in Death Valley in early November and have a few spaces left.
Driving into the sandstorm on the way out of Death Valley last week
Speaking of spaces, I have only one space left for Ultimate Iceland in July 2012. If you are thinking about this trip, please consider coming along. You will be in for an exceptional experience, feathering 10 full days ( I don’t count travel days like some other workshops do!) of photography. You can view the details here: http://www.jackgrahamphoto.com/ultimate-iceland-july-2012
Getting set for the webinar at Nik Software
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I received a nice email from a workshop attendee recently. She really summed up what I not only preach on workshops, that being to slow down, Look more and shoot less, and to try and make some different images than what has already been done. Please give it a quick read!
From: Anne S [mailto:atXXXXXXX2006@gmail.com]
Sent: Wednesday, March 07, 2012 5:42 AM
To: Jack Graham
Subject: Recent Workshop
Jack,
I finally got a chance to process the photos. I did not take a whole lot of pictures but each of them reminds me a lot of your instructions and hints.
As you know, I am not out there to just take beautiful pictures though I have some very nice ones with your help to get things tighter. For me, most importantly, I left the workshop with a good amount of knowledge and technique to help me take better pictures in the futures. I really appreciated you coming out for this personal workshop. I certainly have enjoyed it a lot and best of all, I have learned some good technique in photography.
If I get a chance to be in the west again in the near future, I will certainly contact you. Likewise, if you are in the east coast, please do not hesitate to drop me an email. I hope we could do another workshop again in a different setting.
Thanks—Anne
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My podcast partner Bob Kulon has a new e-book out titled “Getting There”– Bob goes through the trials and tribulations of going pro as a nature photographer–a must read! !!! http://www.lulu.com/spotlight/bkulon
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WHICH ONE WORKS? # 5– DEATH VALLEY NATIONAL PARK, CALIFORNIA 2012
Which One Works is a feather I am publishing here on my blog every week or two. I’ll discuss and compare images and talk about why I like one over the others.
This process is a common one that we all deal with in our digital darkroom. The final image is important for whatever project it’s being used for, and spending time determining which image works vs. another is well worth it. In many case the slightest difference in composition, light etc makes all the difference,
Often we may take many frames of a subject in different light and different angles. Each frame can evoke a different feeling to the subject.
Always remember that you need a good subject and acceptable light, or your final image will probably be less than desirable.
Your comments, as always are more than welcome.
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Badwater, DVNP © Jack Graham
LOCATION: Mesquite Flat Sand Dunes, Death Valley NP, California USA
Lat: 36°36’44.16″N
Long: 117°07’2.93″W
Death Valley is a vast baron land, about the size of Connecticut (3.3 million acres) in the southeastern part of California. Due to the many mountain ranges on all sides, rainfall is scarce. I am sure that most of you know that DVNP receives about 2” of rain per year and would evaporate about 150”+. Badwater is over 200 feet below seal level and is usually the hottest place I the United States and even throughout the world. From a photo graphical standpoint, DVNP is a challenging place, even for a seasoned pro photographer. Heat is a huge problem in the late spring, & summer. When arriving at a location the conditions can be vastly different from your hotel or campsite. When photographing in DVNP, its always important to consider textures and patterns. Slowing down and learning to see are both very important factors and go a long way when attempting to create quality images in Death Valley. The bottom line is that DVNP is a great place to learn to be creative. If you are in too much of a hurry, your images will fail.
Image # 1 Mesquite Flat Sand Dunes, DVNP ©Jack Graham
THE STORY:
Our group ventured out the 1st morning and the 4th morning of our workshop at sunrise to capture images at the Mesquite Flat Sand Dunes. It was soon apparent to my workshop attendees that patterns and subject matter had to be considered carefully. At sunrise, the sand becomes a rich orange. Soon after the sun is above the horizon, the shadows of the back of the dunes contrast to the first lit sides, making metering a bit tricky. I often find that automatic metering is ineffective most of the time when shooting these dunes.
I always suggest, especially in this location, that you really work the subject. Take multiple images from different locations. If you are using a zoom lens, just don’t zoom in and out to create tighter shots. Walk around and get the most out of whatever focal length up you are using. The compression of the background is different, especially with mid to long telephoto lenses, when you walk into place and make an image vs. when you stand in one place and zoom in. It’s always good to get on the dunes the morning after a windy night. Tourists (and photographers as well) trample the dunes and leave footprints which can be really tough to clone away. These images were made on the 4th morning after a windless night. I cloned out as many footprints as possible, but many still remain. Wind is the only force that can eliminate these unwanted artifacts which are seen in so many images.
Image # 2 Mesquite Flat Sand Dunes, DVNP ©Jack Graham
TECH DATA: On day 4 I decided to put my new Nikon 28-300mm lens to the test (more on this in another blog article). I shot a few images at F22, which I normally do not use very often and at 300mm and 28mm respectively. I was rather impressed with the overall quality. I obtained this lens to use as a travel lens, when weight is a consideration. Does is perform like my 17-35mm 2.8 or 80-200mm 2.8? Not quite but its really better than I expected.
IMAGE 1 Date/Time: 2012:03:05 07:32:35 ( sunrise was about 6:15 or so)
NIKON D700 Nikon Lens-Nikon 28-300mm f/3.5-5.6G ED VR set at 300m
Shutter speed: 1.6 sec at F22 Exposure –Manual Metering-Spot at 300mm
- 1/3 compensation no filters
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IMAGE # 2 (11 minutes later) This images was slightly cropped on the bottom.
Date/Time: 2012:03:05 07:43:32 ( sunrise was about 6:15 or so)
NIKON D700 , Lens– Nikon 28-300mm f/3.5-5.6G ED VR set at 105mm
Image # 2 Mesquite Flat Sand Dunes, DVNP ©Jack Graham
Shutter speed: 1/20th sec at F16 Exposure –Manual Metering-Spot
- 1/3 compensation no filters
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PROCESSING: Lightroom camera raw adjustments then NIK SOFTWARE—Define, Viveza 2.0, Color Efex Pro4 (Pro Contrast, Darken Lighten Center) Output Sharpener 2.0
The final monochrome image was processed using Nik Software Silver Efex Pro2
Image # 1 Mesquite Flat Sand Dunes, DVNP ©Jack Graham
THE EDIT: I really have a tough time discerning which one works. They both work in different ways. There are certainly more lines in image # 2, than the wider view, as well as the crop, depicts what the dunes represent. Both images tell a story. Both images depict the sand dunes well, but in a very different way. The use of the creosote bush to me is better in image #1.
When critiquing images, I use what I refer to as my 5 second rule. If I can not look at an image and in 5 seconds, want to study it more, or know that something is working well, I usually move on. Again both images quality in this respect as well.
I will pick image #1 over image # 2. My eye tends to keep moving around in image #2 looking for a more defined subject than image # 1. I also think that though I made a slight crop in image #2, there is still a bit too much foreground. Perhaps a panorama of this area would have been better suited for my needs. I really like how the bush in image #2 anchors the image. The curve and shape of the large dune in image #1 is a well-defined subject.
After converting image # 1 into monochrome (below), I even like it better. The shadows work much better in monochrome than in color
What do you think?
JG
Image # 1 Mesquite Flat Sand Dunes, DVNP ©Jack Graham
The right to download and store or output any content on these websites www.jackgrahamphoto.com and www.jackgrahamsbloog.com is granted for preview purposes only and may not be reproduced in any form .All Photographs appearing on these sites are the property of Jack Graham unless otherwise noted.
These photos are protected by U.S.Copyright laws and are not to be downloaded or reproduced in any way without the written permission of Jack Graham
By entering these sites you accept these terms. If you need permission to use a photo on these sites please call
503-625-1430 or email Jack @ Jack@jackgrahamphoto.com
NEWS / Workshops / Article: Which one Works # 4, “The Palouse”
Jack Graham Photography www.jackgrahamphoto.com
Learn to See Learn to think Learn to create
VISIT MORE IMAGES on the 500PX Web site–CLICK HERE http://500px.com/JackGraham
This is a GREAT website for viewing some simply amazing images!
__________________________________________________________
Out in the Eastern Sierra
2012 Workshop Schedule http://www.jackgrahamphoto.com/2012-workshop-schedule
2012 Registration Form REGISTRATION FORM 2012v9
Workshop Referrals: http://www.jackgrahamphoto.com/referrals
One on One, Individual Workshop information http://www.jackgrahamphoto.com/one-one-field-studio-photography-workshops
Workshop FAQ’s GENERAL WORKSHOP QUESTIONS_FAQ’S INFORMATION_v2012f
PODCAST: www.18percentgraymatter.com NEW PODCAST COMING LATER THIS WEEK!!!!
______________________________________________________________________________
Jack Graham E-Book Series 1 & 2 now available for purchase and instant download:
http://www.jackgrahamphoto.com/shop/e-books
Noteworthy
WEBINAR———NIK SOFTWARE: I would like to thank the folks at NIK SOFTWARE for inviting me to host a webinar at their studio in San Diego from 2-3PM on Feb 28th. You have to register to attend. You need to register for this, and I know there are only a few spots left! ( they can register up to 1000 people). Click here to register: http://www.niksoftware.com/learnmore/usa/index.php/webinars/signup/12851?j=16013119&e=jack@jackgrahamphoto.com&l=175395_HTML&u=205139063&mid=115479&jb=0
I have a featured article in Landscape Photography Magazine this month. You can read it here:
http://landscapephotographymagazine.com/
_____________________________________________________________________
Workshop news and information:
WHIDBEY ISLAND & NORTHERN CALIFORNIA—Pacific Northwest Art School Workshops am conducting 2 workshops this year for the Pacific NW Art School. One is on Whidbey Island, Washington in May and the other is in Northern California in September. These are at a very special price and a tremendous value. Please contact them by clicking here, http://www.pacificnorthwestartschool.org/all/photography-workshops/graham-jack-photography-on-whidbey-may-9-12-2012
or call (360) 678-3396 for information Pacific Northwest Art School Flier
Blue Ice, Iceland
ULTIMATE ICELAND in July 2012—–ONLY ONE SPOT LEFT!… It’s going to a special trip! http://www.jackgrahamphoto.com/ultimate-iceland-july-2012
HIDDEN CHINA and optional TIBET:–Summer 2012 One of the 1st workshops ever to venture into Details here: http://www.phototc.com/tours/tour.php?tour=152
EASTERN SIERRA with GUY TAL — www.guytal.com OCTOBER 2012—There are only a few spots left for my Eastern Sierra workshop in October with me and my good friend Guy Tal. If you are thinking about joining us, please let me know ASAP. Rooms are also at a premium.
Mammoth Hot Springs, Yellowstone NP
TETON NP / YELLOWSTONE NP WORKSHOP in September. Details are found here:
http://www.jackgrahamphoto.com/fall-grand-teton-and-yellowstone-np-photography-workshop
COLUMBIA RIVER GORGE in JUNE !! Wildflowers & Waterfalls!http://www.jackgrahamphoto.com/columbia-river-gorge-and-mt-hood-photography-workshop
FEATURED ARTICLE: WHICH ONE WORKS # 4
© Jack Graham
This is a new feature I am publishing here on my blog every week or two. I’ll discuss and compare images and talk about why I like one over the others.
This process is a common one that we all deal in our editing process. The editing process is as important as any stage in the making of a photograph. You should edit carefully, and be your toughest critic. In most cases the slightest difference in composition, light etc makes all the difference between a really good image and a great image.
Often we may take many frames of a subject in different light and different angles. Each frame can evoke a different feeling to the subject.
Always remember that you need a good subject and acceptable light, or your final image will probably be less than desirable.
Though art is subjective, certain aspects of correct composition are less. This writing is my feelings. You may disagree; if you do I’d love to know why. You comments, as always are more than welcome.
“The Palouse”
LOCATION. – The Palouse Region of Eastern Washington, USA. The Palouse is made up of rolling hills, old weathered barns and patterns in the wheat fields, accentuated by the light and clouds, which makes for some simply amazing photography. One must have their creative juices flowing to be successful photographing the Palouse. The Palouse is the richest wheat growing area in the United States due to the geographic location rainfall and rich soil.
These images were made in June, when the area is its greenest.
THE STORY: One of the most striking things I always look for are the barns, sitting on or within the green hillsides. As I am sure you know red and green, as opposite colors work well together. This time of year, the green is at its peak. When photographing here, it’s important to take the textures, patterns and color all into account in every landscape image. I did that in all 4 of these images. Keeping the image as simple as possible is also primary. These are working farms. There will be tractors, silos, and other added articles around the barns, property and on the roads and along the roads. Sometimes you wasn’t them there, sometimes you don’t. Can you clone them out, sometimes, but sometimes they may cause distractions and be unable to be removed successfully. Can they affect the feel of an image? You bet, as we will see here.
TECH DATA: These images were all shot back in 2006 on June 12th. Image and all were taken 8, minutes apart at ISO 200, using A Nikon D200 and a Nikon 300mm F4 lens (which equaled 450mm taking the crop factor into consideration). Apertures were all F16, and shutter speeds were either 1 /40th or 1/30 second.
I did minimal processing on these 4 images. The one which I select will be refined and look better than these, but for this exercise, we’re talking about compositional elements, not processing.
The finial-processed image will be included at the bottom of this writing.
Images were processed using Adobe Lightroom, Adobe Photoshop CS4 and as always Nik Software. Define was used first to remove any noise. I did not use Viveza 2 on these images at all, but did add Detail Extractor, Brilliance & Warmth, a slight amount of foliage enhancement and bit of vignette to each image, using the Nik Software’s Color Efex4 Pro.. Sharpening was done in Nik Sharpener Pro. There was minimal cropping done to these images.
The same amount of each filter/ sharpening etc was applied to each image. There are no variations in processing here, just natural light
THE EDIT: Let’s talk about each image, the pros and cons.
IMAGE # 1
Image # 1
Pros: I don’t really see too many here at all.
Cons: Let’s start with a basic question you need to always ask yourself. What’s the subject? IS it the barn? Is it the green hillsides? If you cannot answer this, the image is a failure. I cannot answer that question looking at this image. Can you?
There are many compositional defects in this image. There is a huge excess of foreground that adds nothing to the image at all. Yes the rolling hills are nice, the shadows are to me just ok, but the only reason you know it’s a barn is because it’s red. Could I crop out or clone out that tree in the upper left corner. Why is even there? Perhaps because the D200 was a 95% view finder! Also, to me the barn is not 100% sharp.
TIP—Know what percent your viewfinder is and remember things may creep into your image. Live view will always show you a 100% view!
This image will be trashed and would never get to the processing area.
IMAGE #2
IMAGE # 2
Pros: To me this is an improvement that image #1, because of one factor. To me the barn is now the subject. At least we have one here. The simple placement of the barn in the foreground vs. at the top allows for a defined subject. This image was made 4 minutes after image #1. There is a nice leading line, the road coming from the lower right into the barn & house. The patterns are nice and the hillsides in the background are OK. Notice how the light changed in just 4 minutes.
Cons: The barn is not sharp enough, nor is the trees. This is still not anything to keep. Perhaps it might be a nice postcard, but nothing to hold my interest for more than about 10 seconds. It’s better than image #1, but to me, still a boring image.
I see many of these kinds of images, sometimes published—but this image will be trashed and would never get to the processing area either.
IMAGE # 3
Image 3
No matter how I tried the images, even though there were some pros, was unusable for all the reason I stated. In the same general area, Image # 3 was taken 2 minutes later than image # 1&2. Here we have something to look at and to hold interest.
Pros: Just my looking in a slightly different direction allowed me to see something different. Because of the way it’s constructed, the content and layout is why this image is, so far, the superior. The red buildings and silos in the foreground make a pleasing anchor to the vertical view. This image says” Palouse”! The added suspense created by the dust blowing off the road at the top, as a vehicle, not seen, creates interest. The spacing on the barns etc is good. The light is quite nice as well. It’s a bit hard to tell in these compressed images but the barn and trees are much sharper.
Cons: Even though there is better subject matter here, there is also much more “going on” in this image than I really would like as a final shot. My eyes wander from the red barns up to the top and that dust, and then back down. Lets’ look for the subject again? What is it in your mind? I need the subject to be a bit more defined. The trees in the upper right corner also bother me a little but not terribly.
As a documentary image or a stock image this might be kept, but not certainly for a fine art print.
Image # 3, though a big improvement over 1 &2 is still a work in progress.
IMAGE # 4
Image # 4
I remember when I made these sequences of images and remembered how I asked myself how I could define the subject better. Why not try a horizontal image?
Pros: The placement of the red barn is now in the right area. As a horizontal image, there is not extraneous apace on the top or bottom. To me it’s just right. I really like how the leading line (road) comes in from the lower left and through the image. The lone few trees on the left add interest. The amount of spaced used by the hillsides on the upper half of the image add interest as well. There is enough, but not too much.
Cons: I don’t have too many. As a nit pick, when I finish processing the image I’ll remove the shadow in the upper left corner. Did you notice this? I did. These kinds of things can distract from an image. In the final image I’ll add some structure to this image using Nik Software’s Viveza2.
In a span of 8 minutes these 4 images were made and the simple though to make a horizontal image saved the day. This scene just lends itself to a horizontal over a vertical image.
TIP: If in doubt, shoot both horizontal and vertical images. When you get in front of your monitor, and then make the decision. Both can work for different uses.
What do you think? … and if you would like to join us in the Palouse this June… click here for information:
http://www.jackgrahamphoto.com/spring-palouse-now-5-days
The right to download and store or output any content on this website www.jackgrahamphoto.com and www.jackgrahamsblog website is granted for preview purposes only and may not be reproduced in any form .All Photographs appearing on this site are the property of Jack Graham unless otherwise noted.
These photos are protected by U.S.Copyright laws and are not to be downloaded or reproduced in any way without the written permission of Jack Graham
By entering this site you accept these terms. If you need permission to use a photo on this site please call 503-625-21430 or email Jack @ Jack@jackgrahamphoto.com
NEWS / 2011 Jack Graham Photography Workshop Contest Winners
Jack Graham Photography www.jackgrahamphoto.com
Learn to See Learn to think Learn to create
2012 Workshop Schedule http://www.jackgrahamphoto.com/2012-workshop-schedule
2012 Registration Form REGISTRATION FORM 2012v9
Workshop Referrals: http://www.jackgrahamphoto.com/referrals
One on One, Individual Workshop information http://www.jackgrahamphoto.com/one-one-field-studio-photography-workshops
Workshop FAQ’s GENERAL WORKSHOP QUESTIONS_FAQ’S INFORMATION_v2012f
PODCAST: www.18percentgraymatter.com
______________________________________________________________________________
"In All we See"
Jack Graham E-Book Series 1 & 2 now available for purchase and instant download:
http://www.jackgrahamphoto.com/shop/e-books
Noteworthy
WEBINAR-NIK SOFTWARE: I am conducting a webinar “live” at the Nik Software studio from 2-3PM on Feb 28th. You have to register to attend. As of last night there were only 120 spots left ( they can register up to 1000 people). Click here to register: http://www.niksoftware.com/learnmore/usa/index.php/webinars/signup/12851?j=16013119&e=jack@jackgrahamphoto.com&l=175395_HTML&u=205139063&mid=115479&jb=0
I have a featured article in Landscape Photography Magazine this month. You can read it here:
http://landscapephotographymagazine.com/
ONLY ONE SPOT REMAINS for ULTIMATE ICELAND in June 2012 It’s going to a special trip!: http://www.jackgrahamphoto.com/ultimate-iceland-july-2012
As well as one of the 1st workshops ever to venture into HIDDEN CHINA and optional TIBET: Details here: http://www.phototc.com/tours/tour.php?tour=152
__________________________________________________________________________
2011 Jack Graham Photography Workshop Photo Contest Winners
I want to thank everyone who entered this years (2011) Jack Graham Photography Workshop Contest. Every year I say this, but this year’s entries were the best yet. The quality of the submissions was really way above average with many images that I frankly wish were mine! We had 94 really amazing images entered. Here are the top 5 winners
Again for 2011 the three judges for this contest were:
Bill Fortney: http://billfortney.com/ a legend in nature photography, author of the America from 500’ Nature photography book series, workshop leader, speaker, and much more, as well as great person and someone I can not say enough about. Bill also is an integral part of Nikon NPS (Nikon Professional Services)
Darrell Gulin: www.gulinphoto.com Darrell has been photographing for over 26 years, marketing his work for the last 25 years and has been a full time Nature/Travel Photographer for the last 19 years. He markets his work through Stock Agencies, Editorial Markets, Photography Workshop/Tours, Seminars and Speaking Engagements. Darrell is one of Canon’s Explorer of Light Photographer
Ralph Clevenger: www.ralphclevenger.com Ralph teaches courses in nature photograph, stock photograph and more at the Brooks Institute in Santa Barbara, Ca. He is an award winning photographer and author of the book( highly recommended) “Nature Photography”
Congratulations to these years’ winners as well as our honorable mention folks. http://jackgraham.photoshelter.com/gallery/2011-WINNERS-Jack-Graham-Photography-Workshops-Photo-Contest/G0000VEgdVtouG6g/
I’ll be repeating this contest again for 2012 so consider a workshop where I stress learning to see, learning to think and learning to create, as we work together to become a true “artist”.
Sincerely
Jack Graham www.jackgrahamphoto.com
1st PRIZE: Albert Tam, Burlingame, California________________
Mesquite Flat Sand Dunes Death Valley NP © Albert Tam
Albert is an amazing photographer. His monochrome renditions are the best. Albert uses all components of the location and conditions to deliver simple, yet stunning images.
I really love Albert’s use of subtle nuances as well as wonderful use of shadows. This image is one such example.His work speaks for itself! Great image Albert!!!
Albert attended my Death Valley workshop in Feb 2011. The image above was just one of many great images he made on this workshop.
It’s interesting to note that the first prize image the past 2 years was from Death Valley. Those who know Death Valley know it’s a challenging place to photograph in.
More of Albert’s work can be found on his website. Visit it by clicking here
Congratulations Albert.
1st Prize
1) A Jack Graham Photography Workshop between now and the Dec 31st 2013 ( Gift certificate to be sent to you by me) (does not include international workshops or workshops I do for other companies)
2) $100.00 Gift Certificate from Hunt’s Photo & Video(will be sent directly from Hunt’s
3) Your choice of either Viveza2 or Color Efex Pro 4 from NIK Software (sent to you directly from Nik Software)
4) Peak Capture Camera Clip from www.outdoorphotogear.com (sent to you directly from OPG)
5) A few one years subscription to www.photographamericanewsletter.com (I’ll send you the form)
A copy of both of my E-Books (Sent to you by me)
______________ 2ND PRIZE: Tina Blum, Central Point, Oregon____________________
Dancing Aspens, Eastern Sierra, CA © Tina
Like Albert, Tina also was one of what Guy Tal (www.guytal.com) and I called “thinkers” on our workshop in the Eastern Sierra last October. Guy and I really stressed slowing down, studying the environment, conditions and looking for a unique image, rather than the iconic image so often seen. Tina accomplished this. I remember look around many times and seeing someone in some kind of contortion, of laying on the ground, in other words, not just standing there with a tripod. So often, it turned out to be Tine. This image represents her vision. Tina’s work can be seen here http://tinablumimages.500px.com/#/0 and even more here: http://500px.com/TinaBlumImages
Thanks Tina !
2nd PRIZE
1)) A 60% discount off any Jack Graham Photography Workshop between now and the Dec 31st 2013 ( Gift certificate to be sent to you by me) ) (does not include international workshops or workshops I do for other companies)
2) $50.00 Gift Certificate from Hunt’s Photo & Video (will be sent directly from Hunt’s
3) Black Rabbit Extreme Sport Strap from www.outdoorphotogear.com (sent to you directly from OPG)
4) One regional Collection of your choice from www.photographamericanewsletter.com (I’ll send you the CD—let me know which region you would like—visit the website for the offerings)
5) A copy of both of my E-Books (Sent to you by me)
3rd PRIZE: Carol Pustulka, West Seneca, NY_________________________
Patterns in a Stream,© Carol Pustulka
Carol was here in Oregon last year for a workshop out on the Oregon Coast. This image was made in a local creek. Carol and I met a few years ago while I was speaking at the big Niagara Frontier Regional Camera Club convention in Buffalo, (a great group—I’ve been there 3 times now!). Carol is a consistent winner in their various competitions and a mainstay of the Southtown’s Camera Club, which has been the top producing club in the region.
3rd PRIZE
1) A 50% discount off any Jack Graham Photography Workshop between now and the Dec 31st 2013 ( Gift certificate to be sent to you by me) ) (does not include international workshops or workshops I do for other companies)
2) $50.00 Gift Certificate from Hunt’s Photo & Video (will be sent directly from Hunt’s
3) Tanaba Vector Top Load Camera Bag from www.outdoorphotogear.com (sent to you directly from OPG)
4) One regional Collection of your choice from www.photographamericanewsletter.com (I’ll send you the CD—let me know which region you would like—visit the website for the offerings)
5) A choice of one of my E-Books (Sent to you by me)
Learning to be a good nature photographer in areas of the country that make you have to work a bit harder than others really shows up. Carol is one such example. Good job Carol!
__________________4th PRIZE Jackie Curts, Lagoda, Indiana________________________
Snow Scene, Canyon de Chelley, Arizona © Jackie Curts
What a gift we had last March in Canyon de Chelley. Jackie made this photograph actually on the afternoon before the workshop started. We caravaned from Monument Valley over the Canyon de Chelley in early afternoon. When we arrived in Chinle, AZ it was snowing lightly. Knowing it was snowing Chinle, I figured that for sure was probably snowing harder up in the Canyon. I got the group together and we ventured up to the canyon for a few house of amazing photography. in some rather deep snow. What had been intended as a travel day (and some down time for me!) turned out to be a special few hours… truly a gift !
Jackie took some time composing this image. We were all scattered within about a 50’ range of each other but she did a great job on this composition. Usually gray or white skies or backgrounds are not what we want in an image, but the background here is wonderful. It’s snow falling! If you look closely you can se the red rocks of the canyon through the snow. This was not an east image to compose for many factors, let along the cold, and blowing snow were dealing with. This is a wonderful image Jackie! Congratulations.
More of Jackie’s work can be found here: http://www.photosbyjackiecurts.com/
4th PRIZE
1) A 25% discount off any Jack Graham Photography Workshop between now and the Dec 31st 2013 ( Gift certificate to be sent to you by me) ) (does not include international workshops or workshops I do for other companies)
2) $25.00 Gift Certificate from Hunt’s Photo & Video (will be sent directly from Hunt’s
3) Dust Aid Sensor Cleaning Kit from www.outdoorphotogear.com (sent to you directly from OPG)
4) A one year subscription to www.photographamericanewsletter.com (I’ll send you the form
5) A choice of one of my E-Books (Sent to you by me)
5th PRIZE Lynn Koler, West Seneca NY________________________
Sunrise, Tillamook Bay, Oregon © Lynn Koller
Lynn was here as well, with 3rd place winner Carol P, in Oregon last year for a workshop out on the Oregon Coast. This image was made at sunrise from a kind of secret location I know of, that not many other photographers frequent.. Like Carol, Lynn is also a consistent winner in their various competitions and a major part of the Southtown’s Camera Club, near Buffalo which has been the top producing club in the region. Lynn spends a lot of time in sunny Florida as well and has some wonderful images to prove it!
Don’t you just love how Lynn placed this (what looks to be an ibis?) in this image in a perfect position! Wonderful image Lynn.
5th PRIZE
1) A 20% discount off any Jack Graham Photography Workshop between now and the Dec 31st 2013 ( Gift certificate to be sent to you by me) ) (does not include international workshops or workshops I do for other companies)
2) $25.00 Gift Certificate from Hunt’s Photo & Video (will be sent directly from Hunt’s
6) Gitzo Hat and Cap from www.outdoorphotogear.com (sent to you directly from OPG)
7) A one year subscription to www.photographamericanewsletter.com (I’ll send you the form
8) A choice of one of my E-Books (Sent to you by me)
WHICH ONE WORKS? #3 “Composition, Processing challenges and the Feeling” / Recent News
Jack Graham Photography
Learn to See Learn to think Learn to create
2012 Workshop Schedule http://www.jackgrahamphoto.com/2012-workshop-schedule
2012 Registration Form REGISTRATION FORM 2012v9
Workshop Referrals: http://www.jackgrahamphoto.com/referrals
One on One, Individual Workshop information http://www.jackgrahamphoto.com/one-one-field-studio-photography-workshops
Workshop FAQ’s GENERAL WORKSHOP QUESTIONS_FAQ’S INFORMATION_v2012f
PODCAST: www.18percentgraymatter.com
______________________________________________________________________________
Jack Graham E-Book Series 1 & 2 now available for purchase and instant download:
http://www.jackgrahamphoto.com/shop/e-books
Noteworthy
LANDSCAPE PHOTOGRPAHY MAGAZINE http://landscapephotographymagazine.com/
This months issue (Feb 2012) contains an article entitled “Focus on the Unconventional” http://landscapephotographymagazine.com/magazine/issue-12/ by me. I hope you find it interesting. While you are there, check out his 1st class publication. Compared to many of the print magazines, Landscape Photography is far ahead of the curve. Check out them various sections and innovative layout here. Let me know how you like the article!.
NIK WEBINAR : I’ll be doing a webinar for NIK DOFTWARE, live in their studio from 2-3PM (Pacific Time) on February 28th. The webinar topic is “Keeping it Simple” and getting the most out of the NIK Software Suite. Click here to register for the webinar: http://www.niksoftware.com/learnmore/usa/index.php/webinars/signup/12851?j=16013119&e=jack@jackgrahamphoto.com&l=175395_HTML&u=205139063&mid=115479&jb=0
See you there! (save 15% on NIK Software—order online www.niksoftware.com and enter the code JGRAHAM)
WORKSHOPS; My 2012 workshops are beginning to fill quickly. The links you need to have are at the top of this page. We have only one seat left for Iceland, and just a few for our unbelievable trip to Hidden China and Tibet this summer. Also the workshops in the Southwest this spring are almost filled.. Don’t miss out on these !!!!
__________________ FEATURED ARTICLE————————————————————————————————————
WHICH ONE WORKS? #3
“Composition, Processing challenges and the Feeling”
©Jack Graham / Jack Graham Photography
Within these discussion that will appear on my blog every week or two, I’ll discuss and compare images and talk about why I like one over the others.
This process is a common one that we all deal with in our digital darkroom. The final image is important for whatever project it’s being used for, and spending time determining which image works vs. another is well worth it. In many case the slightest difference in composition, light etc makes all the difference, Processing techniques can also make the choice apparent as well.
Often we may take many frames of a subject in different light and different angles. Each frame can evoke a different feeling to the subject.
Always remember that you need a good subject and acceptable light, or your final image will probably be less than desirable.
You comments, as always are more than welcome.
______________________________________________________________________
IMAGE # 1 Beaver Pond, Lundy Canyon,
LOCATION: Beaver pond, Lundy Canyon, Eastern Sierra, California
THE STORY: Prior to the start of my fall workshop in the Eastern Sierra, in 2011, Guy Tal www.guytal.com) and me, spent a few days together, scouting the area for our coming workshop in early October. Late in the afternoon as some weather was moving in we drove back into the beaver pond past Lundy Lake. I’ve been back here in some wonderful weather tor photography ( for me its dramatic skies; usually adverse conditions!). There is lots of subject matter here. There is a series of ponds all high maintained by the local beavers who monitor the water level and use the plentiful amount of aspens and other trees for their dens, easily visible from the shoreline.
IMGAE # 2 Beaverpond Lundy Canyyon
Its’ about 7000’ elevation here and the temperature is usually about 10-15 degrees colder than in close by Lee VIning and Mono Lake. Though the weather was not really terrible, it was about 32 degrees Fahrenheit and windy and raining and snowing at times pretty hard. Unfortunately the wind was blowing right at us. I’ve been in worse. The light was just ok, but for a few minutes when the sunlight pushed through the clouds in the distance hi about the mountains where it was snowing and the snow up high really made this image interesting. Though I had my chamois ready, the raindrops were a factor on my lens as you can see in the raw file.
.
TECH DATA:
Image 1 ( Horizontal ) Image # 2 (Vertical)
Date/Time: 2011:10:10 16:21:36 Nikon D700 /Nikon 28-70mm F 2.8 2011:10:10 16:04:41 Nikon D700 /Nikon 17-35mm F 2.8
Shutter speed: 1/30 sec Aperture: 16 Shutter speed: 1/13 sec Aperture: 16
Exposure mode: Manual Metering mode: Spot Exposure mode: Manual Metering mode: Spot
ISO: 400 Focal length: 30mm ISO: 400 Focal length: 20mm
Let’s discuss processing. II did all my normal processing Adobe Lightroom & did a lot of cloning in Photoshop of the water droplets that I could not prevent from hitting my lens! ( you can see my workflow and processing information in my eBook Series 1 available for sale on my website: I then used my NIK Software as follows:
Here are the origional RAW FILES of each image
RAW file before processing
RAW file before processing
1) Define 2.0—noise reduction. With my Nikon D700 at ISO400 there was virtually NO noise
2) Viveza 2.0 – added a good amount of structure and some contrast to the clouds (see my glossary below & learn these terms). I reduced the amount to light in the upper right, ‘
By adding some structure to the water, I was able to bring out some of the reflections as well. I also adjusted the shadows in the trees and brought out a lot of definition, lost in the RAW file. (This is why we use the RAW format. We have much more to work with and can make these adjustments correctly… a discussion of RAW vs. jpeg can be found here: http://jackgrahamphoto.wordpress.com/2011/03/04/photo-tip-podcast-workshop-info/
3) Color Efex 4 – I added just a tad of Brilliance & Warmth and then just a little Pro Contrast. I used the foliage adjustment to bring out the greens & the foliage along the shoreline. As always I added a vignette, using the Darken –Lighten center feature. This allowed me to choose where I want the center of attraction to be. I chose the shoreline on the left side of the pone. and adjusted the amount of vignette I wanted as well as the amount of darkening I wanted the boarders to have.
4) Sharpening _ I used NIK’S Sharpener Pro 3.0 . I wanted the trees and vegetation sharper than the mountaintops and certainly the sky. With the Nik software I can control using the U-Point technology the area I want to have sharper than others. Not all images need this but this one did.
After that I added a slight curve and adjusted my levels in Adobe Photoshop and completed the processing.
THE EDIT:
Both images deliver a totally different feeling and emoting. I chose image 2.Some of you who know me know I really love vertical images and for a while I tended to photograph more vertical images than horizontal. I’ve now learned to shoot both angles and make the decision later! This is a good example.
IMAGE #2
I choose #2 for a few reasons. First there is a much more appealing foreground, which is usually the first thing I look for inn the field when looking for good subject matter.
On my workshops, I always stress to my workshop attendees , that a little thing can make a good image a great one. Sometimes it’s not the obvious, but the subtle that can transform an image. For instance,
I really like how the sun reflection is right at the top of the tree reflection, and the top of the dead tree it pointing right up to the sun that just cresting over the tops of the mountains . I also like, really in both images how the submerged tree act as kind of a leading line to the other side of the pond.
I feel that the composition is simpler in the vertical. My eye keeps moving around looking for somewhere to land in the horizontal image. There is a lot of subject matter in the horizontal. Simple is always better. In addition the clouds were much more dramatic in image #2. Also note how two different lenses can evoke a different look and feel to an image as well. Image was made with my Nikon 17-35mm F2.8 ( a very sharp lens) . I got down low to the ground to get the foreground where I wanted it. Image #2 was made with my Nikon 28-70mm F2.8, also a very sharp lens. There was no foreground where I was standing.
To recap, these items, in order of importance to me are why #2 was my choice.
1) #2 has a more simple, but stronger composition, delivers a better feeling to the mood
2) Strong foreground
3) Clouds more dramatic
4) Position of the sun on the top as well as the reflection
5) Somewhat better light
Let me now what you think!
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About
Last month I recorded a webinar for NIK SOFTWARE, entitled, “Keeping it Simple” (www.niksoftware.com) that you can access via the Nik Software Webinar Library by clicking here:
NIK RADIO INTERVIEW: (with my good friend Mike Moats www.tinylandscapes) –29MB–takes a minute to load!
http://hw.libsyn.com/p/f/1/e/f1eed7938edcd759/nik100812.mp3?
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Jack’s Blog added to TOP 50 PHOTO BLOG’S by “Guide to Art Schools ” http://www.guidetoartschools.com/library/best-nature-photography-blogs
Complete Workshop information and Fine Art Print sales are available on my website www.jackgrahamphoto.com
How lucky am I ???…I have met lots of great folks in the 16+ years of leading photo workshops. Many have become my friends and many have formed friendships together, outside of photography. I currently lead my own workshops, both in groups and in a One on One environment. In addition to leading workshops, I offer my Fine Art Prints for sale on my website. I’ve had images and articles in many publications and also sell images via stock photography as well. Partial credits include Nature’s Best Photography, Outdoor Photography, California Wild, and many DNR publications, Audubon, Nature Conservancy, Chicago Wilderness,Sierra Club publications, as well as many calendars. Corporate work includes prints and stock applications for internal as well as publication use. I am also on the writing staff for Landscape Photography Magazine, an outstanding online magazine http://landscapephotographymagazine.com/
I’ve been fortunate to have learned, observed and learned first hand with many of the masters of nature photography we all “in the business” have grown to admire. My “hero’s” are John Shaw, Art Wolfe, Galen Rowell and my dear friend Bill Fortney. Through these photographers and others I’ve taken the best of each and use this knowledge every time I am in the field photographing as well as conducting my workshops.I try to represent within my images an artful approach to what we are blessed to see in nature. My goal in photography is simply to make a better image tomorrow than I made today.
I use NIKON equipment exclusively. My workshops are sponsored by Think Tank, Singh Ray,Nik Software, Outdoor Photo Gear, F-Stop Gear Camera backpacks, Lensbabys, The Really Right Stuff, ,Hunt’s Photo & Video, Bob Hitchman’s Photograph America Newsletter. You can read about my field equipment here: http://www.jackgrahamphoto.com/equipment
I am proud to the chair person on awards committee of NANPA, the North American Nature Photographers Association, as well as FNAWS (Federation for North American Wild Sheep, Mono Lake Committee, & SUWA (Southern Utah Wilderness Alliance). Jack can be contacted at jack@jackgrahamphoto.com 2011 WORKSHOP SCHEDULE & INFORMATION REGISTRATION FORM 2011
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Do you love PANORAMA images as much as I do? I am currently using the new M1-L Modular Panoramic Tripod Head from NODAL NINJA. This, as well as all their systems solves parallax problems which are inherent when shooting images side by side!
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Once a camera is properly mounted on a pano head the photographer is able to take multiple images, horizontally and/or vertically, without any subsequent parallax error. Parallax, simply put, is the apparent shifting of objects in the foreground to the background. There is a point inside every lens called the No Parallax Point (NPP). The proper technical term is “entrance pupil” but many refer the NPP as the nodal point, hence Nodal Ninja.
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